{"id":3854,"date":"2025-12-07T11:01:20","date_gmt":"2025-12-07T11:01:20","guid":{"rendered":"https:\/\/www.markus-schall.de\/?p=3854"},"modified":"2026-04-22T16:20:57","modified_gmt":"2026-04-22T16:20:57","slug":"jan-josef-liefers-portret-postoje-puvodu-a-umelecke-svobody","status":"publish","type":"post","link":"https:\/\/www.markus-schall.de\/cs\/2025\/12\/jan-josef-liefers-portret-postoje-puvodu-a-umelecke-svobody\/","title":{"rendered":"Jan-Josef Liefers: Portr\u00e9t postoje, p\u016fvodu a um\u011bleck\u00e9 svobody"},"content":{"rendered":"<p>Kdy\u017e dnes vid\u00edte Jana-Josefa Liefera jako excentrick\u00e9ho profesora Boerneho ve filmu \u201eTatort\u201c, snadno zapomenete, jak dlouho trvalo, ne\u017e se k n\u011bmu dostal. J\u00e1 s\u00e1m jsem ho v t\u00e9to roli v\u017edycky r\u00e1d vid\u011bl: jako sm\u011bs jemnosti, narcismu, humoru a \u00fa\u017easn\u00e9ho p\u0159ehledu. Ale tato sm\u011bs nep\u0159ich\u00e1z\u00ed z ni\u010deho nic. Je to v\u00fdsledek \u017eivota, kter\u00fd za\u010dal v \u00fapln\u011b jin\u00e9m N\u011bmecku - v NDR, v zemi s \u00fazk\u00fdmi hranicemi a jasn\u00fdmi mantinely.<\/p>\n<p>Abychom pochopili, pro\u010d dnes Liefers zauj\u00edm\u00e1 tak d\u016fsledn\u00fd postoj, mus\u00edme se vr\u00e1tit do jeho d\u011btstv\u00ed, do divadeln\u00edho sv\u011bta jeho rodi\u010d\u016f a do doby, kdy kritika syst\u00e9mu nebyla bez n\u00e1sledk\u016f.<!--more--><\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-494 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 9px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-494 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Aktu\u00e1ln\u00ed \u010dl\u00e1nky o um\u011bn\u00ed a kultu\u0159e<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-494\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"iran verstehen: alltag, proteste und interessen jenseits der schlagzeilen\" data-id=\"4462\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"erfahrungen europa geopolitik krisen meinungsfreiheit sicherheitspolitik spieltheorie\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/porozumeni-iranskemu-kazdodennimu-zivotu-protesty-a-zajmy-mimo-titulky-novin\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Porozum\u011bn\u00ed \u00cdr\u00e1nu: V\u0161edn\u00ed \u017eivot, protesty a z\u00e1jmy mimo titulky novin.<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Porozum\u011bn\u00ed \u00cdr\u00e1nu\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Iran-Titel.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Iran-Titel.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Iran-Titel-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Iran-Titel-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Iran-Titel-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/porozumeni-iranskemu-kazdodennimu-zivotu-protesty-a-zajmy-mimo-titulky-novin\/\" rel=\"bookmark\">Porozum\u011bn\u00ed \u00cdr\u00e1nu: V\u0161edn\u00ed \u017eivot, protesty a z\u00e1jmy mimo titulky novin.<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"dieter bohlen im klartext: warum deutschland an der eigenen b\u00fcrokratie scheitert\" data-id=\"3546\"  data-category=\"allgemein b\u00fccher gesellschaft kunst &amp; 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Jeho otec byl re\u017eis\u00e9r, matka here\u010dka - um\u011bn\u00ed pro n\u011bj nen\u00ed \u201ekon\u00ed\u010dkem\u201c, ale do jist\u00e9 m\u00edry normalitou. V mnoha z\u00e1padon\u011bmeck\u00fdch biografi\u00edch bylo um\u011bn\u00ed jak\u00fdmsi \u00fanikem z bur\u017eoazn\u00edch struktur. V NDR tomu bylo jinak: kultura byla organizov\u00e1na, kontrolov\u00e1na a podporov\u00e1na st\u00e1tem - a z\u00e1rove\u0148 byla v\u00fdchodiskem. Pro d\u00edt\u011b takov\u00e9 prost\u0159ed\u00ed znamenalo dv\u011b v\u011bci:<\/p>\n<ul>\n<li>Na jedn\u00e9 stran\u011b vn\u00edm\u00e1me sv\u011bt jako n\u011bco, co lze zobrazit, vypr\u00e1v\u011bt a interpretovat.<\/li>\n<li>Na druhou stranu se brzy nau\u010d\u00edte, \u017ee je rozd\u00edl mezi t\u00edm, co si mysl\u00edte, a t\u00edm, co \u0159\u00edk\u00e1te nahlas.<\/li>\n<\/ul>\n<p>V takov\u00e9m prost\u0159ed\u00ed si \u010dasto vyp\u011bstujete velmi bystr\u00e9 oko. Pozorn\u011bji pozorujete, sly\u0161\u00edte nuance, c\u00edt\u00edte nap\u011bt\u00ed. Ka\u017ed\u00fd, kdo pozd\u011bji dok\u00e1\u017ee v\u011brohodn\u011b zahr\u00e1t tak b\u0159itkou, ironickou postavu, jako je Boerne, m\u00e1 obvykle tento pozorovac\u00ed talent u\u017e od d\u011btstv\u00ed.<\/p>\n<h3>D\u011btstv\u00ed mezi Dr\u00e1\u017e\u010fany a Erfurtem - \u00fazk\u00e1 zem\u011b, \u0161irok\u00fd vnit\u0159n\u00ed sv\u011bt<\/h3>\n<p>\u010c\u00e1st jeho d\u011btstv\u00ed ho zavede tak\u00e9 do Erfurtu k babi\u010dce. Pro mnoho v\u00fdchodn\u00edch N\u011bmc\u016f je tato sm\u011bs velkom\u011bsta, provincie, rodiny a syst\u00e9mov\u00e9 normality typick\u00e1: \u010dlov\u011bk vyr\u016fst\u00e1 v \u00fazk\u00e9m politick\u00e9m r\u00e1mci, ale osobn\u00ed kosmos - p\u0159\u00edbuzn\u00ed, \u0161kola, sousedstv\u00ed - je p\u0159ekvapiv\u011b pestr\u00fd. To, co zn\u00e1me z mnoha \u017eivotopis\u016f z NDR, hr\u00e1lo pravd\u011bpodobn\u011b roli i u Lieferse:<\/p>\n<ul>\n<li>St\u00e1t, kter\u00fd v\u00e1m diktuje, jak m\u00e1te myslet.<\/li>\n<li>Spole\u010dnost, ve kter\u00e9 se nau\u010d\u00edte naslouchat mezi \u0159\u00e1dky.<\/li>\n<li>Ka\u017edodenn\u00ed \u017eivot, v n\u011bm\u017e se odm\u011b\u0148uje loajalita a konformita.<\/li>\n<\/ul>\n<p>Ka\u017ed\u00fd, kdo je v takov\u00e9m prost\u0159ed\u00ed um\u011blecky formov\u00e1n, se \u010dasto brzy nau\u010d\u00ed rozli\u0161ovat mezi dv\u011bma rovinami: ofici\u00e1ln\u00ed a osobn\u00ed. Skute\u010dnost, \u017ee se Jan-Josef Liefers pozd\u011bji stal nejen bavi\u010dem, ale i n\u011bk\u00fdm, kdo v\u011bdom\u011b zasahuje do debat, tomu dokonale odpov\u00edd\u00e1. Jakmile si \u010dlov\u011bk zvykne na vnit\u0159n\u00ed pravdivost, dlouhodob\u011b nesnese uhlazen\u00e9 kompromisy bez tv\u00e1\u0159e.<\/p>\n<h3>\u017d\u00e1dn\u00e1 NVA, \u017e\u00e1dn\u00e1 maturita - cena za vlastn\u00ed postoj<\/h3>\n<p>Rozhoduj\u00edc\u00edm bodem Liefersova \u017eivotopisu je jeho odm\u00edtnut\u00ed vstoupit do N\u00e1rodn\u00ed lidov\u00e9 arm\u00e1dy (NVA). V NDR to nebyl mal\u00fd krok. Ne\u0161lo o nez\u00e1vazn\u00e9 vyj\u00e1d\u0159en\u00ed n\u00e1zoru, ale o v\u011bdom\u00e9 odm\u00edtnut\u00ed \u00fast\u0159edn\u00edho prvku syst\u00e9mu. D\u016fsledek byl jasn\u00fd: \u017e\u00e1dn\u00e1 slu\u017eba v NVA, \u017e\u00e1dn\u00e1 pravideln\u00e1 maturita. Ve st\u00e1t\u011b, kde byly vzd\u011bl\u00e1vac\u00ed dr\u00e1hy a kari\u00e9rn\u00ed mo\u017enosti p\u0159\u00edsn\u011b pl\u00e1nov\u00e1ny, to byl skute\u010dn\u00fd zlom. Mnoz\u00ed by v tomto okam\u017eiku podlehli, upsali by se, aby m\u011bli \u201esv\u016fj klid\u201c. Liefers to neud\u011blal.<\/p>\n<p>U\u017e to odhaluje vzorec, kter\u00fd se t\u00e1hne cel\u00fdm jeho \u017eivotem: P\u0159ij\u00edm\u00e1 osobn\u00ed nev\u00fdhody, pokud jsou v\u00fdsledkem v\u011bdom\u00e9ho postoje. Nepod\u0159izuje se za ka\u017edou cenu p\u0159edem dan\u00e9mu vzoru. P\u0159ij\u00edm\u00e1 rozhodnut\u00ed, i kdy\u017e jsou nepohodln\u00e1.<\/p>\n<p>Pozd\u011bji bude <em>#allesdichtmachen<\/em> \u017ee ur\u00e1\u017e\u00ed, \u017ee \u201ezbyte\u010dn\u011b provokuje\u201c. Ale tady je vid\u011bt, \u017ee to nespadlo najednou z nebe, ale je to zalo\u017eeno na dlouh\u00e9 \u0159ad\u011b konsekvenc\u00ed.<\/p>\n<h3>Truhl\u00e1\u0159sk\u00e9 u\u010dili\u0161t\u011b ve St\u00e1tn\u00edm divadle - rozpt\u00fdlen\u00ed s bl\u00edzkost\u00ed jevi\u0161t\u011b<\/h3>\n<p>M\u00edsto aby opustil \u0161kolu a \u0161el rovnou na univerzitu, vyu\u010dil se nejprve truhl\u00e1\u0159em - a to ve st\u00e1tn\u00edm divadle v Dr\u00e1\u017e\u010fanech. Na prvn\u00ed pohled to vypad\u00e1 jako odv\u00e1d\u011bn\u00ed pozornosti. Na druh\u00fd pohled je to t\u00e9m\u011b\u0159 logick\u00e9: pokud je p\u0159\u00edm\u00e1 vzd\u011bl\u00e1vac\u00ed cesta zablokov\u00e1na, zb\u00fdv\u00e1 cesta p\u0159es \u0159emeslo. A pokud poch\u00e1z\u00edte z divadeln\u00ed rodiny, neskon\u010d\u00edte v ledajak\u00e9 d\u00edln\u011b, ale v m\u00edst\u011b, kde se stav\u00ed kulisy.<\/p>\n<p>Je to typick\u00fd \u017eivotopis NDR: vysta\u010d\u00edte si s mo\u017enostmi - ani\u017e byste se zcela vzdali sv\u00e9ho vnit\u0159n\u00edho sm\u011b\u0159ov\u00e1n\u00ed. Truhl\u00e1\u0159sk\u00e9 u\u010dili\u0161t\u011b je kompromisem, kter\u00fd ho v\u0161ak p\u0159iv\u00e1d\u00ed bl\u00edzko k jevi\u0161ti:<\/p>\n<ul>\n<li><strong>Vid\u00ed<\/strong>, jak se divadlo vytv\u00e1\u0159\u00ed v praxi: D\u0159evo, barva, konstrukce.<\/li>\n<li><strong>Za\u017e\u00edv\u00e1<\/strong>, kolik lid\u00ed pracuje v pozad\u00ed, aby n\u011bkdo mohl st\u00e1t v z\u00e1\u0159i reflektor\u016f vp\u0159edu.