{"id":4169,"date":"2025-12-26T07:49:57","date_gmt":"2025-12-26T07:49:57","guid":{"rendered":"https:\/\/www.markus-schall.de\/?p=4169"},"modified":"2026-03-22T14:54:33","modified_gmt":"2026-03-22T14:54:33","slug":"vicco-von-buelow-alias-loriot-objednavkovy-formular-a-tichy-odpor-humoru","status":"publish","type":"post","link":"https:\/\/www.markus-schall.de\/cs\/2025\/12\/vicco-von-buelow-alias-loriot-objednavkovy-formular-a-tichy-odpor-humoru\/","title":{"rendered":"Vicco von B\u00fclow alias Loriot - \u0159\u00e1d, forma a tich\u00fd odpor humoru"},"content":{"rendered":"<p>Jsou um\u011blci, kte\u0159\u00ed sv\u00e9 n\u00e1zory d\u00e1vaj\u00ed na pap\u00edr jako raz\u00edtko: viditeln\u00e9, nezam\u011bniteln\u00e9, n\u011bkdy i trochu lacin\u00e9. A pak je tu Vicco von B\u00fclow - Loriot, kter\u00fd je zt\u011blesn\u011bn\u00edm prav\u00e9ho opaku: Vyz\u00fdvavost bez chv\u00e1st\u00e1n\u00ed. Kdy\u017e cht\u011bl, dok\u00e1zal se vyj\u00e1d\u0159it velmi jasn\u011b. Ale ned\u011blal to se vzty\u010den\u00fdm prstem, n\u00fdbr\u017e s p\u0159esnost\u00ed, kter\u00e1 nejprve vede ke sm\u00edchu a pak - t\u00e9m\u011b\u0159 nepost\u0159ehnuteln\u011b - dod\u00e1v\u00e1 v\u00e1\u017enost. To je patrn\u00e9 zejm\u00e9na v pozd\u011bj\u0161\u00edch rozhovorech: nemluv\u00ed v heslech, ale v nuanc\u00edch. Mezi \u0159\u00e1dky je \u010dasto v\u00edce prost\u00e9 \u0159e\u010di, ne\u017e lze nal\u00e9zt v mnoha hlasit\u00fdch projevech.<\/p>\n<p>A mo\u017en\u00e1 pr\u00e1v\u011b tady za\u010d\u00edn\u00e1 skute\u010dn\u00fd portr\u00e9t: ne u slavn\u00fdch skic, ne u cit\u00e1t\u016f, kter\u00e9 ka\u017ed\u00fd zn\u00e1, ale u ot\u00e1zky, jak se \u010dlov\u011bk st\u00e1v\u00e1, aby se dok\u00e1zal d\u00edvat na sv\u011bt s laskavost\u00ed i ne\u00faprosnou p\u0159esnost\u00ed.<!--more--><\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-899 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 9px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-899 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Aktu\u00e1ln\u00ed \u010dl\u00e1nky o um\u011bn\u00ed a kultu\u0159e<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-899\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"reichweite ist kein eigentum &#8211; warum sichtbarkeit heute nicht mehr ausreicht\" data-id=\"3994\"  data-category=\"allgemein filemaker &amp; erp gesellschaft kunst &amp; kultur\" data-post_tag=\"datenlogik datenschutz denkmodelle digitales eigentum erp-software\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/dosah-neni-vlastnictvim-proc-dnes-jiz-nestaci-viditelnost\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Dosah neznamen\u00e1 vlastnictv\u00ed - Pro\u010d dnes u\u017e nesta\u010d\u00ed jen viditelnost<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Dosah vs. vlastnictv\u00ed\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/dosah-neni-vlastnictvim-proc-dnes-jiz-nestaci-viditelnost\/\" rel=\"bookmark\">Dosah neznamen\u00e1 vlastnictv\u00ed - Pro\u010d dnes u\u017e nesta\u010d\u00ed jen viditelnost<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"ulrike gu\u00e9rot: eine europ\u00e4erin zwischen idee, universit\u00e4t und \u00f6ffentlichem diskurs\" data-id=\"4039\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"denkmodelle deutschland europa geopolitik krisen meinungsfreiheit portrait sicherheitspolitik spieltheorie\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/ulrike-guerot-evropsky-mezi-ideou-univerzity-a-verejnym-diskurzem\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Ulrike Gu\u00e9rot: Evropanka mezi my\u0161lenkou, univerzitou a ve\u0159ejn\u00fdm diskurzem<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Ulrike Gu\u00e9rot a Evropa\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/ulrike-guerot-evropsky-mezi-ideou-univerzity-a-verejnym-diskurzem\/\" rel=\"bookmark\">Ulrike Gu\u00e9rot: Evropanka mezi my\u0161lenkou, univerzitou a ve\u0159ejn\u00fdm diskurzem<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"helge schneider: haltung, humor und die freiheit, sich nicht erkl\u00e4ren zu m\u00fcssen\" data-id=\"4756\"  data-category=\"allgemein gesellschaft kunst &amp; 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kultur stories &amp; humor\" data-post_tag=\"deutschland erfahrungen geopolitik krisen pers\u00f6nlichkeitsentwicklung sicherheitspolitik\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/kdyz-se-povinnost-opet-stava-povinnosti-druh-eseje-pana-von-loreota\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Kdy\u017e se povinnost op\u011bt stane povinnost\u00ed. Jak\u00e1si esej pana von L'oreota.<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Ne\u010dekan\u00fd telefon\u00e1t\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/kdyz-se-povinnost-opet-stava-povinnosti-druh-eseje-pana-von-loreota\/\" rel=\"bookmark\">Kdy\u017e se povinnost op\u011bt stane povinnost\u00ed. Jak\u00e1si esej pana von L'oreota.<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>\n<h2>Jm\u00e9no, kter\u00e9 zn\u00ed jako \u0159\u00e1d<\/h2>\n<p>Bernhard-Viktor Christoph-Carl von B\u00fclow - to nezn\u00ed jako boh\u00e9ma, nezn\u00ed to jako um\u011bleck\u00fd sklep, nezn\u00ed to jako rebelie. Zn\u00ed to jako p\u016fvod, forma, odstup, sv\u011bt, v n\u011bm\u017e se chov\u00e1te spr\u00e1vn\u011b, proto\u017ee jste se to nau\u010dili. Sv\u011bt s pravidly, tituly, \u010dist\u00fdmi hranami. Pro mnoh\u00e9 je n\u011bco takov\u00e9ho korzetem. Pro Loriota to bylo sp\u00ed\u0161 skladi\u0161t\u011b materi\u00e1lu. P\u00f3diov\u00e9 jm\u00e9no \u201eLoriot\u201c nen\u00ed n\u00e1hoda, ale sp\u00ed\u0161e klasick\u00fd erbovn\u00ed n\u00e1zev: Loriot je francouzsk\u00fd v\u00fdraz pro volavku, kter\u00e1 je spojena s rodinn\u00fdm erbem (a p\u0159ezd\u00edvkou \u201eVogel B\u00fclow\u201c).<\/p>\n<p>Proto\u017ee pokud vyr\u016fst\u00e1te v prost\u0159ed\u00ed, kde hraje roli forma, brzy se nau\u010d\u00edte, jak se lid\u00e9 definuj\u00ed prost\u0159ednictv\u00edm formy: formou osloven\u00ed, hodnost\u00ed, t\u00f3nem hlasu, strukturou v\u011bty, \u201etakhle se to d\u011bl\u00e1\u201c. A kdo se to nau\u010d\u00ed brzy, m\u00e1 pozd\u011bji nep\u0159ekonatelnou v\u00fdhodu: pozn\u00e1, jak rychle lid\u00e9 znerv\u00f3zn\u00ed, jakmile tato forma za\u010dne kol\u00edsat.<\/p>\n<p>Loriot\u016fv humor je tak trefn\u00fd, proto\u017ee se \u201enesm\u011bje lidem\u201c, ale drobn\u00fdm \u00faprav\u00e1m, kter\u00e9 si lid\u00e9 d\u011blaj\u00ed sami ze sebe: zdvo\u0159ilosti, postaven\u00ed, spr\u00e1vn\u00e9mu slovu v nespr\u00e1vn\u00fd \u010das, zoufal\u00e9 snaze ovl\u00e1dnout situaci - a kdy\u017e se to nepoda\u0159\u00ed.<\/p>\n<h3>D\u011btstv\u00ed jako \u0161kola pozorov\u00e1n\u00ed<\/h3>\n<p>Kdo <a href=\"https:\/\/de.wikipedia.org\/wiki\/Loriot\" target=\"_blank\" rel=\"noopener\">Loriot<\/a> Pokud chcete porozum\u011bt sv\u00e9mu d\u011btstv\u00ed, nem\u016f\u017eete se mu vyhnout. Ne jako drby, ne jako psychologickou hru, ale jako prostou souvislost: \u010dlov\u011bk se m\u00e1lokdy stane tak vyt\u0159\u00edben\u00fdm ve sv\u00fdch pozorov\u00e1n\u00edch n\u00e1hodou. Obvykle se to stane, kdy\u017e se v ran\u00e9m v\u011bku nau\u010d\u00edte ml\u010det - a pozorn\u011b se d\u00edvat.<\/p>\n<p>V dom\u00e1cnosti, kde hraj\u00ed roli struktury a o\u010dek\u00e1v\u00e1n\u00ed, lid\u00e9 pozoruj\u00ed jinak. Naslouch\u00e1te pozorn\u011bji: Co se \u0159\u00edk\u00e1 - a co se ne\u0159\u00edk\u00e1? Kdy se zm\u011bn\u00ed t\u00f3n? Kdy se p\u0159\u00e1telskost m\u011bn\u00ed v n\u00e1tlak? A pro\u010d n\u00e1ladu \u010dasto m\u011bn\u00ed zd\u00e1nliv\u011b ne\u0161kodn\u00e9 v\u011bty?<\/p>\n<p>To je \u017eivn\u00e1 p\u016fda pro Loriotovo pozd\u011bj\u0161\u00ed \u0159emeslo. Nebudoval \u201egagy\u201c. Pitval situace, ani\u017e by je ni\u010dil. A to je um\u011bn\u00ed, kter\u00e9mu se nenau\u010d\u00edte z knih, ale ze \u017eivotn\u00ed zku\u0161enosti: z pozn\u00e1n\u00ed, \u017ee lid\u00e9 jsou m\u00e1lokdy zl\u00ed - ale p\u0159ekvapiv\u011b \u010dasto nev\u011bdom\u011b sm\u011b\u0161n\u00ed, kdy\u017e h\u00e1j\u00ed svou fas\u00e1du.<\/p>\n<h3>Jm\u00e9no um\u011blce jako tich\u00e1 n\u00e1pov\u011bda<\/h3>\n<p>I n\u00e1zev \u201eLoriot\u201c je v\u00edc ne\u017e jen ozna\u010den\u00ed. Je typick\u00fd pro tento p\u0159\u00edstup: elegantn\u00ed, trochu starom\u00f3dn\u00ed, trochu odta\u017eit\u00fd - a p\u0159esto s pomrk\u00e1v\u00e1n\u00edm. \u017d\u00e1dn\u00fd povyk, \u017e\u00e1dn\u00e9 \u201ete\u010f jsem um\u011blec\u201c, ale jak\u00fdsi podpis, kter\u00fd \u0159\u00edk\u00e1: beru formu v\u00e1\u017en\u011b - ale v\u00edm, \u017ee je n\u011bkdy sm\u011b\u0161n\u00e1.