<\/li>\n<li><strong>Nau\u010d\u00ed se<\/strong>Um\u011bn\u00ed nen\u00ed jen inspirace, ale tak\u00e9 \u0159emesln\u00e1 zru\u010dnost, discipl\u00edna a t\u00fdmov\u00e1 pr\u00e1ce.<\/li>\n<\/ul>\n<p>Toto zakotven\u00ed - kombinace um\u011bleck\u00e9ho z\u00e1zem\u00ed a \u0159emesln\u00e9 zru\u010dnosti - je c\u00edtit i v jeho pozd\u011bj\u0161\u00edch rol\u00edch. Nen\u00ed to n\u011bkdo, kdo \u201ejen\u201c od\u0159\u00edk\u00e1v\u00e1 repliky. Je to n\u011bkdo, kdo v\u00ed, \u017ee inscenace je velk\u00fd celek: od kulis a\u017e po posledn\u00ed rekvizitu.<\/p>\n<h3>Studium dramatu na \u201eErnst Busch\u201c - discipl\u00edna m\u00edsto p\u016fvabu<\/h3>\n<p>Ve sv\u00fdch 19 letech za\u010d\u00edn\u00e1 Liefers studovat herectv\u00ed na hereck\u00e9 \u0161kole <a href=\"https:\/\/www.hfs-berlin.de\" target=\"_blank\" rel=\"noopener\">Akademie dramatick\u00fdch um\u011bn\u00ed<\/a> \u201eErnst Busch\u201c v Berl\u00edn\u011b - jedna z nejpresti\u017en\u011bj\u0161\u00edch adres v n\u011bmecky mluv\u00edc\u00edm sv\u011bt\u011b. V NDR nebyla tato \u0161kola m\u00edstem marnivosti, ale p\u0159\u00edsn\u00e9ho vzd\u011bl\u00e1v\u00e1n\u00ed. Tady se nefilozofuje v castingov\u00fdch po\u0159adech, ale pracuje: D\u00fdchac\u00ed technika, dr\u017een\u00ed t\u011bla, pr\u00e1ce s textem, v\u00fdvoj postavy. To znamen\u00e1:<\/p>\n<ul>\n<li>U\u010d\u00ed se \u0159emeslu od nuly.<\/li>\n<li>Je zasazen do tradice, kter\u00e1 pova\u017euje divadlo za v\u00e1\u017en\u00fd spole\u010densk\u00fd \u00fakol.<\/li>\n<li>Vnit\u0159n\u011b si osvojuje discipl\u00ednu, p\u0159\u00edpravu a respekt k roli.<\/li>\n<\/ul>\n<p>Kdy\u017e vid\u00edte lehkost, s jakou dnes hraje Boernea, tohoto b\u0159itk\u00e9ho, \u010dasto p\u0159eta\u017een\u00e9ho profesora, je to p\u0159esn\u011b ten druh lehkosti, kter\u00fd p\u016fsob\u00ed v\u011brohodn\u011b, jen kdy\u017e je pod n\u00edm pevn\u00fd z\u00e1klad.<\/p>\n<h3>Co tento p\u016fvod znamen\u00e1 pro jeho dne\u0161n\u00ed podobu<\/h3>\n<p>Pro\u010d je tento pohled na jeho p\u016fvod tak d\u016fle\u017eit\u00fd, kdy\u017e dnes p\u00ed\u0161eme o Janu-Josefu Lieferovi? Proto\u017ee jinak riskujete, \u017ee ho budete vn\u00edmat jen jako \u201ehv\u011bzdu Tatort\u016f\u201c nebo \u201ekontroverzn\u00edho #allesdichtmachen herce\u201c. Oboj\u00ed by bylo p\u0159\u00edli\u0161 kr\u00e1tkozrak\u00e9.<\/p>\n<ul>\n<li>Je zde <strong>Chlapec z NDR<\/strong>, kdo si z\u00e1m\u011brn\u011b nevybere snadnou cestu - adaptaci, vojenskou slu\u017ebu, hladk\u00fd \u017eivotopis.<\/li>\n<li>Je zde <strong>mlad\u00ed \u0159emesln\u00edci v divadle<\/strong>, kter\u00fd se u\u010d\u00ed praktickou str\u00e1nku jevi\u0161t\u011b se d\u0159evem a \u0161rouby.<\/li>\n<li>Je zde <strong>Studenti dramatick\u00fdch obor\u016f<\/strong>, kter\u00fd se v p\u0159\u00edsn\u00e9 \u0161kole u\u010d\u00ed vysok\u00e9 profesionalit\u011b.<\/li>\n<\/ul>\n<p>A pak je tu mu\u017e, kter\u00e9ho jsem - stejn\u011b jako mnoho dal\u0161\u00edch - v ur\u010dit\u00e9m okam\u017eiku prost\u011b poznal jako ned\u00edlnou sou\u010d\u00e1st ned\u011bln\u00edch ve\u010der\u016f: Karl-Friedrich Boerne, kter\u00fd z \u201eTatort\u201c z M\u00fcnsteru ud\u011blal n\u011bco v\u00fdjime\u010dn\u00e9ho. Herec, jeho\u017e postavy \u010dasto p\u016fsob\u00ed p\u0159ehnan\u011b, ale kter\u00fd v j\u00e1dru v\u017edy p\u0159ed\u00e1v\u00e1 n\u011bco opravdov\u00e9ho a up\u0159\u00edmn\u00e9ho.<\/p>\n<p>Pr\u00e1v\u011b proto stoj\u00ed za to se na n\u011bj pod\u00edvat bl\u00ed\u017ee. Proto\u017ee pokud chcete pochopit, pro\u010d se Jan-Josef Liefers pozd\u011bji ve vyhrocen\u00e9 koron\u00e1rn\u00ed atmosf\u00e9\u0159e nezhroutil, najdete mnoho odpov\u011bd\u00ed pr\u00e1v\u011b v t\u011bchto ran\u00fdch letech: v \u017eivotopisu, kter\u00fd se od sam\u00e9ho po\u010d\u00e1tku vyzna\u010doval postojem, kompromisy na vlastn\u00ed \u00fakor a hlubok\u00fdm pochopen\u00edm svobody - pr\u00e1v\u011b proto, \u017ee vyr\u016fstal v syst\u00e9mu, v n\u011bm\u017e svoboda nebyla samoz\u0159ejmost\u00ed.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3856 size-large\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-theaterwerkstatt.jpg\" alt=\"Mlad\u00fd Jan-Josef Liefers v divadeln\u00ed d\u00edln\u011b\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-theaterwerkstatt.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-theaterwerkstatt-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-theaterwerkstatt-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-theaterwerkstatt-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h3>Projev na Alexanderplatzu - zah\u00e1jen\u00ed spole\u010dn\u00e9ho vol\u00e1n\u00ed po svobod\u011b<\/h3>\n<p>4. listopadu 1989 - jen n\u011bkolik dn\u00ed p\u0159ed p\u00e1dem Berl\u00ednsk\u00e9 zdi - byl Jan Josef Liefers jedn\u00edm z \u0159e\u010dn\u00edk\u016f na konferenci <a href=\"https:\/\/www.bundesregierung.de\/breg-de\/schwerpunkte\/deutsche-einheit\/demo-alexanderplatz-337004\" target=\"_blank\" rel=\"noopener\">Hlavn\u00ed rallye<\/a> na Alexanderplatz ve v\u00fdchodn\u00edm Berl\u00edn\u011b: nejv\u011bt\u0161\u00ed st\u00e1tem neorganizovan\u00e1 demonstrace v d\u011bjin\u00e1ch NDR, kter\u00e9 se z\u00fa\u010dastnily statis\u00edce lid\u00ed.<\/p>\n<p>Ve sv\u00e9m projevu Liefers nal\u00e9hav\u011b varoval p\u0159ed zneu\u017e\u00edv\u00e1n\u00edm protest\u016f a nad\u011bj\u00ed v t\u00e9to dob\u011b ot\u0159es\u016f jako kulisy pro stranick\u00e9 nebo st\u00e1tn\u00ed funkcion\u00e1\u0159e. Vyzval ke zpochybn\u011bn\u00ed vedouc\u00ed \u00falohy ve st\u00e1t\u011b a k rozbit\u00ed mocensk\u00fdch struktur - a vyslovil se pro demokratick\u00fd socialismus, v n\u011bm\u017e se moc necentralizuje, ale rozd\u011bluje se transparentn\u011b a rovnom\u011brn\u011b.<\/p>\n<p>Z dne\u0161n\u00edho pohledu m\u00e1 tento projev zvl\u00e1\u0161tn\u00ed v\u00fdznam: ukazuje, \u017ee Liefers tehdy nebyl jen um\u011blcem, ale \u010dlov\u011bkem, kter\u00fd p\u0159ijal odpov\u011bdnost. Pou\u017eil sv\u016fj hlas - v dob\u011b, kdy mnoho hlas\u016f umlklo nebo se zd\u00e1lo p\u0159\u00edli\u0161 riskantn\u00ed je pozvednout.<\/p>\n<h3>Odv\u00e1\u017en\u00fd krok - a jeho trval\u00fd v\u00fdznam<\/h3>\n<p>S\u00e1m Liefers pozd\u011bji uvedl, \u017ee v noci p\u0159ed projevem nemohl t\u00e9m\u011b\u0159 sp\u00e1t - tlak byl velk\u00fd a nejistota hmatateln\u00e1. Na p\u00f3dium v\u0161ak nevystoupil jako oslavovan\u00e1 hv\u011bzda, ale jako mlad\u00fd herec, kter\u00fd v\u011b\u0159il, \u017ee nyn\u00ed nastal \u010das, aby byl uzn\u00e1n.<\/p>\n<blockquote><p><em>\u201emus\u00ed otev\u0159\u00edt \u00fasta pro spr\u00e1vnou v\u011bc\u201c.<\/em><\/p><\/blockquote>\n<p>Jeho slova sm\u011b\u0159ovala k lidem, nikoli ke stran\u00e1m. Nepo\u017eadoval povrchn\u00ed zm\u011bnu moci, ale poctivou \u00fa\u010dast a demokratickou odpov\u011bdnost. T\u00edm dal p\u0159\u00edklad, kter\u00fd p\u016fsob\u00ed dodnes - nejen jako sou\u010d\u00e1st novodob\u00fdch n\u011bmeck\u00fdch d\u011bjin, ale tak\u00e9 jako p\u0159\u00edklad toho, jak lze spojit um\u011bn\u00ed a osobn\u00ed odvahu.<\/p>\n<p>P\u0159i zp\u011btn\u00e9m pohledu se toto vystoupen\u00ed jev\u00ed jako d\u016fle\u017eit\u00fd stavebn\u00ed k\u00e1men v Liefersov\u011b \u017eivot\u011b: ran\u00fd projev jeho vnit\u0159n\u00edho postoje, kter\u00fd se pozd\u011bji znovu a znovu projevoval v rozhodnut\u00edch a kontroverz\u00edch. Mysl\u00edm, \u017ee pr\u00e1v\u011b tato epizoda si zaslou\u017e\u00ed, abychom ji v na\u0161em portr\u00e9tu zd\u016fraznili.<\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-495 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 10px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-495 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Portr\u00e9ty lid\u00ed s postojem<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-495\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"dieter hallervorden \u2013 mehr als didi: portr\u00e4t eines unbequemen freigeists\" data-id=\"4347\"  data-category=\"gesellschaft kunst &amp; kultur stories &amp; humor\" data-post_tag=\"erfahrungen meinungsfreiheit musik portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/dieter-hallervorden-vice-nez-didi-portret-nepohodlneho-svobodneho-ducha\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Dieter Hallervorden - V\u00edce ne\u017e Didi: Portr\u00e9t nepohodln\u00e9ho svobodn\u00e9ho ducha<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Dieter Hallervorden a W\u00fchlm\u00e4use v Berl\u00edn\u011b\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/dieter-hallervorden-vice-nez-didi-portret-nepohodlneho-svobodneho-ducha\/\" rel=\"bookmark\">Dieter Hallervorden - V\u00edce ne\u017e Didi: Portr\u00e9t nepohodln\u00e9ho svobodn\u00e9ho ducha<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"johann sebastian bach \u2013 ordnung, haltung und das fundament unserer musik\" data-id=\"5033\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"deutschland musik portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/johann-sebastian-bach-order-postoj-a-zaklad-nasi-hudby\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Johann Sebastian Bach - \u0159\u00e1d, postoj a z\u00e1klad na\u0161\u00ed hudby<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Johann Sebastian Bach Portr\u00e9t\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/johann-sebastian-bach-order-postoj-a-zaklad-nasi-hudby\/\" rel=\"bookmark\">Johann Sebastian Bach - \u0159\u00e1d, postoj a z\u00e1klad na\u0161\u00ed hudby<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"wer ist eigentlich j. d. vance? ein portrait zu herkunft, karriere, widerspr\u00fcchen und zukunft\" data-id=\"5395\"  data-category=\"allgemein gesellschaft\" data-post_tag=\"energiepolitik erfahrungen europa geopolitik krisen meinungsfreiheit portrait sicherheitspolitik\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/03\/kdo-je-j-d-vance-portret-jeho-puvodu-kariery-rozporu-a-budoucnosti\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Kdo je vlastn\u011b J. D. Vance? Portr\u00e9t jeho p\u016fvodu, kari\u00e9ry, rozpor\u016f a budoucnosti<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Kdo je J. D. Vance?