<\/p>\n<p>To je \u00favod do d\u011bje: Loriot nestoj\u00ed mimo bur\u017eoazn\u00ed sv\u011bt a neh\u00e1z\u00ed do n\u011bj kameny. Stoj\u00ed uprost\u0159ed n\u011bj, zn\u00e1 v\u0161echna pravidla - a proto ho m\u016f\u017ee svrhnout jedinou v\u011btou. Jde o velmi tradi\u010dn\u00ed formu kritiky: ne jako \u00fatok, ale jako zrcadlo.<\/p>\n<h3>Postoj: ne mor\u00e1lka, ale um\u00edrn\u011bnost<\/h3>\n<p>Kdy\u017e se dnes mluv\u00ed o \u201epostoji\u201c, \u010dasto to zn\u00ed jako n\u00e1zor, t\u00e1bor, \u201espr\u00e1vn\u00e9\u201c a \u201e\u0161patn\u00e9\u201c. Loriot m\u00e1 na mysli n\u011bco jin\u00e9ho - a pr\u00e1v\u011b to ho \u010din\u00ed tak modern\u00edm, ani\u017e by cht\u011bl b\u00fdt modern\u00ed: Postoj jako m\u011b\u0159\u00edtko, jako sebeovl\u00e1d\u00e1n\u00ed, jako styl. A jako ochotu ned\u011blat sv\u011bt jednodu\u0161\u0161\u00edm, ne\u017e je.<\/p>\n<p>V jeho rozhovorech - a tak\u00e9 v jeho pr\u00e1ci - je c\u00edtit skepse v\u016f\u010di v\u0161emu, co je p\u0159\u00edli\u0161 jednozna\u010dn\u00e9. P\u016fsob\u00ed jako \u010dlov\u011bk, kter\u00fd dob\u0159e v\u00ed, \u017ee neust\u00e1l\u00e9 vysv\u011btlov\u00e1n\u00ed v\u0161eho bere lidem d\u016fstojnost. Loriot nevysv\u011btluje. On ukazuje. A v\u011b\u0159\u00ed, \u017ee \u010dten\u00e1\u0159 nebo div\u00e1k dok\u00e1\u017ee p\u0159em\u00fd\u0161let spolu s n\u00edm.<\/p>\n<p>To je mo\u017en\u00e1 jeho nejsiln\u011bj\u0161\u00ed forma zdvo\u0159ilosti: nechov\u00e1 se ke sv\u00fdm poslucha\u010d\u016fm jako ke \u0161koln\u00ed t\u0159\u00edd\u011b, ale jako k dosp\u011bl\u00fdm, kte\u0159\u00ed si mohou nechat poradit. Zasm\u011bjete se - a o chv\u00edli pozd\u011bji si uv\u011bdom\u00edte, \u017ee ten sm\u00edch nebyl povrchn\u00ed, ale \u017ee to bylo jak\u00e9si uv\u011bdom\u011bn\u00ed.<\/p>\n<h3>Pro\u010d je tento portr\u00e9t dnes v\u00edc ne\u017e nostalgie<\/h3>\n<p>Loriota si m\u016f\u017eete ulo\u017eit jako p\u0159\u00edjemnou vzpom\u00ednku: \u201eNo jo, kdysi to byl je\u0161t\u011b humor.\u201c Ale to by bylo p\u0159\u00edli\u0161 jednoduch\u00e9. Proto\u017ee jeho d\u00edlo nen\u00ed jen komedie, je to tich\u00e1 \u0161kola vn\u00edm\u00e1n\u00ed. A jeho postoj nen\u00ed \u201ed\u0159\u00edv bylo v\u0161echno lep\u0161\u00ed\u201c, ale sp\u00ed\u0161: V\u017edycky to bylo lep\u0161\u00ed ne\u017e d\u0159\u00edv, ale je to sp\u00ed\u0161: d\u00edvejte se pozorn\u011b, mluvte \u010dist\u011b, nep\u0159eh\u00e1n\u011bjte, nepohrdejte.<\/p>\n<p>V dob\u011b, kdy se mnoh\u00e9 v\u011bci zrychluj\u00ed, zesiluj\u00ed a zdrs\u0148uj\u00ed, p\u016fsob\u00ed Loriot jako protil\u00e1tka - ne jako mor\u00e1ln\u00ed k\u00e1z\u00e1n\u00ed, ale jako v\u00fdzva: k p\u0159esnosti, k sebeironii, ke schopnosti naslouchat s\u00e1m sob\u011b, kdy\u017e mluv\u00ed.<\/p>\n<p>A tak je sm\u011br zbytku portr\u00e9tu jasn\u00fd: ned\u00edv\u00e1me se jen na slavn\u00e9ho humoristu. D\u00edv\u00e1me se na \u010dlov\u011bka, kter\u00fd za n\u00edm stoj\u00ed - na jeho p\u016fvod, vlivy, b\u011bh \u010dasu. A pt\u00e1me se, jak z toho v\u0161eho mohl vzniknout postoj, kter\u00fd se zd\u00e1 b\u00fdt tak p\u0159\u00e1telsk\u00fd - a p\u0159itom je tak ostr\u00fd jako b\u0159itva.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4170\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Kindheit.jpg\" alt=\"Loriot: Kreslen\u00ed v d\u011btstv\u00ed\" width=\"1184\" height=\"864\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Kindheit.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Kindheit-300x219.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Kindheit-768x560.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Kindheit-16x12.jpg 16w\" sizes=\"auto, (max-width: 1184px) 100vw, 1184px\" \/><\/p>\n<h2>Dosp\u00edv\u00e1n\u00ed ve T\u0159et\u00ed \u0159\u00ed\u0161i - ka\u017edodenn\u00ed \u017eivot, adaptace, pozorov\u00e1n\u00ed<\/h2>\n<p>Ka\u017ed\u00fd, kdo dnes mluv\u00ed o \u201ed\u011btstv\u00ed ve T\u0159et\u00ed \u0159\u00ed\u0161i\u201c, rychle sklouzne k velk\u00fdm slov\u016fm: vina, sv\u00e1d\u011bn\u00ed, ideologie. Pro mnoho tehdej\u0161\u00edch d\u011bt\u00ed v\u0161ak byl ka\u017edodenn\u00ed \u017eivot jin\u00fd - m\u00e9n\u011b ok\u00e1zal\u00fd, u\u017e\u0161\u00ed, formalizovan\u011bj\u0161\u00ed. Pro Loriota to bylo stejn\u00e9. \u0160kola, pravidla, ritu\u00e1ly, jasn\u00e1 p\u0159edstava o tom, co se slu\u0161\u00ed a co ne. Politika byla v\u0161udyp\u0159\u00edtomn\u00e1, ale m\u00e1lokdy byla p\u0159edm\u011btem v\u011bdom\u00e9 d\u011btsk\u00e9 diskuse.<\/p>\n<p>\u0160lo o r\u00e1mec, ne o t\u00e9ma.<\/p>\n<p>Pr\u00e1v\u011b tato norm\u00e1lnost je rozhoduj\u00edc\u00ed. Vysv\u011btluje toti\u017e, pro\u010d pozd\u011bji nedojde k \u017e\u00e1dn\u00e9mu patetick\u00e9mu gestu nebo hlasit\u00e9mu z\u00fa\u010dtov\u00e1n\u00ed. Loriot\u016fv pohled z\u016fst\u00e1v\u00e1 pohledem pozorovatele ka\u017edodenn\u00edho \u017eivota, nikoli retrospektivn\u00edho koment\u00e1tora. V\u011bd\u011bl, jak syst\u00e9my funguj\u00ed, ani\u017e by je musel vysv\u011btlovat - proto\u017ee je za\u017eil, kdy\u017e \u201eprost\u011b byly\u201c.<\/p>\n<h3>\u0160kola, forma a jazyk<\/h3>\n<p>Ka\u017edodenn\u00ed \u0161koln\u00ed \u017eivot se v t\u011bch letech vyzna\u010doval \u0159\u00e1dem: jasnou hierarchi\u00ed, pevn\u00fdmi postupy, t\u00f3nem, kter\u00fd nenech\u00e1val prostor pro pochybnosti. Jazyk byl nejen prost\u0159edkem komunikace, ale tak\u00e9 n\u00e1strojem discipl\u00edny. Kdo mluvil nespr\u00e1vn\u011b, mluvil nejen neslu\u0161n\u011b, ale i nespr\u00e1vn\u011b v mor\u00e1ln\u00edm smyslu.<\/p>\n<p>To je \u010dasto p\u0159ehl\u00ed\u017een\u00fd odkaz na Loriotovu pozd\u011bj\u0161\u00ed tvorbu: jeho komedie t\u00e9m\u011b\u0159 v\u017edy za\u010d\u00edn\u00e1 jazykem. Ne velk\u00fdm konfliktem, ale v\u011btou, kter\u00e1 je a\u017e p\u0159\u00edli\u0161 korektn\u00ed. Slovem, kter\u00e9 m\u00e1 b\u00fdt uklid\u0148uj\u00edc\u00ed a m\u00e1 p\u0159esn\u011b opa\u010dn\u00fd \u00fa\u010dinek. Tento cit pro jazyk nevznik\u00e1 n\u00e1hodou. Vyr\u016fst\u00e1 tam, kde je jazyk p\u0159\u00edsn\u011b \u0159\u00edzen a kde jsou odchylky okam\u017eit\u011b patrn\u00e9.<\/p>\n<p>Dalo by se \u0159\u00edci, \u017ee zat\u00edmco ostatn\u00ed se u\u010dili, co maj\u00ed \u0159\u00edkat, on se u\u010dil, jak to \u0159\u00edkat - a co se m\u016f\u017ee pokazit.<\/p>\n<h3>P\u0159izp\u016fsoben\u00ed jako strategie p\u0159e\u017eit\u00ed<\/h3>\n<p>Zapadnout je slovo, kter\u00e9 je dnes \u010dasto mor\u00e1ln\u011b zat\u00ed\u017een\u00e9. V realit\u011b d\u011btsk\u00e9ho \u017eivota znamen\u00e1 zpo\u010d\u00e1tku n\u011bco jin\u00e9ho: pat\u0159it, nevy\u010dn\u00edvat, fungovat. Nejde o politick\u00e9 rozhodnut\u00ed, ale o lidskou nutnost.<\/p>\n<p>Pr\u00e1v\u011b zde se rozv\u00edj\u00ed jemn\u00fd odstup, kter\u00fd pozd\u011bji charakterizuje Loriota. Ka\u017ed\u00fd, kdo se p\u0159izp\u016fsob\u00ed, ani\u017e by se vnit\u0159n\u011b rozplynul, se nau\u010d\u00ed rozli\u0161ovat mezi dv\u011bma rovinami: ofici\u00e1ln\u00ed a skute\u010dnou. \u00darove\u0148 pravidel - a \u00farove\u0148 lid\u00ed, kte\u0159\u00ed tato pravidla n\u011bkdy trapn\u011b napl\u0148uj\u00ed.<\/p>\n<p>Toto dvoj\u00ed vn\u00edm\u00e1n\u00ed je kl\u00ed\u010dem k jeho humoru. Nikdy neukazuje \u201esyst\u00e9m\u201c, ale lidi, kte\u0159\u00ed se sna\u017e\u00ed z\u016fstat v r\u00e1mci syst\u00e9mu korektn\u00ed - a selh\u00e1vaj\u00ed. Nikoli ze zl\u00e9 v\u016fle, ale z p\u0159\u00edli\u0161n\u00fdch n\u00e1rok\u016f.<\/p>\n<h3>Kreslen\u00ed jako klidn\u00e9 \u00fato\u010di\u0161t\u011b<\/h3>\n<p>U\u017e ve \u0161kole se u Loriota projevila vlastnost, kter\u00e1 se pozd\u011bji stala jeho pozn\u00e1vac\u00edm znamen\u00edm: schopnost ti\u0161e se st\u00e1hnout, ani\u017e by se odvr\u00e1til. Zat\u00edmco ostatn\u00ed vystupovali, d\u011blali povyk nebo se p\u0159izp\u016fsobovali, on sed\u011bl a kreslil. Ne demonstrativn\u011b, ne provokativn\u011b - sp\u00ed\u0161 jako by si vytv\u00e1\u0159el mal\u00fd, zvl\u00e1dnuteln\u00fd prostor, v n\u011bm\u017e byl uspo\u0159\u00e1d\u00e1n sv\u011bt. \u010c\u00e1ry, postavy, vzd\u00e1lenosti: v\u0161echno m\u011blo sv\u00e9 m\u00edsto. Kreslen\u00ed nebylo \u00fanikem, ale formou kontroly v prost\u0159ed\u00ed, kter\u00e9 se st\u00e1valo st\u00e1le v\u00edce standardizovan\u00fdm a matouc\u00edm.<\/p>\n<p>Zejm\u00e9na ve \u0161koln\u00edch dob\u00e1ch T\u0159et\u00ed \u0159\u00ed\u0161e bylo toto chov\u00e1n\u00ed pozoruhodn\u011b nen\u00e1padn\u00e9. Zapadalo do r\u00e1mce, ani\u017e by ho naru\u0161ovalo. A p\u0159esto to bylo v\u00edc ne\u017e jen zam\u011bstn\u00e1n\u00ed. Kdo kresl\u00ed, pozoruje. Kdo pozoruje, hodnot\u00ed - ne nahlas, ale vnit\u0159n\u011b. Tato ran\u00e1 praxe tich\u00e9ho pozorov\u00e1n\u00ed vysv\u011btluje mnoh\u00e9 z Loriotovy pozd\u011bj\u0161\u00ed tvorby: klid, trp\u011blivost, pozorn\u00e9 sledov\u00e1n\u00ed. Humor p\u0159i\u0161el a\u017e pozd\u011bji. Zpo\u010d\u00e1tku to byl \u0159\u00e1d v mal\u00e9m m\u011b\u0159\u00edtku, jako protiklad ke sv\u011btu, kter\u00fd neponech\u00e1val prostor pro nuance.