\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/JD-Vance-Portrait.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/JD-Vance-Portrait.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/JD-Vance-Portrait-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/JD-Vance-Portrait-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/JD-Vance-Portrait-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/03\/kdo-je-j-d-vance-portret-jeho-puvodu-kariery-rozporu-a-budoucnosti\/\" rel=\"bookmark\">Kdo je vlastn\u011b J. D. Vance? Portr\u00e9t jeho p\u016fvodu, kari\u00e9ry, rozpor\u016f a budoucnosti<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"wie tiere zeit wahrnehmen \u2013 und was das f\u00fcr die zukunft der ki bedeutet\" data-id=\"4918\"  data-category=\"allgemein gesellschaft ki-systeme\" data-post_tag=\"denkmodelle erfahrungen k\u00fcnstliche intelligenz llm portrait prozesse sprachmodell\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/jak-zvirata-vnimaji-cas-a-co-to-znamena-pro-budoucnost-ki\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Jak zv\u00ed\u0159ata vn\u00edmaj\u00ed \u010das - a co to znamen\u00e1 pro budoucnost um\u011bl\u00e9 inteligence<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Zv\u00ed\u0159ata, um\u011bl\u00e1 inteligence a vn\u00edm\u00e1n\u00ed \u010dasu\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/jak-zvirata-vnimaji-cas-a-co-to-znamena-pro-budoucnost-ki\/\" rel=\"bookmark\">Jak zv\u00ed\u0159ata vn\u00edmaj\u00ed \u010das - a co to znamen\u00e1 pro budoucnost um\u011bl\u00e9 inteligence<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>\n<h2>Cesta na jevi\u0161t\u011b - a k n\u011bmeck\u00e9mu filmu<\/h2>\n<p>Kdy\u017e se pod\u00edv\u00e1te na kari\u00e9ru Jana-Josefa Liefera, nevid\u00edte typick\u00fd rychl\u00fd vzestup prost\u0159ednictv\u00edm medi\u00e1ln\u00edch castingov\u00fdch form\u00e1t\u016f nebo prvn\u00edch televizn\u00edch rol\u00ed. Jeho cesta je klasick\u00e1, tradi\u010dn\u00ed, t\u00e9m\u011b\u0159 \u0159emesln\u00e1 - utv\u00e1\u0159en\u00e1 divadeln\u00edm vzduchem, jevi\u0161tn\u00edmi zkou\u0161kami a dlouh\u00fdmi m\u011bs\u00edci, v nich\u017e neust\u00e1le p\u0159etv\u00e1\u0159\u00edte sebe i svou roli. Je to cesta, kter\u00e1 se \u010dasto vyskytovala v minulosti a dnes p\u016fsob\u00ed t\u00e9m\u011b\u0159 zastarale. A pr\u00e1v\u011b proto je z Lieferse c\u00edtit n\u011bco, co mnoz\u00ed sou\u010dasn\u00ed herci u\u017e nedok\u00e1\u017eou vytvo\u0159it: Hloubku. Zku\u0161enost. V\u00e1\u017enost.<\/p>\n<p>Jeho pozd\u011bj\u0161\u00ed filmov\u00fd a televizn\u00ed \u00fasp\u011bch m\u00e1 ko\u0159eny v t\u011bchto letech, d\u00e1vno p\u0159edt\u00edm, ne\u017e se \u201eTatort M\u00fcnster\u201c stal div\u00e1ck\u00fdm hitem.<\/p>\n<h3>Deutsches Theater Berlin - za\u010d\u00e1tek skute\u010dn\u00e9ho profesn\u00edho \u017eivota<\/h3>\n<p>Po absolvov\u00e1n\u00ed \u0161koly \u201eErnst Busch\u201c se Liefers dost\u00e1v\u00e1 na <a href=\"https:\/\/www.deutschestheater.de\" target=\"_blank\" rel=\"noopener\">N\u011bmeck\u00e9 divadlo<\/a> v Berl\u00edn\u011b - divadle, kter\u00e9 ji\u017e po desetilet\u00ed p\u0159edstavuje vysok\u00fd standard. Ti, kte\u0159\u00ed zde hraj\u00ed, nejsou \u0161koleni pro z\u00e1\u0159i reflektor\u016f, ale pro preciznost. Pro vyrovnanost. Pro text. Pro interakci s ostatn\u00edmi. A pr\u00e1v\u011b takov\u00e1 m\u00edsta maj\u00ed na herce trval\u00fd vliv. Tady se u\u010d\u00edte:<\/p>\n<ul>\n<li>\u017ee roli \u201eneovl\u00e1d\u00e1te\u201c, ale mus\u00edte se do n\u00ed v\u017e\u00edt;<\/li>\n<li>\u017ee divadlo nen\u00ed show, ale odpov\u011bdnost;<\/li>\n<li>aby se chyby nezatajovaly, ale opravovaly.<\/li>\n<\/ul>\n<p>Tato l\u00e9ta zformovala z\u00e1kladn\u00ed p\u0159\u00edstup, kter\u00fd pozd\u011bji pozn\u00e1te - i p\u0159ed kamerou: p\u00e9\u010de, hloubka, respekt k postav\u011b.<\/p>\n<h3>Filmov\u00fd debut v roli Alexandra von Humboldta - prvn\u00ed stopy v kin\u011b<\/h3>\n<p>Liefers debutoval ve filmu rol\u00ed mlad\u00e9ho p\u0159\u00edrodov\u011bdce Alexandra von Humboldta ve filmu <a href=\"https:\/\/de.wikipedia.org\/wiki\/Die_Besteigung_des_Chimborazo\" target=\"_blank\" rel=\"noopener\">V\u00fdstup na Chimborazo<\/a>. Je to role, kter\u00e1 nespol\u00e9h\u00e1 na rychl\u00e9 efekty, ale vy\u017eaduje postavu, kter\u00e1 je z\u00e1rove\u0148 zv\u00eddav\u00e1, odhodlan\u00e1 a zraniteln\u00e1. To je na herce na za\u010d\u00e1tku jeho filmov\u00e9 kari\u00e9ry pozoruhodn\u00e9: \u017e\u00e1dn\u00e1 plytk\u00e1 vedlej\u0161\u00ed role, \u017e\u00e1dn\u00e1 role, kter\u00e1 by se l\u00edbila - ale historick\u00e1 postava pln\u00e1 ambivalence.<\/p>\n<p>U\u017e te\u010f je vid\u011bt, jak ho vn\u00edm\u00e1 pr\u016fmysl: jako n\u011bkoho, kdo dok\u00e1\u017ee ztv\u00e1rnit hloubku, ne jen nenucenost.<\/p>\n<h3>Pr\u016flom s \u201eRossinim\u201c - dve\u0159e k velk\u00e9mu filmu se otev\u00edraj\u00ed<\/h3>\n<p>Skute\u010dn\u00fd pr\u016flom p\u0159i\u0161el v roce 1996 s klasick\u00fdm filmem Helmuta Dietla <a href=\"https:\/\/de.wikipedia.org\/wiki\/Rossini_\u2013_oder_die_m\u00f6rderische_Frage,_wer_mit_wem_schlief\" target=\"_blank\" rel=\"noopener\">Rossini<\/a> - nebo vra\u017eedn\u00e1 ot\u00e1zka, kdo s k\u00fdm spal. Film, kter\u00fd z\u00e1rove\u0148 paroduje i oslavuje n\u011bmeck\u00fd z\u00e1bavn\u00ed pr\u016fmysl - a pot\u0159ebuje k tomu brilantn\u00ed herce, aby tuto ironickou hru zvl\u00e1dli. A pr\u00e1v\u011b zde Liefers ukazuje n\u011bco, co ho charakterizuje dodnes:<\/p>\n<p>Dok\u00e1\u017ee uk\u00e1zat humor i v\u00e1\u017enost, marnivost i k\u0159ehkost, ego i zranitelnost z\u00e1rove\u0148, ani\u017e by to p\u016fsobilo vykonstruovan\u011b. Tento film otev\u00edr\u00e1 dve\u0159e v\u0161emu, co n\u00e1sleduje. Proto\u017ee s Rossinim se dost\u00e1v\u00e1 do pov\u011bdom\u00ed nejen \u0161irok\u00e9ho publika, ale tak\u00e9 do prost\u0159ed\u00ed re\u017eis\u00e9r\u016f a producent\u016f, kte\u0159\u00ed ho uzn\u00e1vaj\u00ed: Tento mu\u017e m\u00e1 charakter. Tento mu\u017e m\u00e1 hloubku. Tento mu\u017e dok\u00e1\u017ee un\u00e9st.<\/p>\n<h3>M\u00edsto \u010dinu M\u00fcnster - vznik\u00e1 postava Karla-Friedricha Boerneho<\/h3>\n<p>V roce 2002 se Liefers uj\u00edm\u00e1 role, pro kterou ho zn\u00e1 t\u00e9m\u011b\u0159 ka\u017ed\u00fd: Karl-Friedrich Boerne, narcistick\u00fd, vtipn\u00fd, n\u011bkdy nemilosrdn\u011b arogantn\u00ed soudn\u00ed znalec v \u201e<a href=\"https:\/\/www.ardmediathek.de\/tatort\" target=\"_blank\" rel=\"noopener\"><strong>M\u00edsto \u010dinu<\/strong><\/a>\u201c z M\u00fcnsteru. Postava, kter\u00e1 by se na pap\u00ed\u0159e mohla snadno st\u00e1t sm\u011b\u0161nou - p\u0159\u00edli\u0161 v\u00fdst\u0159edn\u00ed, p\u0159\u00edli\u0161 odta\u017eit\u00e1, p\u0159\u00edli\u0161 p\u0159ehnan\u00e1.<\/p>\n<p>Ale to je p\u0159esn\u011b to, co se ned\u011bje. A to je Liefersova z\u00e1sluha. Hraje Boernea takov\u00fdm zp\u016fsobem, \u017ee se mu z\u00e1rove\u0148 sm\u011bjete, obdivujete ho a n\u011bkdy ho i ch\u00e1pete. Humor je na m\u00edst\u011b, ale v\u017edy se za n\u00edm skr\u00fdv\u00e1 z\u00e1blesk pravdy. Ten \u010dlov\u011bk nen\u00ed jen karikaturou, ale postavou s histori\u00ed. To, co d\u011bl\u00e1 Boerne tak popul\u00e1rn\u00edm, je souhra:<\/p>\n<ul>\n<li>ostr\u00fd jazyk,<\/li>\n<li>p\u0159ehnan\u00e9 vn\u00edm\u00e1n\u00ed sebe sama,<\/li>\n<li>brilantn\u00ed inteligence,<\/li>\n<li>a p\u0159ekvapivou, \u010dasto skrytou lidskost.<\/li>\n<\/ul>\n<p>S\u00e1m jsem ho v t\u00e9to roli v\u017edycky r\u00e1d vid\u011bl, proto\u017ee zt\u011bles\u0148uje n\u011bco, co je v n\u011bmeck\u00e9 televizi vz\u00e1cn\u00e9: postavu s hranami. A hrany maj\u00ed v\u017edy \u017eivotopis - skute\u010dn\u00fd, pro\u017eit\u00fd \u017eivotopis.