<\/p>\n<h3>Pozorov\u00e1n\u00ed m\u00edsto posuzov\u00e1n\u00ed<\/h3>\n<p>Pozoruhodn\u00e9 je, co v n\u011bm chyb\u00ed: Loriot nem\u00e1 pot\u0159ebu vy\u0159izovat si \u00fa\u010dty, nen\u00ed cynick\u00fd. M\u00edsto toho je v n\u011bm t\u00e9m\u011b\u0159 starom\u00f3dn\u00ed trp\u011blivost. Pozoruje, nech\u00e1v\u00e1 situace vyv\u00edjet, nezasahuje do nich. Pr\u00e1v\u011b to dod\u00e1v\u00e1 jeho sc\u00e9n\u00e1m nap\u011bt\u00ed.<\/p>\n<p>Tento postoj pravd\u011bpodobn\u011b vych\u00e1z\u00ed tak\u00e9 ze zku\u0161enosti, \u017ee hlasit\u00e9 soudy m\u00e1lokdy n\u011bco objasn\u00ed. D\u011bti, kter\u00e9 za\u017eij\u00ed, jak siln\u011b je jazyk standardizov\u00e1n a kontrolov\u00e1n, si \u010dasto vyvinou cit pro to, kdy je ml\u010den\u00ed moud\u0159ej\u0161\u00ed ne\u017e mluven\u00ed - a kdy m\u00e1 p\u0159esn\u00e1 v\u011bta v\u011bt\u0161\u00ed dopad ne\u017e dlouh\u00e9 vysv\u011btlov\u00e1n\u00ed.<\/p>\n<p>To vytv\u00e1\u0159\u00ed formu v\u00e1\u017enosti, kter\u00e1 nep\u016fsob\u00ed t\u011b\u017ece. Zasm\u011bjete se - a teprve pozd\u011bji si uv\u011bdom\u00edte, \u017ee jste pr\u00e1v\u011b vid\u011bli n\u011bco velmi p\u0159esn\u00e9ho.<\/p>\n<p>Loriotovy pozd\u011bj\u0161\u00ed rozhovory ukazuj\u00ed tento postoj obzvl\u00e1\u0161\u0165 jasn\u011b. M\u00e1lokdy se vyjad\u0159uje p\u0159\u00edmo k politice nebo spole\u010dnosti. M\u00edsto toho formuluje zd\u00e1nliv\u011b ne\u0161kodn\u00e9 post\u0159ehy, \u010dasto s lehk\u00fdm \u00fasm\u011bvem. Mezi \u0159\u00e1dky se v\u0161ak skr\u00fdv\u00e1 jasn\u00e1 skepse v\u016f\u010di p\u0159eh\u00e1n\u011bn\u00ed, mor\u00e1ln\u00ed r\u00e9torice a fale\u0161n\u00e9 v\u00e1\u017enosti.<\/p>\n<p>To nen\u00ed n\u00e1hoda. Ka\u017ed\u00fd, kdo v ml\u00e1d\u00ed za\u017eil, jak rychle se v\u00e1\u017enost m\u016f\u017ee zvrhnout v grotesku, si vyp\u011bstuje trvalou ned\u016fv\u011bru k velk\u00fdm gest\u016fm. Loriot\u016fv humor proto nen\u00ed eskapistick\u00fd. Je to forma uzemn\u011bn\u00ed. Tich\u00fd korektiv proti jak\u00e9mukoli zatvrzen\u00ed.<\/p>\n<h3>\u0160kola pro \u017eivot<\/h3>\n<p>Dosp\u00edv\u00e1n\u00ed ve T\u0159et\u00ed \u0159\u00ed\u0161i z Loriota neud\u011blalo politick\u00e9ho koment\u00e1tora. Ud\u011blalo z n\u011bj mistra nuanc\u00ed. Nau\u010dil se, \u017ee lid\u00e9 m\u00e1lokdy selh\u00e1vaj\u00ed kv\u016fli velk\u00fdm my\u0161lenk\u00e1m, ale kv\u016fli mal\u00fdm pravidl\u016fm. \u017de \u0159\u00e1d m\u016f\u017ee zajistit stabilitu - a z\u00e1rove\u0148 se m\u016f\u017ee st\u00e1t past\u00ed, pokud se stane d\u016fle\u017eit\u011bj\u0161\u00edm ne\u017e lid\u00e9.<\/p>\n<p>Tato zku\u0161enost se t\u00e1hne jako tich\u00e1 nit celou jeho tvorbou. Vysv\u011btluje, pro\u010d jeho postavy nikdy nejsou karikaturami, ale sousedy, man\u017eeli, zn\u00e1m\u00fdmi. A pro\u010d p\u0159i sm\u00edchu \u010dasto poci\u0165ujete lehk\u00e9 nepohodl\u00ed: proto\u017ee se v nich pozn\u00e1v\u00e1te.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-4171\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Offizier.jpg\" alt=\"Vicco von B\u00fclow jako d\u016fstojn\u00edk\" width=\"1184\" height=\"864\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Offizier.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Offizier-300x219.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Offizier-768x560.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Offizier-16x12.jpg 16w\" sizes=\"auto, (max-width: 1184px) 100vw, 1184px\" \/><\/p>\n<h2>V\u00e1lka, discipl\u00edna a dlouh\u00fd st\u00edn \u0159\u00e1du<\/h2>\n<p>Pro mnoh\u00e9 z jeho generace nekon\u010dilo ml\u00e1d\u00ed postupn\u011b, ale n\u00e1hle. \u0160kola, ka\u017edodenn\u00ed \u017eivot, p\u0159im\u011b\u0159en\u011b zn\u00e1m\u00e1 rutina - a pak:<\/p>\n<p>Nouzov\u00e9 maturitn\u00ed vysv\u011bd\u010den\u00ed, uniforma, velitelsk\u00e9 \u0159et\u011bzy. Touto cestou se vydal i Loriot. Ne z touhy po dobrodru\u017estv\u00ed, ne z ideologick\u00e9ho nad\u0161en\u00ed, ale proto\u017ee to byl samoz\u0159ejm\u00fd, o\u010dek\u00e1van\u00fd krok. Tradice, dobov\u00e9 okolnosti a jeho rodinn\u00e9 z\u00e1zem\u00ed dohromady tvo\u0159ily logiku, kter\u00e1 ponech\u00e1vala jen m\u00e1lo alternativ.