<\/p>\n<h3>V\u0161estrannost p\u0159ed kamerou i za n\u00ed - design\u00e9r, nikoli \u201ehv\u011bzda spot\u0159ebn\u00edho pr\u016fmyslu\u201c.\u201c<\/h3>\n<p>Krom\u011b herectv\u00ed se Liefers v\u011bnuje tak\u00e9 hudb\u011b, p\u0159\u00edle\u017eitostn\u00e9 re\u017eii a produkci. Z toho je patrn\u00e9, \u017ee svou pr\u00e1ci nevn\u00edm\u00e1 jako \u201ezam\u011bstn\u00e1n\u00ed\u201c, ale jako celistvou \u010dinnost. Jeden p\u00ed\u0161e, druh\u00fd hraje, dal\u0161\u00ed produkuje - ale ve skute\u010dnosti je v\u0161e propojeno.<br \/>\nTi, kdo tvo\u0159\u00ed hudbu, c\u00edt\u00ed ve sv\u00e9 h\u0159e rytmus.<\/p>\n<ul>\n<li>Ti, kdo re\u017e\u00edruj\u00ed, l\u00e9pe rozum\u00ed dramaturgii.<\/li>\n<li>Ti, kdo vytv\u00e1\u0159ej\u00ed, si uv\u011bdomuj\u00ed svou odpov\u011bdnost za d\u00edlo jako celek.<\/li>\n<\/ul>\n<p>Takov\u00e9 ch\u00e1p\u00e1n\u00ed \u0161ir\u0161\u00edch souvislost\u00ed je vz\u00e1cn\u00e9, proto\u017ee mnoho dne\u0161n\u00edch kari\u00e9r vznik\u00e1 rychle a povrchn\u011b a stejn\u011b rychle zanik\u00e1. U Lieferse je to jinak. Jeho kari\u00e9ra roste organicky, ve vrstv\u00e1ch, ka\u017ed\u00e1 zku\u0161enost navazuje na tu p\u0159edchoz\u00ed.<\/p>\n<p>Nen\u00ed zam\u011bniteln\u00fdm medi\u00e1ln\u00edm hr\u00e1\u010dem. Je to \u010dlov\u011bk, kter\u00fd tvo\u0159\u00ed - v\u011bdom\u011b, reflexivn\u011b a s \u00factou k tradici sv\u00e9ho \u0159emesla.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3857 size-large\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-tatort.jpg\" alt=\"Jan-Josef Liefers jako profesor Boerne ve filmu Tatort\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-tatort.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-tatort-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-tatort-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-tatort-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h2>Co tato cesta prozrazuje o jeho charakteru<\/h2>\n<p>Tato druh\u00e1 etapa jeho \u017eivota - divadlo, film, televize - ukazuje n\u011bco, na co se v dne\u0161n\u00ed dob\u011b rychl\u00e9 pozornosti \u010dasto zapom\u00edn\u00e1: \u00dasp\u011bch se nedostav\u00ed p\u0159es noc. Vyv\u00edj\u00ed se po desetilet\u00ed. Na Liefersovi je to vid\u011bt:<\/p>\n<ul>\n<li>mu\u017e, kter\u00fd bere svou profesi v\u00e1\u017en\u011b,<\/li>\n<li>kter\u00fd se musel p\u0159edv\u00e9st na jevi\u0161ti,<\/li>\n<li>kter\u00e1 se rozrostla d\u00edky rol\u00edm, nikoliv d\u00edky publicit\u011b,<\/li>\n<li>a kdo p\u0159eb\u00edr\u00e1 odpov\u011bdnost za sv\u00e9 um\u011bn\u00ed.<\/li>\n<\/ul>\n<p>Proto se dnes zd\u00e1 b\u00fdt tak stabiln\u00ed. Proto nen\u00ed nerv\u00f3zn\u00ed z kontroverze. A proto je z n\u011bj c\u00edtit star\u00e1, t\u00e9m\u011b\u0159 tradi\u010dn\u00ed hereck\u00e1 \u010dest - n\u011bco, co se nenau\u010d\u00edte, kdy\u017e se p\u0159\u00edli\u0161 brzy dostanete do centra pozornosti. Jeho um\u011bleck\u00e1 dr\u00e1ha vypov\u00edd\u00e1 o d\u016fslednosti. O p\u00edli. A o schopnosti, kter\u00e1 se dnes st\u00e1v\u00e1 vz\u00e1cnou: o vytrvalosti.<\/p>\n<p>Kdy\u017e sledujete Jana-Josefa Liefera v jeho rol\u00edch, rychle si uv\u011bdom\u00edte, \u017ee v n\u011bm je v\u00edc ne\u017e jen \u010dist\u00e1 hereck\u00e1 technika. M\u00e1 n\u011bco, co se ned\u00e1 zahr\u00e1t: vnit\u0159n\u00ed kompas. Tato sm\u011bsice jemn\u00e9ho humoru, intelektu\u00e1ln\u00ed ostrosti a ob\u010dasn\u00e9 tvrdohlavosti nen\u00ed n\u00e1hodn\u00e1 - je v\u00fdsledkem \u017eivotopisu, kter\u00fd se utv\u00e1\u0159el na z\u00e1klad\u011b jeho zku\u0161enost\u00ed z NDR, um\u011bleck\u00e9 discipl\u00edny a ur\u010dit\u00e9ho odporu v\u016f\u010di tlaku na konformitu.<\/p>\n<p>Ka\u017ed\u00fd, kdo ho v pr\u016fb\u011bhu let doprov\u00e1zel na \u201eTatort\u201c, vyc\u00edt\u00ed, \u017ee za Boerneovou ironi\u00ed a aroganc\u00ed se skr\u00fdv\u00e1 herec, kter\u00fd pozorn\u011b sleduje sebe i sv\u011bt. A n\u011bkdo, kdo \u0159e\u0161\u00ed v\u011bci, kdy\u017e mu p\u0159ipadaj\u00ed d\u016fle\u017eit\u00e9 - i kdy\u017e je to nep\u0159\u00edjemn\u00e9.<\/p>\n<h3>Tich\u00fd perfekcionista - um\u011bn\u00ed jako odpov\u011bdnost<\/h3>\n<p>Liefers \u010dasto p\u016fsob\u00ed navenek nenucen\u011b, t\u00e9m\u011b\u0159 pobaven\u011b t\u00edm, co ho obklopuje. Kdy\u017e se v\u0161ak pod\u00edv\u00e1te bl\u00ed\u017ee, pozn\u00e1te v n\u011bm perfekcionistu.<br \/>\nHerec, kter\u00fd:<\/p>\n<ul>\n<li>pronik\u00e1 do text\u016f, m\u00edsto aby je od\u0159\u00edk\u00e1val zpam\u011bti,<\/li>\n<li>ch\u00e1pe postavy psychologicky, m\u00edsto aby je napodoboval,<\/li>\n<li>a v\u017edy si zachov\u00e1v\u00e1 jistou eleganci, a to i v p\u0159ehnan\u00fdch rol\u00edch.<\/li>\n<\/ul>\n<p>Tento vnit\u0159n\u00ed postoj nen\u00ed hlasit\u00fd. Je tich\u00fd, soust\u0159ed\u011bn\u00fd, v\u00e1\u017en\u00fd. A to tak\u00e9 vysv\u011btluje, pro\u010d se pozd\u011bji v politick\u00fdch debat\u00e1ch hned nevyp\u00edn\u00e1. Ti, kdo si zvykli na pravdu a p\u0159esnost, se t\u011b\u017eko smi\u0159uj\u00ed s t\u00edm, \u017ee jsou tla\u010deni ke kompromitaci.<\/p>\n<h3>Humor jako ochrana a n\u00e1stroj<\/h3>\n<p>Humor hraje u Lieferse \u00fast\u0159edn\u00ed roli. Ne v\u0161ak jako ploch\u00e1 pointa, ale jako jemn\u00fd n\u00e1stroj. Humor pou\u017e\u00edv\u00e1 k:<\/p>\n<ul>\n<li>zviditelnit soci\u00e1ln\u00ed deformace,<\/li>\n<li>zm\u00edrnit slo\u017eitost,<\/li>\n<li>V p\u0159\u00edpad\u011b pot\u0159eby si udr\u017eujte odstup.<\/li>\n<\/ul>\n<p>Zejm\u00e9na z jeho rozhovor\u016f je c\u00edtit, \u017ee jeho ironie nen\u00ed lehkov\u00e1\u017en\u00e1. Je promy\u0161len\u00e1. \u010casto je dokonce ochrann\u00fdm mechanismem - prost\u0159edkem, jak z\u016fstat du\u0161evn\u011b svobodn\u00fd v t\u011b\u017ek\u00fdch dob\u00e1ch.<\/p>\n<h3>Autenticita m\u00edsto oportunismu<\/h3>\n<p>Slovo \u201epostoj\u201c je \u010dasto pou\u017e\u00edv\u00e1no infla\u010dn\u011b. Pro Liefera to nen\u00ed m\u00f3dn\u00ed slovo, ale \u017eit\u00e1 realita. Nen\u00ed typ, kter\u00fd by p\u0159es noc zm\u011bnil n\u00e1zor jen proto, \u017ee se zm\u011bn\u00ed v\u00edtr. Nen\u00ed ani t\u00edm, kdo zm\u011bkne, kdy\u017e se debata stane nep\u0159\u00edjemnou. Nemus\u00edte s n\u00edm ve v\u0161em souhlasit - ale je to z n\u011bj c\u00edtit:<\/p>\n<ul>\n<li>To, co \u0159\u00edk\u00e1, mysl\u00ed v\u00e1\u017en\u011b.<\/li>\n<li>\u0158\u00edk\u00e1, co si mysl\u00ed.<\/li>\n<li>A nese za to n\u00e1sledky.<\/li>\n<\/ul>\n<p>To je jeden z d\u016fvod\u016f, pro\u010d si ho mnoho lid\u00ed v\u00e1\u017e\u00ed, i kdy\u017e s n\u00edm nesouhlas\u00ed.<\/p>\n<h3>Soukrom\u00e1 podpora - rodina jako opora stability<\/h3>\n<p>V soukrom\u00e9m \u017eivot\u011b \u017eije Liefers v prost\u0159ed\u00ed, kter\u00e9 mu poskytuje stabilitu. Partnerstv\u00ed, d\u011bti, dom\u00e1cnost mimo neust\u00e1l\u00fd z\u00e1jem m\u00e9di\u00ed - to v\u0161e ho dr\u017e\u00ed p\u0159i zemi. Takov\u00e9 \u017eivotopisn\u00e9 kotvy zaji\u0161\u0165uj\u00ed, \u017ee n\u011bkdo jako on p\u0159i ve\u0159ejn\u00e9 kritice nezakol\u00eds\u00e1.<\/p>\n<p>Kdo je vnit\u0159n\u011b stabiln\u00ed, vydr\u017e\u00ed v\u00edce navenek.<\/p>\n<div class=\"lyte-wrapper\" style=\"width:640px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_ZAnwfEbmN7A\"><div id=\"lyte_ZAnwfEbmN7A\" data-src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FZAnwfEbmN7A%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/ZAnwfEbmN7A\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FZAnwfEbmN7A%2F0.jpg\" alt=\"Miniatura videa na YouTube\" width=\"640\" height=\"340\" \/><br \/>Pod\u00edvejte se na toto video na YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:640px;margin:5px;\"><\/div><br \/>\nWIR SIND 30 | Z\u00e1bava: Jan Josef Liefers a Axel Prahl | <a href=\"https:\/\/www.youtube.com\/@RBBradioeins\" target=\"_blank\" rel=\"noopener\">radioeins<\/a><\/p>\n<h2>Kampa\u0148 #allesdichtmachen - satirick\u00fd experiment s v\u00fdbu\u0161nou silou<\/h2>\n<p>Liefers se kampan\u011b z\u00fa\u010dastn\u00ed na ja\u0159e 2021. <a href=\"https:\/\/de.wikipedia.org\/wiki\/Allesdichtmachen\" target=\"_blank\" rel=\"noopener\">#allesdichtmachen<\/a> - satirick\u00fd videoseri\u00e1l, ve kter\u00e9m n\u011bkolik herc\u016f hraje <a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/11\/odkud-pochazi-sars-cov-2-vecny-prehled-vsech-teorii-o-korone\/\"><strong>Opat\u0159en\u00ed spole\u010dnosti Corona<\/strong><\/a> koment\u00e1\u0159.<\/p>\n<ul>\n<li>Forma byla provokativn\u00ed.<\/li>\n<li>Poselstv\u00ed bylo mnohovrstevnat\u00e9.<\/li>\n<li>Reakce byla bou\u0159liv\u00e1.