<\/p>\n<p>V\u00e1lka nebyla t\u00e9matem volby, ale r\u00e1mcem, v n\u011bm\u017e se \u010dlov\u011bk ocitl. A pr\u00e1v\u011b tato zku\u0161enost - za\u0159azen\u00ed do syst\u00e9mu, kter\u00fd je v\u011bt\u0161\u00ed ne\u017e vy - zanech\u00e1v\u00e1 stopy. Ne hlasit\u011b, ne hrdinsky, ale ti\u0161e a trvale.<\/p>\n<h3>Kari\u00e9ra d\u016fstojn\u00edka bez patosu<\/h3>\n<p>Skute\u010dnost, \u017ee se Loriot p\u016fvodn\u011b vydal na dr\u00e1hu d\u016fstojn\u00edka, b\u00fdv\u00e1 n\u011bkdy \u0161patn\u011b ch\u00e1p\u00e1na. P\u0159i zp\u011btn\u00e9m pohledu to n\u011bkte\u0159\u00ed lid\u00e9 vn\u00edmaj\u00ed jako prohl\u00e1\u0161en\u00ed. Ve skute\u010dnosti \u0161lo sp\u00ed\u0161e o vyj\u00e1d\u0159en\u00ed smyslu pro \u0159\u00e1d a kontinuitu. Ka\u017ed\u00fd, kdo poch\u00e1z\u00ed z prost\u0159ed\u00ed, v n\u011bm\u017e jsou slu\u017eba, odpov\u011bdnost a jasn\u00e9 vzory samoz\u0159ejmost\u00ed, nevn\u00edm\u00e1 tuto cestu jako p\u0159eru\u0161en\u00ed, ale jako pokra\u010dov\u00e1n\u00ed.<\/p>\n<p>D\u016fle\u017eit\u00e9 je, co se z n\u011bj nestalo: \u017e\u00e1dn\u00fd vojensk\u00fd patos, \u017e\u00e1dn\u00e1 hrdost na hodnost nebo moc. Pozd\u011bji se v jeho d\u00edle arm\u00e1da objevuje jen st\u011b\u017e\u00ed hrdinsky. Pokud se uniformy objevuj\u00ed, pak sp\u00ed\u0161e jako sou\u010d\u00e1st kulis, v nich\u017e se lid\u00e9 sna\u017e\u00ed z\u016fstat korektn\u00ed - a lidsky p\u0159i tom klop\u00fdtaj\u00ed. Zku\u0161enost s k\u00e1zn\u00ed ho nezatvrdila, ale z\u0159ejm\u011b ho u\u010dinila citliv\u011bj\u0161\u00edm v\u016f\u010di k\u0159ehkosti \u0159\u00e1du.<\/p>\n<p>Discipl\u00edna m\u016f\u017ee poskytnout podporu. M\u016f\u017ee v\u0161ak tak\u00e9 z\u00fa\u017eit vn\u00edm\u00e1n\u00ed. Ti, kdo ji za\u017eij\u00ed, se nau\u010d\u00ed oboj\u00edmu. Ve v\u00e1lce se \u0159\u00e1d neu\u010d\u00ed jako estetick\u00fd princip, ale jako nutnost. Postupy mus\u00ed fungovat, pochybnosti je naru\u0161uj\u00ed. Pr\u00e1v\u011b zde vznik\u00e1 vnit\u0159n\u00ed odstup, kter\u00fd se pozd\u011bji stane pro Loriota tak typick\u00fdm.<\/p>\n<p>V\u011bd\u011bl, \u017ee \u0159\u00e1d nen\u00ed hodnotou s\u00e1m o sob\u011b. Je to n\u00e1stroj. Pokud se stane c\u00edlem s\u00e1m o sob\u011b, stane se absurdn\u00edm. Toto pozn\u00e1n\u00ed nen\u00ed zalo\u017eeno na teorii, ale na zku\u0161enosti. Ze zku\u0161enosti, \u017ee lid\u00e9 v syst\u00e9mech \u010dasto nejednaj\u00ed \u0161patn\u011b, ale v souladu s pravidly - a \u017ee to m\u016f\u017ee b\u00fdt nebezpe\u010dn\u00e9, ale tak\u00e9 z\u00e1bavn\u00e9, jakmile se to p\u0159enese do jin\u00e9ho kontextu.<\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-900 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 10px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-900 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Portr\u00e9ty lid\u00ed s postojem<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-900\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"was ist der sinn des lebens? religionen, philosophen und helmut thielicke im vergleich\" data-id=\"6071\"  data-category=\"allgemein gesellschaft ki-systeme kunst &amp; kultur stories &amp; humor\" data-post_tag=\"denkmodelle erfahrungen gesundheit krisen k\u00fcnstliche intelligenz meinungsfreiheit pers\u00f6nlichkeitsentwicklung portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/05\/jaky-je-smysl-zivota-nabozenstvi-filozofove-a-helmut-thielicke-ve-srovnani\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Jak\u00fd je smysl \u017eivota? Srovn\u00e1n\u00ed n\u00e1bo\u017eenstv\u00ed, filozof\u016f a Helmuta Thielickeho<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"682\" class=\"attachment-full size-full\" alt=\"Ot\u00e1zka smyslu \u017eivota\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Sinn-des-Lebens.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Sinn-des-Lebens.