<\/li>\n<\/ul>\n<p>Zat\u00edmco mnoz\u00ed ze z\u00fa\u010dastn\u011bn\u00fdch se pod tlakem rychle ve\u0159ejn\u011b distancovali, Liefers ud\u011blal n\u011bco jin\u00e9ho: vysv\u011btlil svou motivaci, st\u00e1l si za n\u00ed - a necouvl. V podstat\u011b \u0159ekl, \u017ee mu jde o kritiku m\u00e9di\u00ed, o to, jak vyv\u00e1\u017een\u011b je krize l\u00ed\u010dena a zda je rozpor je\u0161t\u011b p\u0159ijateln\u00fd.<\/p>\n<p>T\u00edmto se trefil do \u010dern\u00e9ho.<\/p>\n<h3>Kritika, v\u00fdtky a um\u011bn\u00ed st\u00e1t si za sv\u00fdm<\/h3>\n<p>Samoz\u0159ejm\u011b se ozvala kritika. Ost\u0159e. Rychle. Z\u010d\u00e1sti nespravedliv\u00e1. Byl obvi\u0148ov\u00e1n z toho, \u017ee je cynick\u00fd, necitliv\u00fd, p\u0159\u00edli\u0161 bl\u00edzk\u00fd nespr\u00e1vn\u00fdm skupin\u00e1m. A p\u0159itom zde byl patrn\u00fd jeho \u017eivotopis: jasn\u011b se distancoval od extr\u00e9mn\u00edch hnut\u00ed. Ale neomlouval se za to, co cht\u011bl \u0159\u00edci. Dr\u017eel se sv\u00e9ho z\u00e1kladn\u00edho postoje - bez teatr\u00e1ln\u00edho poz\u00e9rstv\u00ed ob\u011bti.<\/p>\n<p>Pr\u00e1v\u011b v tomto bod\u011b je zaj\u00edmav\u00fd. Proto\u017ee v dob\u011b, kdy mnoho celebrit m\u011bn\u00ed sv\u00e9 n\u00e1zory ka\u017edou minutu, p\u016fsob\u00ed n\u011bkdo, kdo se i pod tlakem dr\u017e\u00ed sv\u00fdch hodnot, t\u00e9m\u011b\u0159 starom\u00f3dn\u011b - v tom nejlep\u0161\u00edm slova smyslu.<\/p>\n<h3>Pro\u010d ho tato epizoda charakterizuje i dnes<\/h3>\n<p><em>#allesdichtmachen<\/em> uk\u00e1zal n\u011bco, co se o Liefersovi dalo v\u017edycky odhadnout: Je to \u010dlov\u011bk, kter\u00fd nevyhled\u00e1v\u00e1 konflikty. Ale kdy\u017e p\u0159ijdou, nevyh\u00fdb\u00e1 se jim.<\/p>\n<p>Je to postoj \u010dlov\u011bka, kter\u00fd vyrostl v zemi, kde se kritika neo\u010dek\u00e1v\u00e1. A kdo proto dob\u0159e v\u00ed, jak d\u016fle\u017eit\u00e9 je, aby ji mohl vyj\u00e1d\u0159it i tak - zejm\u00e9na v t\u011b\u017ek\u00fdch dob\u00e1ch.<\/p>\n<p>Za hercem se skr\u00fdv\u00e1 v\u00e1\u017en\u00fd, p\u0159em\u00fd\u0161liv\u00fd \u010dlov\u011bk. Jeho humor je n\u00e1strojem, nikoliv maskou. Zku\u0161enosti z NDR mu daly siln\u00fd smysl pro svobodu a odpov\u011bdnost. Stoj\u00ed si za sv\u00fdm p\u0159esv\u011bd\u010den\u00edm, i kdy\u017e v\u00edtr vane proti n\u011bmu. Je p\u0159ipraven objasnit nedorozum\u011bn\u00ed - ale ne oportunisticky se jim podb\u00edzet.<\/p>\n<p>A pr\u00e1v\u011b proto dnes p\u016fsob\u00ed jako n\u011bkdo, kdo jen nehraje postavy, ale sleduje jasnou, rozpoznatelnou linii sv\u00e9ho \u017eivota.<\/p>\n<h3>Dieter Bohlen jako p\u0159\u00edklad osobn\u00ed odpov\u011bdnosti<\/h3>\n<p>Ka\u017ed\u00fd, kdo sleduje m\u00e9 \u010dl\u00e1nky, v\u00ed, \u017ee Jan-Josef Liefers nen\u00ed v t\u00e9to form\u011b d\u016fsledn\u00e9ho \u017eivotn\u00edho stylu s\u00e1m. Ned\u00e1vno jsem publikoval podrobn\u00fd <a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/proc-dieter-bohlen-mluvi-kdyz-ostatni-mlci-portret-pile-a-jasnosti\/\"><strong>Portr\u00e9t Dietera Bohlena<\/strong><\/a> Oba mu\u017ei napsali zcela odli\u0161n\u00fd charakter, s naprosto odli\u0161nou energi\u00ed, odli\u0161n\u00fdmi formami vyjad\u0159ov\u00e1n\u00ed a odli\u0161n\u00fdm temperamentem. A p\u0159esto maj\u00ed oba n\u011bco z\u00e1sadn\u00edho spole\u010dn\u00e9ho:<\/p>\n<p>Oba p\u0159eb\u00edraj\u00ed odpov\u011bdnost za sv\u016fj \u017eivot, bez v\u00fdmluv, bez postoje opr\u00e1vn\u011bnosti, bez o\u010dek\u00e1v\u00e1n\u00ed, \u017ee to za n\u011b vy\u0159e\u0161\u00ed n\u011bkdo jin\u00fd. Bohlen p\u0159edstavuje discipl\u00ednu, podnikatelskou \u010distotu a t\u00e9m\u011b\u0159 k\u0159ehkou up\u0159\u00edmnost, Liefers um\u011bleckou hloubku, reflexi a odvahu zachovat si tv\u00e1\u0159 i v t\u011b\u017ek\u00fdch chv\u00edl\u00edch. Dv\u011b r\u016fzn\u00e9 cesty, dv\u011b r\u016fzn\u00e9 osobnosti - ale stejn\u00e9 j\u00e1dro: osobn\u00ed odpov\u011bdnost. A pr\u00e1v\u011b proto oba p\u016fsob\u00ed jako vzory, ka\u017ed\u00fd po sv\u00e9m.<\/p>\n<hr \/>\n<h3>Aktu\u00e1ln\u00ed pr\u016fzkum d\u016fv\u011bry v politiku<\/h3>\n<div class='bootstrap-yop yop-poll-mc'>\n\t\t\t\t\t\t\t<div class=\"basic-yop-poll-container\" style=\"background-color:#ffffff; border:0px; border-style:solid; border-color:#000000; border-radius:5px; padding:0px 5px;\" data-id=\"1\" data-temp=\"basic-pretty\" data-skin=\"square\" data-cscheme=\"blue\" data-cap=\"0\" data-access=\"guest\" data-tid=\"\" data-uid=\"5538bfa5b33746da719b9a186873a679\" data-pid=\"4918\" data-resdet=\"votes-number,percentages\" data-show-results-to=\"guest\" data-show-results-moment=\"after-vote\" data-show-results-only=\"false\" data-show-message=\"true\" data-show-results-as=\"bar\" data-sort-results-by=\"as-defined\" data-sort-results-rule=\"asc\"data-is-ended=\"0\" data-percentages-decimals=\"2\" data-gdpr=\"no\" data-gdpr-sol=\"consent\" data-css=\"\" data-counter=\"0\" data-load-with=\"1\" data-notification-section=\"top\"><div class=\"row\"><div class=\"col-md-12\"><div class=\"basic-inner\"><div class=\"basic-message hide\" style=\"border-left: 10px solid #008000; padding: 0px 10px;\" data-error=\"#ff0000\" data-success=\"#008000\"><p class=\"basic-message-text\" style=\"color:#000000; font-size:14px; font-weight:normal;\"><\/p><\/div><div class=\"basic-overlay hide\"><div class=\"basic-vote-options\"><\/div><div class=\"basic-preloader\"><div class=\"basic-windows8\"><div class=\"basic-wBall basic-wBall_1\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_2\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_3\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_4\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_5\"><div class=\"basic-wInnerBall\"><\/div><\/div><\/div><\/div><\/div><form class=\"basic-form\" action=\"\"><input type=\"hidden\" name=\"_token\" value=\"49f1826cce\" autocomplete=\"off\"><div class=\"basic-elements\"><div class=\"basic-element basic-question basic-question-text-vertical\" data-id=\"1\" data-uid=\"e73b1b23967494c0e831ef3a345ef350\" data-type=\"question\" data-question-type=\"text\" data-required=\"yes\" data-allow-multiple=\"no\" data-min=\"1\" data-max=\"1\" data-display=\"vertical\" data-colnum=\"\" data-display-others=\"no\" data-others-color=\"\" data-others=\"\" data-others-max-chars=\"0\"><div class=\"basic-question-title\"><h5 style=\"color:#000000; font-size:16px; font-weight:normal; text-align:left;\">Jakou d\u016fv\u011bru m\u00e1te v politiku a m\u00e9dia v N\u011bmecku?<\/h5><\/div><ul class=\"basic-answers\"><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"1\" data-type=\"text\" data-vn=\"10\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[1]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[1]\" name=\"answer[1]\" value=\"1\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">Velmi vysok\u00e1 - pln\u011b d\u016fv\u011b\u0159uji ofici\u00e1ln\u00edm org\u00e1n\u016fm<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"2\" data-type=\"text\" data-vn=\"22\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[2]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[2]\" name=\"answer[1]\" value=\"2\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">St\u0159edn\u00ed - Jsem opatrn\u00fd, ale ne z\u00e1sadn\u011b podez\u0159\u00edvav\u00fd.<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"3\" data-type=\"text\" data-vn=\"53\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[3]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[3]\" name=\"answer[1]\" value=\"3\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">N\u00edzk\u00e1 - mnoho v\u011bc\u00ed si kontroluji s\u00e1m<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"4\" data-type=\"text\" data-vn=\"251\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[4]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[4]\" name=\"answer[1]\" value=\"4\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">T\u00e9m\u011b\u0159 neexistuj\u00edc\u00ed - domn\u00edv\u00e1m se, \u017ee mnoh\u00e9 je zast\u0159en\u00e9 nebo zinscenovan\u00e9.<\/span><\/label><\/div><\/li><\/ul><\/div><div class=\"clearfix\"><\/div><\/div><div class=\"basic-vote\"><a href=\"#\" class=\"button basic-vote-button\" role=\"button\" style=\"background:#027bb8; border:0px; border-style: solid; border-color:#1636f0; border-radius:5px; padding:10px 10px; color:#ffffff; font-size:14px; font-weight:normal;\">Hlasujte na<\/a><\/div><input type=\"hidden\" name=\"trp-form-language\" value=\"cs\"\/><\/form><\/div><\/div><\/div><\/div>\n\t\t\t\t\t\t<\/div>\n<hr \/>\n<h2>Dopad dnes: Um\u011blec, kter\u00fd se neoh\u00fdb\u00e1<\/h2>\n<p>Kdy\u017e se dnes pod\u00edv\u00e1te na Jana-Josefa Liefera, vid\u00edte mu\u017ee, kter\u00fd u\u017e d\u00e1vno p\u0159ekro\u010dil hranice hereck\u00e9 profese. Ne proto, \u017ee by se cht\u011bl st\u00e1t politick\u00fdm aktivistou nebo \u017ee by hledal roli mimo jevi\u0161t\u011b - naopak. Pr\u00e1v\u011b d\u00edky tomu, \u017ee se soust\u0159edil na sv\u00e9 \u0159emeslo a z\u016fstal v\u011brn\u00fd s\u00e1m sob\u011b, se stal osobnost\u00ed, kter\u00e1 p\u016fsob\u00ed. Nen\u00ed hlasit\u00fd. Nepou\u010duje. Ale d\u016fsledn\u00fd.