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Sinn-des-Lebens-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Sinn-des-Lebens-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Sinn-des-Lebens-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/05\/jaky-je-smysl-zivota-nabozenstvi-filozofove-a-helmut-thielicke-ve-srovnani\/\" rel=\"bookmark\">Jak\u00fd je smysl \u017eivota? Srovn\u00e1n\u00ed n\u00e1bo\u017eenstv\u00ed, filozof\u016f a Helmuta Thielickeho<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"dieter hallervorden &#8211; mehr als didi: portr\u00e4t eines unbequemen freigeists\" data-id=\"4347\"  data-category=\"gesellschaft kunst &amp; kultur stories &amp; humor\" data-post_tag=\"erfahrungen meinungsfreiheit musik portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/dieter-hallervorden-vice-nez-didi-portret-nepohodlneho-svobodneho-ducha\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Dieter Hallervorden - V\u00edce ne\u017e Didi: Portr\u00e9t nepohodln\u00e9ho svobodn\u00e9ho ducha<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Dieter Hallervorden a W\u00fchlm\u00e4use v Berl\u00edn\u011b\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/dieter-hallervorden-vice-nez-didi-portret-nepohodlneho-svobodneho-ducha\/\" rel=\"bookmark\">Dieter Hallervorden - V\u00edce ne\u017e Didi: Portr\u00e9t nepohodln\u00e9ho svobodn\u00e9ho ducha<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"jan-josef liefers: ein portr\u00e4t \u00fcber haltung, herkunft und k\u00fcnstlerische freiheit\" data-id=\"3854\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"deutschland erfahrungen krisen lernen meinungsfreiheit musik pers\u00f6nlichkeitsentwicklung portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/jan-josef-liefers-portret-postoje-puvodu-a-umelecke-svobody\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Jan-Josef Liefers: Portr\u00e9t postoje, p\u016fvodu a um\u011bleck\u00e9 svobody<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Jan-Josef Liefers\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/jan-josef-liefers-portret-postoje-puvodu-a-umelecke-svobody\/\" rel=\"bookmark\">Jan-Josef Liefers: Portr\u00e9t postoje, p\u016fvodu a um\u011bleck\u00e9 svobody<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"ulrike gu\u00e9rot: eine europ\u00e4erin zwischen idee, universit\u00e4t und \u00f6ffentlichem diskurs\" data-id=\"4039\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"denkmodelle deutschland europa geopolitik krisen meinungsfreiheit portrait sicherheitspolitik spieltheorie\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/ulrike-guerot-evropsky-mezi-ideou-univerzity-a-verejnym-diskurzem\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Ulrike Gu\u00e9rot: Evropanka mezi my\u0161lenkou, univerzitou a ve\u0159ejn\u00fdm diskurzem<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Ulrike Gu\u00e9rot a Evropa\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/ulrike-guerot-portrait-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/ulrike-guerot-evropsky-mezi-ideou-univerzity-a-verejnym-diskurzem\/\" rel=\"bookmark\">Ulrike Gu\u00e9rot: Evropanka mezi my\u0161lenkou, univerzitou a ve\u0159ejn\u00fdm diskurzem<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>\n<h3>Dlouh\u00fd st\u00edn z\u016fst\u00e1v\u00e1<\/h3>\n<p>Tento otisk nezmiz\u00ed ani po v\u00e1lce. \u010c\u00edh\u00e1 jako \u0161um v pozad\u00ed pod pozd\u011bj\u0161\u00edm \u017eivotem. Loriotovy postavy si tento st\u00edn \u010dasto nev\u011bdomky nesou s sebou: touha d\u011blat v\u0161echno spr\u00e1vn\u011b; strach z vypadnut\u00ed z formy; reflexivn\u00ed sah\u00e1n\u00ed po pravidlech, kdy\u017e se objev\u00ed nejistota.<\/p>\n<p>Dalo by se \u0159\u00edci, \u017ee jeho komika vznik\u00e1 pr\u00e1v\u011b tam, kde u\u017e v\u00e1lka nen\u00ed vid\u011bt, ale zp\u016fsob my\u0161len\u00ed z\u016fstal. Tam, kde se \u0159\u00e1d stal zvykem, ani\u017e by se n\u011bkdo ptal po jeho smyslu. To nen\u00ed ob\u017ealoba, ale p\u0159esn\u00e9 pozorov\u00e1n\u00ed lidsk\u00fdch z\u00e1konitost\u00ed.<\/p>\n<h3>Humor jako norm\u00e1ln\u00ed stav<\/h3>\n<p>Kdy\u017e se ohl\u00e9dneme zp\u011bt, Loriot nemluvil ani tak o ideologii, jako o n\u011b\u010dem zd\u00e1nliv\u011b ban\u00e1ln\u00edm: o nedostatku humoru. V tehdej\u0161\u00ed \u0161koln\u00ed a spole\u010densk\u00e9 atmosf\u00e9\u0159e bylo m\u00e1lo m\u00edsta pro tich\u00fd sm\u00edch, ironii nebo jemn\u00fd odstup. Humor existoval, pokud v\u016fbec, v hrub\u00e9 nebo autorizovan\u00e9 podob\u011b. Jemnost nem\u011bla m\u00edsto. Tato zku\u0161enost na n\u011bj m\u011bla v\u011bt\u0161\u00ed vliv, ne\u017e by se mohlo zd\u00e1t z velk\u00fdch politick\u00fdch koncepc\u00ed.