<\/p>\n<p>Jeho cesta ukazuje, jak velkou stabilitu vytv\u00e1\u0159\u00ed, kdy\u017e m\u00e1te v \u017eivot\u011b jasnou linii. A tato linie proch\u00e1z\u00ed v\u0161\u00edm, co d\u011bl\u00e1:<br \/>\nsv\u00fdmi rolemi, rozhovory, ve\u0159ejn\u00fdmi reakcemi - a svou ochotou p\u0159evz\u00edt odpov\u011bdnost, ani\u017e by upadl do postoje opr\u00e1vn\u011bnosti.<\/p>\n<h3>Liefers jako symbolick\u00e1 postava pro vnit\u0159n\u00ed postoj<\/h3>\n<p>Ani\u017e by o to v\u011bdom\u011b usiloval, stal se Liefers pro mnoho lid\u00ed jak\u00fdmsi symbolem. Ne pro rebelii nebo odpor, ale pro n\u011bco mnohem star\u0161\u00edho: p\u00e1te\u0159.<\/p>\n<p>P\u0159ipom\u00edn\u00e1 n\u00e1m, \u017ee v dob\u011b permanentn\u00edho rozho\u0159\u010den\u00ed a mor\u00e1ln\u00edho p\u0159eh\u0159\u00e1t\u00ed je cenn\u00e9, kdy\u017e n\u011bkdo hned neklekne na kolena. Kdy\u017e n\u011bkdo sv\u016fj n\u00e1zor vysv\u011btl\u00ed, m\u00edsto aby ho odvolal. Kdy\u017e je n\u011bkdo p\u0159ipraven vysv\u011btlit nedorozum\u011bn\u00ed, ani\u017e by pop\u0159el s\u00e1m sebe. To z n\u011bj ned\u011bl\u00e1 hrdinu - ale d\u011bl\u00e1 to z n\u011bj n\u011bkoho, jeho\u017e postoj je br\u00e1n v\u00e1\u017en\u011b.<\/p>\n<h3>Vn\u00edm\u00e1n\u00ed ve\u0159ejnosti mimo hluk<\/h3>\n<p>Po ostr\u00fdch debat\u00e1ch posledn\u00edch let se objevil zaj\u00edmav\u00fd jev: Liefers z t\u00e9to kontroverze nevy\u0161el po\u0161kozen\u00fd, ale dosp\u011bl. Mnoho lid\u00ed u\u017e d\u00e1vno nechalo vzru\u0161en\u00ed z roku 2021 za sebou. Z\u016fstalo st\u0159\u00edzliv\u00e9 pozn\u00e1n\u00ed: je mo\u017en\u00e9 b\u00fdt mu\u017eem tradice, ani\u017e by to bylo nezpochybniteln\u00e9. Lze myslet diferencovan\u011b, ani\u017e by se \u010dlov\u011bk zavd\u011b\u010dil v\u0161em. A m\u016f\u017eete kritizovat, ani\u017e byste byli destruktivn\u00ed.<\/p>\n<p>Jeho hereck\u00e1 pov\u011bst z\u016fstala stabiln\u00ed. Tatort\u201e b\u011b\u017e\u00ed d\u00e1l, div\u00e1ci si jeho postavu obl\u00edbili a bran\u017ee ho nevy\u0159adila z okruhu respektovan\u00fdch - co\u017e tak\u00e9 hodn\u011b vypov\u00edd\u00e1 o kvalit\u011b jeho profese.<\/p>\n<h3>Vliv na kulturu a spole\u010dnost<\/h3>\n<p>Co tedy zb\u00fdv\u00e1? N\u011bkdo jako Liefers ukazuje, \u017ee um\u011bn\u00ed nen\u00ed jen z\u00e1bava. Je to vyj\u00e1d\u0159en\u00ed svobody, t\u0159enic a perspektivy. A herec nen\u00ed jen ten, kdo recituje texty. Je kulturn\u00edm zrcadlem - n\u011bkdy vyle\u0161t\u011bn\u00fdm, n\u011bkdy pok\u0159iven\u00fdm, n\u011bkdy nep\u0159\u00edjemn\u011bj\u0161\u00edm, ne\u017e se o\u010dek\u00e1valo.<\/p>\n<p>Liefers dokazuje, \u017ee jako um\u011blec m\u016f\u017eete projevit sv\u016fj postoj, ani\u017e byste byli ideologicky sv\u00e1z\u00e1ni. \u017de m\u016f\u017eete b\u00fdt kriti\u010dt\u00ed, proto\u017ee kritika je hnac\u00ed silou dal\u0161\u00edho v\u00fdvoje. A \u017ee m\u016f\u017eete kl\u00e1st ot\u00e1zky, zejm\u00e9na kdy\u017e se jim n\u011bkte\u0159\u00ed lid\u00e9 sna\u017e\u00ed vyhnout.<\/p>\n<h3>Pro\u010d hraje roli jeho socializace v NDR<\/h3>\n<p>Kdo pochop\u00ed, odkud Liefers poch\u00e1z\u00ed, pochop\u00ed tak\u00e9, pro\u010d je pro n\u011bj t\u00e9ma svobody a n\u00e1zorov\u00e9 rozmanitosti d\u016fle\u017eit\u00e9. Je to \u010dlov\u011bk, kter\u00fd za\u017eil, jak \u00fazk\u00fd m\u016f\u017ee b\u00fdt syst\u00e9m. A tak\u00e9 n\u011bkdo, kdo v\u00ed, \u017ee svobodu nelze pova\u017eovat za samoz\u0159ejmost, ale je t\u0159eba ji p\u011bstovat - v ka\u017edodenn\u00edm \u017eivot\u011b, v rozhovorech, ale i v um\u011bn\u00ed a m\u00e9di\u00edch.<\/p>\n<p>Tato minulost ho ne\u010din\u00ed neomyln\u00fdm, ale jeho motivace se zd\u00e1 b\u00fdt pochopiteln\u00e1. Uv\u011bdom\u00edte si, \u017ee nemluv\u00ed ze z\u00e1\u0161ti, ale ze zku\u0161enosti.<\/p>\n<h3>Pohled do budoucna - um\u011blec s budoucnost\u00ed, ne s minulost\u00ed<\/h3>\n<p>Jan-Josef Liefers nen\u00ed na konci, ale uprost\u0159ed \u017eivota. Jeho role se st\u00e1le vyv\u00edjej\u00ed, vznikaj\u00ed nov\u00e9 projekty a jeho pohled na sv\u011bt z\u016fst\u00e1v\u00e1 zv\u00eddav\u00fd a bd\u011bl\u00fd. Nen\u00ed to \u010dlov\u011bk, kter\u00fd by usnul na vav\u0159\u00ednech, ale ten, kdo st\u00e1le mysl\u00ed dop\u0159edu - ani\u017e by zapom\u00ednal na sv\u00e9 ko\u0159eny. To z n\u011bj d\u011bl\u00e1 osobnost, kter\u00e1 p\u0159etrv\u00e1. A um\u011blcem, kter\u00fd nejen doprov\u00e1z\u00ed dobu, kter\u00e1 p\u0159ich\u00e1z\u00ed, ale tak\u00e9 ji pom\u00e1h\u00e1 utv\u00e1\u0159et.<\/p>\n<p>Pokud se na \u017eivot a d\u00edlo Jana-Josefa Liefera pod\u00edv\u00e1te bl\u00ed\u017ee, zjist\u00edte jednu v\u011bc: je to \u010dlov\u011bk, kter\u00fd svou kari\u00e9ru nevn\u00edmal jako hladkou j\u00edzdu, ale jako ur\u010ditou formu odpov\u011bdnosti - v\u016f\u010di sob\u011b i spole\u010dnosti.<\/p>\n<p>Nen\u00ed dokonal\u00fd. Nen\u00ed zefektivn\u011bn\u00fd. Ale je skute\u010dn\u00fd. A pr\u00e1v\u011b proto se dot\u00fdk\u00e1 lid\u00ed, a to daleko za hranicemi sv\u00fdch rol\u00ed. Jeho p\u016fvod v NDR ho formoval. Jeho cesta divadlem, filmem a televiz\u00ed ho formovala. Jeho rozhodnut\u00ed v t\u011b\u017ek\u00fdch dob\u00e1ch vybrousila jeho charakter. A jeho postoj, d\u016fsledn\u00fd a bez arogance, z n\u011bj d\u011bl\u00e1 osobnost, kterou lze br\u00e1t v\u00e1\u017en\u011b.<\/p>\n<p>To je mo\u017en\u00e1 nejd\u016fle\u017eit\u011bj\u0161\u00ed poselstv\u00ed tohoto portr\u00e9tu: um\u011blec se nestane velk\u00fdm, kdy\u017e se zal\u00edb\u00ed v\u0161em, ale kdy\u017e z\u016fstane v\u011brn\u00fd s\u00e1m sob\u011b. Jan-Josef Liefers ukazuje, kolik s\u00edly a d\u016fstojnosti je v \u010dlov\u011bku, kter\u00fd si zachov\u00e1v\u00e1 sv\u016fj vlastn\u00ed kompas - bez ohledu na to, jak hlasit\u00fd je sv\u011bt kolem n\u011bj.<\/p>\n<p>Snad klidn\u00e1, starom\u00f3dn\u00ed z\u00e1sada. Ale v dne\u0161n\u00ed dob\u011b op\u011bt nab\u00fdv\u00e1 na v\u00fdznamu.<\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-496 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 9px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-496 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Soci\u00e1ln\u00ed ot\u00e1zky sou\u010dasnosti<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-496\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"energie, macht und abh\u00e4ngigkeit: europas weg vom exportweltmeister zum nachfrager\" data-id=\"4945\"  data-category=\"allgemein gesellschaft\" data-post_tag=\"denkmodelle deutschland energiepolitik eu-gesetze europa geopolitik krisen meinungsfreiheit sicherheitspolitik\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/energeticka-sila-a-zavislost-prechod-evropy-ze-svetoveho-exportniho-sampiona-na-spotrebitele\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Energie, moc a z\u00e1vislost: cesta Evropy od sv\u011btov\u00e9ho exportn\u00edho \u0161ampiona ke spot\u0159ebiteli<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Evropa a energie\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Europa-Energie.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Europa-Energie.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Europa-Energie-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Europa-Energie-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Europa-Energie-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/energeticka-sila-a-zavislost-prechod-evropy-ze-svetoveho-exportniho-sampiona-na-spotrebitele\/\" rel=\"bookmark\">Energie, moc a z\u00e1vislost: cesta Evropy od sv\u011btov\u00e9ho exportn\u00edho \u0161ampiona ke spot\u0159ebiteli<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"elektroauto, hybrid und e-roller: eine realistische betrachtung jenseits der ideologie\" data-id=\"4255\"  data-category=\"allgemein gesellschaft tipps &amp; anleitungen\" data-post_tag=\"energiepolitik erfahrungen prozesse ratgeber\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/elektromobil-hybrid-a-skutr-e-realisticky-pohled-za-hranice-ideologie\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Elektromobil, hybrid a e-sk\u00fatr: realistick\u00fd pohled mimo ideologii<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Elektromobilita - e-sk\u00fatr\/kolob\u011b\u017eka, hybrid, elektromobil\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Elektromobilitaet-Titel.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Elektromobilitaet-Titel.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Elektromobilitaet-Titel-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Elektromobilitaet-Titel-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Elektromobilitaet-Titel-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/elektromobil-hybrid-a-skutr-e-realisticky-pohled-za-hranice-ideologie\/\" rel=\"bookmark\">Elektromobil, hybrid a e-sk\u00fatr: realistick\u00fd pohled mimo ideologii<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"was unsere opas vom krieg erz\u00e4hlten \u2013 und warum diese stimmen heute fehlen\" data-id=\"4674\"  data-category=\"allgemein gesellschaft\" data-post_tag=\"deutschland erfahrungen europa geopolitik krisen meinungsfreiheit musik sicherheitspolitik\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/co-nam-nasi-dedove-vypraveli-o-valce-a-proc-tyto-hlasy-dnes-chybi\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Co n\u00e1m na\u0161i d\u011bde\u010dkov\u00e9 vypr\u00e1v\u011bli o v\u00e1lce - a pro\u010d tyto hlasy dnes chyb\u00ed<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"V\u00e1le\u010dn\u00e9 vzpom\u00ednky d\u011bde\u010dk\u016f\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/co-nam-nasi-dedove-vypraveli-o-valce-a-proc-tyto-hlasy-dnes-chybi\/\" rel=\"bookmark\">Co n\u00e1m na\u0161i d\u011bde\u010dkov\u00e9 vypr\u00e1v\u011bli o v\u00e1lce - a pro\u010d tyto hlasy dnes chyb\u00ed<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"was bedeutet der spannungsfall in deutschland \u2013 und welche folgen h\u00e4tte er konkret?\" data-id=\"2997\"  data-category=\"allgemein b\u00fccher gesellschaft tipps &amp; anleitungen\" data-post_tag=\"buch deutschland geopolitik gesundheit krisen pers\u00f6nlichkeitsentwicklung ratgeber sicherheitspolitik\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/co-znamena-pokles-napeti-v-nemecku-a-jake-konkretni-dusledky-by-to-melo\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Co znamen\u00e1 pokles nap\u011bt\u00ed v N\u011bmecku - a jak\u00e9 by to m\u011blo konkr\u00e9tn\u00ed d\u016fsledky?<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Nap\u00ednac\u00ed sk\u0159\u00ed\u0148 - N\u011bmecko-2025\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Spannungsfall-Deutschland-2025.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Spannungsfall-Deutschland-2025.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Spannungsfall-Deutschland-2025-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Spannungsfall-Deutschland-2025-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Spannungsfall-Deutschland-2025-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/co-znamena-pokles-napeti-v-nemecku-a-jake-konkretni-dusledky-by-to-melo\/\" rel=\"bookmark\">Co znamen\u00e1 pokles nap\u011bt\u00ed v N\u011bmecku - a jak\u00e9 by to m\u011blo konkr\u00e9tn\u00ed d\u016fsledky?<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>\n<h2>\u010casto kladen\u00e9 ot\u00e1zky o Janu-Josefu Liefersovi<\/h2>\n<ol>\n<li><strong>Pro\u010d v\u016fbec stoj\u00ed za to ps\u00e1t portr\u00e9t Jana-Josefa Liefera?<\/strong><br \/>\nProto\u017ee Liefers je v\u00edc ne\u017e jen \u201eprofesor Tatort\u201c. Jeho biografie p\u016fsobiv\u011b ukazuje, jak se snoub\u00ed p\u0159\u00edstup, z\u00e1zem\u00ed a um\u011bleck\u00e1 discipl\u00edna. Je p\u0159edstavitelem generace, kter\u00e1 se nau\u010dila z\u016fstat d\u016fsledn\u00e1 navzdory odporu - a pr\u00e1v\u011b to je dnes cenn\u00e9.<\/li>\n<li><strong>Jakou roli hraje v jeho pozd\u011bj\u0161\u00edm postoji p\u016fvod z NDR?<\/strong><br \/>\nJe \u00fast\u0159edn\u00ed. Vyr\u016fst\u00e1n\u00ed v syst\u00e9mu, v n\u011bm\u017e byla svoboda projevu omezena, m\u00e1 trval\u00fd dopad na n\u00e1\u0161 pohled na svobodu. Ka\u017ed\u00fd, kdo za\u017eil, jak \u00fazk\u00fd m\u016f\u017ee b\u00fdt st\u00e1t, si vyp\u011bstuje cit pro to, kdy se spole\u010densk\u00fd prostor zu\u017euje - a pro\u010d byste se pak m\u011bli ozvat.<\/li>\n<li><strong>Pro\u010d Liefers nesm\u011bl jako teenager ud\u011blat maturitu?<\/strong><br \/>\nProto\u017ee odm\u00edtl nastoupit vojenskou slu\u017ebu v NVA. V NDR to nebyl ne\u0161kodn\u00fd krok, ale jasn\u00e9 politick\u00e9 odm\u00edtnut\u00ed. D\u016fsledky se roz\u0161\u00ed\u0159ily i na vzd\u011bl\u00e1vac\u00ed syst\u00e9m - ran\u00fd p\u0159\u00edklad toho, \u017ee pro sv\u00e9 p\u0159esv\u011bd\u010den\u00ed p\u0159ijal nev\u00fdhody.<\/li>\n<li><strong>Ovlivnila jeho dne\u0161n\u00ed pr\u00e1ci truhl\u00e1\u0159sk\u00e1 praxe ve St\u00e1tn\u00edm divadle?<\/strong><br \/>\nAno, velmi. Spojuje ho to technicky s jevi\u0161t\u011bm, vyjad\u0159uje mu to respekt k celkov\u00e9mu procesu inscenace a zakl\u00e1d\u00e1 ho to jako um\u011blce. Tato sm\u011bs je v jeho herectv\u00ed vz\u00e1cn\u00e1 a patrn\u00e1.<\/li>\n<li><strong>Pro\u010d je Liefers pova\u017eov\u00e1n za mimo\u0159\u00e1dn\u011b v\u0161estrann\u00fd?<\/strong><br \/>\nJe toti\u017e nejen hercem, ale tak\u00e9 hudebn\u00edkem, producentem a p\u0159\u00edle\u017eitostn\u00fdm re\u017eis\u00e9rem. Um\u011bn\u00ed vn\u00edm\u00e1 jako ucelen\u00e9 d\u00edlo, nikoli jako izolovanou \u010dinnost - tradi\u010dn\u00ed p\u0159\u00edstup, kter\u00fd vytv\u00e1\u0159\u00ed hloubku.<\/li>\n<li><strong>Pro\u010d je postava \u201eKarl-Friedrich Boerne\u201c v Tatortu tak \u00fasp\u011b\u0161n\u00e1?<\/strong><br \/>\nBoerne je p\u0159epln\u011bn\u00e1, ale d\u016fv\u011bryhodn\u00e1. Arogantn\u00ed, ale okouzluj\u00edc\u00ed. Excentrick\u00fd, ale lidsk\u00fd. Liefers d\u00e1v\u00e1 postav\u011b hloubku, kter\u00e1 vych\u00e1z\u00ed ze zku\u0161enosti a p\u0159esn\u00e9ho pozorov\u00e1n\u00ed - nikoli z povrchn\u00ed komiky.<\/li>\n<li><strong>Pro\u010d byla kampa\u0148 #allesdichtmachen tak kontroverzn\u00ed?<\/strong><br \/>\nProto\u017ee se to odehr\u00e1lo uprost\u0159ed vyhrocen\u00e9 spole\u010densk\u00e9 f\u00e1ze. Satira narazila na skute\u010dn\u00e9 obavy, nejistoty a politick\u00e9 fronty. Forma byla provokativn\u00ed, poselstv\u00ed slo\u017eit\u00e9 - a oboj\u00ed vyvolalo extr\u00e9mn\u00ed reakce.<\/li>\n<li><strong>Distancoval se Liefers pozd\u011bji od #allesdichtmachen?<\/strong><br \/>\nNe, vysv\u011btlil nedorozum\u011bn\u00ed a jasn\u011b se distancoval od extremistick\u00fdch skupin, ale svou z\u00e1kladn\u00ed kritiku neodvolal. Pr\u00e1v\u011b toto d\u016fsledn\u00e9 chov\u00e1n\u00ed je \u010dasto podce\u0148ov\u00e1no.<\/li>\n<li><strong>Pro\u010d na rozd\u00edl od ostatn\u00edch \u00fa\u010dastn\u00edk\u016f nevesloval zp\u011bt?<\/strong><br \/>\nProto\u017ee oportunismus je mu ciz\u00ed. Ka\u017ed\u00fd, kdo zn\u00e1 jeho \u017eivotopis, rozpozn\u00e1 vzorec: d\u011bl\u00e1 v\u011bdom\u00e1 rozhodnut\u00ed - a pak se jich dr\u017e\u00ed. I kdy\u017e je to nep\u0159\u00edjemn\u00e9. To se st\u00e1v\u00e1 vz\u00e1cnost\u00ed.<\/li>\n<li><strong>Znamen\u00e1 postoj automaticky, \u017ee m\u00e1te ve v\u0161em pravdu?<\/strong><br \/>\nNe. Postoj nen\u00ed neomylnost, ale p\u0159\u00edmost. Znamen\u00e1 to p\u0159evz\u00edt odpov\u011bdnost za sv\u00e1 vlastn\u00ed prohl\u00e1\u0161en\u00ed a rozhodnut\u00ed. A to Liefers d\u011bl\u00e1 - bez ohledu na n\u00e1zory ostatn\u00edch.<\/li>\n<li><strong>Jak nakonec ve\u0159ejnost na tuto kontroverzi reagovala?<\/strong><br \/>\nPo prvn\u00ed vln\u011b rozho\u0159\u010den\u00ed se vr\u00e1til klid. Dnes p\u0159evl\u00e1d\u00e1 diferencovan\u011bj\u0161\u00ed n\u00e1zor, \u017ee kritika mus\u00ed b\u00fdt v demokratick\u00e9 spole\u010dnosti mo\u017en\u00e1 - zejm\u00e9na pokud vych\u00e1z\u00ed ze seri\u00f3zn\u00edch pohnutek.<\/li>\n<li><strong>Utrp\u011bla t\u00edm jeho kari\u00e9ra?<\/strong><br \/>\nNe. Tatort \u00fasp\u011b\u0161n\u011b pokra\u010duje, jeho projekty pokra\u010duj\u00ed a jeho hereck\u00e1 pov\u011bst je stabiln\u00ed. To ukazuje, \u017ee podstata m\u016f\u017ee p\u0159e\u017e\u00edt rozho\u0159\u010den\u00ed.<\/li>\n<li><strong>V \u010dem je jeho postoj podobn\u00fd postoji Dietera Bohlena?<\/strong><br \/>\nOb\u011b jsou naprosto odli\u0161n\u00e9 - um\u011blecky i osobn\u011b. Ob\u011b v\u0161ak zt\u011bles\u0148uj\u00ed osobn\u00ed odpov\u011bdnost a d\u016fslednost. P\u0159edstavuj\u00ed r\u016fzn\u00e9 tradice, ale stejnou vnit\u0159n\u00ed snahu: \u017eivot bez v\u00fdmluv.<\/li>\n<li><strong>Pro\u010d dnes Liefers p\u016fsob\u00ed vysp\u011bleji ne\u017e p\u0159ed kontroverz\u00ed?<\/strong><br \/>\nProto\u017ee se k debat\u011b postavil \u010delem a neskr\u00fdval se. Ka\u017ed\u00fd, kdo projde t\u011b\u017ek\u00fdm obdob\u00edm a z\u016fstane v\u011brn\u00fd s\u00e1m sob\u011b, z\u00edsk\u00e1 na hloubce - jako osobnost i jako um\u011blec.<\/li>\n<li><strong>Co si mohou \u010dten\u00e1\u0159i z jeho p\u0159\u00edkladu odn\u00e9st?<\/strong><br \/>\n\u017de se nemus\u00edte zavd\u011b\u010dit v\u0161em. \u017de m\u016f\u017eete \u017e\u00edt i s protiv\u011btrem. A \u017ee jasn\u00fd vnit\u0159n\u00ed kompas je dlouhodobou v\u00fdhodou - soukromou, profesn\u00ed i spole\u010denskou.<\/li>\n<li><strong>Kam bude Jan-Josef Liefers sm\u011b\u0159ovat v p\u0159\u00ed\u0161t\u00edch letech?<\/strong><br \/>\nZ\u016fst\u00e1v\u00e1 tv\u016fr\u010d\u00ed silou v n\u011bmeck\u00e9 kulturn\u00ed krajin\u011b. A\u0165 u\u017e jako herec, hudebn\u00edk nebo producent - jeho projekty ukazuj\u00ed, \u017ee st\u00e1le mysl\u00ed dop\u0159edu. A jeho hlas bude i nad\u00e1le sly\u0161et pr\u00e1v\u011b proto, \u017ee se ne\u0159\u00edd\u00ed rychle se m\u011bn\u00edc\u00edm duchem doby, ale sp\u00ed\u0161e hlubok\u00fdm p\u0159esv\u011bd\u010den\u00edm, kter\u00e9 v n\u011bm \u010dasem vyrostlo.<\/li>\n<\/ol>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-497 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 10px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-497 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Aktu\u00e1ln\u00ed t\u00e9mata o knih\u00e1ch<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-497\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"schienentherapie bei cmd \u2013 mein pers\u00f6nlicher weg durch die letzte phase\" data-id=\"2509\"  data-category=\"b\u00fccher gesundheit\" data-post_tag=\"buch cmd erfahrungen gesundheit ratgeber\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/dlahova-terapie-pro-cmd-moje-osobni-cesta-posledni-fazi\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Dlahov\u00e1 terapie pro CMD - Moje osobn\u00ed cesta z\u00e1v\u011bre\u010dnou f\u00e1z\u00ed<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1920\" height=\"1280\" class=\"attachment-full size-full\" alt=\"Zku\u0161enosti s dlahou CMD\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/cmd-schiene-erfahrungen.jpg\" data-dpt-sizes=\"(max-width: 1920px) 100vw, 1920px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/cmd-schiene-erfahrungen.jpg 1920w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/cmd-schiene-erfahrungen-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/cmd-schiene-erfahrungen-1024x683.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/cmd-schiene-erfahrungen-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/cmd-schiene-erfahrungen-1536x1024.jpg 1536w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/cmd-schiene-erfahrungen-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/dlahova-terapie-pro-cmd-moje-osobni-cesta-posledni-fazi\/\" rel=\"bookmark\">Dlahov\u00e1 terapie pro CMD - Moje osobn\u00ed cesta z\u00e1v\u011bre\u010dnou f\u00e1z\u00ed<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"zahnreinigung \u2013 sinnvoll oder \u00fcbertrieben? eine differenzierte betrachtung\" data-id=\"2920\"  data-category=\"allgemein b\u00fccher gesundheit tipps &amp; anleitungen\" data-post_tag=\"buch cmd gesundheit hypersensibilit\u00e4t mcs\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/09\/cisteni-zubu-rozumny-nebo-prehnany-diferencovany-pohled\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">\u010ci\u0161t\u011bn\u00ed zub\u016f - rozumn\u00e9 nebo p\u0159ehnan\u00e9? Diferencovan\u00fd pohled<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1536\" height=\"1024\" class=\"attachment-full size-full\" alt=\"\u010ci\u0161t\u011bn\u00ed zub\u016f - jak \u010dasto m\u00e1 smysl?\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/zahnreinigung-sinnvoll.png\" data-dpt-sizes=\"(max-width: 1536px) 100vw, 1536px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/zahnreinigung-sinnvoll.png 1536w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/zahnreinigung-sinnvoll-300x200.png 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/zahnreinigung-sinnvoll-1024x683.png 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/zahnreinigung-sinnvoll-768x512.png 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/zahnreinigung-sinnvoll-18x12.png 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/09\/cisteni-zubu-rozumny-nebo-prehnany-diferencovany-pohled\/\" rel=\"bookmark\">\u010ci\u0161t\u011bn\u00ed zub\u016f - rozumn\u00e9 nebo p\u0159ehnan\u00e9? Diferencovan\u00fd pohled<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"cmd \u2013 das vergessene problem der modernen medizin\" data-id=\"2493\"  data-category=\"b\u00fccher gesundheit\" data-post_tag=\"buch cmd gesundheit ratgeber verlag\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/cmd-zapomenuty-problem-moderni-mediciny\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">CMD - zapomenut\u00fd probl\u00e9m modern\u00ed medic\u00edny<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1280\" height=\"1812\" class=\"attachment-full size-full\" alt=\"Kniha: CMD - zapomenut\u00fd probl\u00e9m modern\u00ed medic\u00edny\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cover-Front.jpg\" data-dpt-sizes=\"(max-width: 1280px) 100vw, 1280px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cover-Front.jpg 1280w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cover-Front-212x300.jpg 212w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cover-Front-723x1024.jpg 723w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cover-Front-768x1087.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cover-Front-1085x1536.jpg 1085w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cover-Front-8x12.jpg 8w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/cmd-zapomenuty-problem-moderni-mediciny\/\" rel=\"bookmark\">CMD - zapomenut\u00fd probl\u00e9m modern\u00ed medic\u00edny<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"&#8222;das etwas andere datenbank-buch&#8220; f\u00fchrt ein in die prozess-denkweise.\" data-id=\"2451\"  data-category=\"b\u00fccher filemaker &amp; erp\" data-post_tag=\"buch datenbanken datenlogik denkmodelle prozesse verlag\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/ponekud-odlisna-kniha-o-databazich-zavadi-procesni-zpusob-mysleni\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">\"Pon\u011bkud jin\u00e1 kniha o datab\u00e1z\u00edch\" p\u0159edstavuje procesn\u00ed zp\u016fsob my\u0161len\u00ed.<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"838\" height=\"1200\" class=\"attachment-full size-full\" alt=\"Datab\u00e1zov\u00e1 kniha s rozd\u00edlem\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/das-etwas-andere-datenbank-buch.jpg\" data-dpt-sizes=\"(max-width: 838px) 100vw, 838px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/das-etwas-andere-datenbank-buch.jpg 838w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/das-etwas-andere-datenbank-buch-210x300.jpg 210w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/das-etwas-andere-datenbank-buch-715x1024.jpg 715w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/das-etwas-andere-datenbank-buch-768x1100.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/das-etwas-andere-datenbank-buch-8x12.jpg 8w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/ponekud-odlisna-kniha-o-databazich-zavadi-procesni-zpusob-mysleni\/\" rel=\"bookmark\">\"Pon\u011bkud jin\u00e1 kniha o datab\u00e1z\u00edch\" p\u0159edstavuje procesn\u00ed zp\u016fsob my\u0161len\u00ed.<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>","protected":false},"excerpt":{"rendered":"<p>Kdy\u017e dnes vid\u00edte Jana-Josefa Liefera jako excentrick\u00e9ho profesora Boerneho ve filmu \u201eTatort\u201c, snadno zapomenete, jak dlouho trvalo, ne\u017e se k n\u011bmu dostal. J\u00e1 s\u00e1m jsem ho v t\u00e9to roli v\u017edycky r\u00e1d vid\u011bl: jako sm\u011bs jemnosti, narcismu, humoru a \u00fa\u017easn\u00e9ho p\u0159ehledu. Ale tato sm\u011bs nep\u0159ich\u00e1z\u00ed z ni\u010deho nic. Je to v\u00fdsledek celo\u017eivotn\u00edho ... <a title=\"&quot;Pon\u011bkud jin\u00e1 kniha o datab\u00e1z\u00edch&quot; p\u0159edstavuje procesn\u00ed zp\u016fsob my\u0161len\u00ed.\" class=\"read-more\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/ponekud-odlisna-kniha-o-databazich-zavadi-procesni-zpusob-mysleni\/\" aria-label=\"\u010c\u00edst v\u00edce o &quot;The somewhat different database book&quot; p\u0159edstavuje procesn\u00ed zp\u016fsob my\u0161len\u00ed.\">\u010c\u00edst d\u00e1l<\/a><\/p>","protected":false},"author":1,"featured_media":3855,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":159,"footnotes":""},"categories":[1,466,472],"tags":[480,458,426,428,476,483,429,477],"class_list":["post-3854","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-gesellschaft","category-kunst-kultur","tag-deutschland","tag-erfahrungen","tag-krisen","tag-lernen","tag-meinungsfreiheit","tag-musik","tag-persoenlichkeitsentwicklung","tag-portrait"],"_links":{"self":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/3854","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/comments?post=3854"}],"version-history":[{"count":12,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/3854\/revisions"}],"predecessor-version":[{"id":5850,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/3854\/revisions\/5850"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/media\/3855"}],"wp:attachment":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/media?parent=3854"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/categories?post=3854"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/tags?post=3854"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}