<\/p>\n<p>Norm\u00e1lnost byla v\u00e1\u017en\u00e1. Spr\u00e1vn\u011b. C\u00edlev\u011bdom\u00e1. A v tom spo\u010d\u00edvala jej\u00ed v\u00e1\u017enost. Ka\u017ed\u00fd, kdo vyr\u016fst\u00e1 v takov\u00e9m prost\u0159ed\u00ed, si bu\u010f vyp\u011bstuje smysl pro obranu - nebo si vyp\u011bstuje cit pro to, kde se lidsk\u00fd prvek ztr\u00e1c\u00ed pod povrchem. Loriot\u016fv pozd\u011bj\u0161\u00ed humor lze tak\u00e9 \u010d\u00edst jako reakci na tento ran\u00fd nedostatek humoru: ne jako proti\u00fatok, ale jako znovuobjeven\u00ed. Jako pokus vr\u00e1tit ka\u017edodenn\u00edmu \u017eivotu n\u011bco, co mu dlouho chyb\u011blo - ne hlasit\u00fd sm\u00edch, ale tich\u00e9 uzn\u00e1n\u00ed.<\/p>\n<h3>\u017d\u00e1dn\u00e9 vypo\u0159\u00e1d\u00e1n\u00ed, ale konverze<\/h3>\n<p>Pozoruhodn\u00e9 je op\u011bt to, co chyb\u00ed: ho\u0159kost. Loriot by m\u011bl v\u0161echny d\u016fvody b\u00fdt drsn\u00fd, dramatizovat \u017eivotopisn\u00e9 t\u011b\u017ekosti. Ale neud\u011blal to. M\u00edsto toho p\u0159etvo\u0159il zku\u0161enost do formy. P\u0159evedl discipl\u00ednu do na\u010dasov\u00e1n\u00ed, velitelsk\u00fd t\u00f3n do dialogu, vojenskou p\u0159esnost do komick\u00e9 preciznosti.<\/p>\n<p>To je mo\u017en\u00e1 jeho skute\u010dn\u00fd trik: pou\u017e\u00edv\u00e1 n\u00e1stroje \u0159\u00e1du, aby zviditelnil \u0159\u00e1d - a mohl se tak uvolnit. Sm\u00edch se tak st\u00e1v\u00e1 jak\u00fdmsi ob\u010dansk\u00fdm odzbrojen\u00edm.<\/p>\n<p>V\u00e1lka ho nenau\u010dila, \u017ee po\u0159\u00e1dek je \u0161patn\u00fd. Nau\u010dila ho, \u017ee z\u00e1le\u017e\u00ed na kontextu. \u017de m\u016f\u017ee lidi podpo\u0159it - nebo je rozdrtit. A \u017ee rozhoduj\u00edc\u00ed \u010dasto nen\u00ed syst\u00e9m, ale okam\u017eik, kdy se v n\u011bm \u010dlov\u011bk sna\u017e\u00ed z\u016fstat d\u016fstojn\u00fd. Pr\u00e1v\u011b v tom spo\u010d\u00edv\u00e1 Loriot\u016fv pozd\u011bj\u0161\u00ed postoj. Nevysm\u00edv\u00e1 se pot\u0159eb\u011b \u0159\u00e1du. Ukazuje, jak na n\u011bm lid\u00e9 lp\u00ed, kdy\u017e jim nic jin\u00e9ho nezb\u00fdv\u00e1. A \u010din\u00ed tak bez zloby, bez mor\u00e1ln\u00ed nad\u0159azenosti. To je to, co d\u011bl\u00e1 jeho komedii tak trvalou - a pod povrchem tak v\u00e1\u017enou.<\/p>\n<p>V t\u00e9to kapitole se pozornost p\u0159esune jinam: P\u0159esouv\u00e1 se od imprintingu k realizaci. Dal\u0161\u00ed kapitola se zab\u00fdv\u00e1 t\u00edm, jak se humor st\u00e1v\u00e1 p\u0159esn\u00fdm n\u00e1strojem - a pro\u010d Loriot nikdy nebyl vtipn\u00fd n\u00e1hodou, ale byl ve sv\u00e9m \u0159emesle p\u0159esn\u011bj\u0161\u00ed ne\u017e mnoz\u00ed jeho sou\u010dasn\u00edci.<\/p>\n<div class=\"lyte-wrapper\" style=\"width:640px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_ExiavVSLNU8\"><div id=\"lyte_ExiavVSLNU8\" data-src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FExiavVSLNU8%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/ExiavVSLNU8\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FExiavVSLNU8%2F0.jpg\" alt=\"Miniatura videa na YouTube\" width=\"640\" height=\"340\" \/><br \/>Pod\u00edvejte se na toto video na YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:640px;margin:5px;\"><\/div><br \/>\nRozhovor s Loriotem a Evelyn Hamann o \u201eOidipovi\u201c 1987, Berl\u00edn |\u00a0<a href=\"https:\/\/www.youtube.com\/@footageberlin\" target=\"_blank\" rel=\"noopener\">rbb media<\/a><\/p>\n<h2>Humor jako p\u0159esn\u00fd n\u00e1stroj<\/h2>\n<p>Loriot\u016fv humor \u010dasto p\u016fsob\u00ed nenucen\u011b, t\u00e9m\u011b\u0159 nenucen\u011b. Pr\u00e1v\u011b v tom spo\u010d\u00edv\u00e1 nebezpe\u010d\u00ed nepochopen\u00ed. Nic v jeho d\u00edle nen\u00ed spont\u00e1nn\u00ed ve smyslu nepl\u00e1novan\u00e9. Jeho humor je vypo\u010d\u00edtav\u00fd, ale ne chladn\u00fd; p\u0159esn\u00fd, ale ne mechanick\u00fd. Je c\u00edtit, \u017ee jde o d\u00edlo \u010dlov\u011bka, kter\u00fd v\u00ed, \u017ee komedie je \u00fa\u010dinn\u00e1 jen tehdy, je-li p\u0159esn\u00e1. Jedna \u0161patn\u00e1 nota, jedna vte\u0159ina p\u0159\u00edli\u0161 brzy, jedno slovo p\u0159\u00edli\u0161 mnoho - a sc\u00e9na se zhrout\u00ed.<\/p>\n<p>Tato p\u0159esnost nen\u00ed samo\u00fa\u010deln\u00e1. Slou\u017e\u00ed \u00fa\u010delu: zviditelnit lidsk\u00e9 vzorce, ani\u017e by je odsuzovala. Loriot se nevysm\u00edv\u00e1 lidem, ale situac\u00edm, kter\u00e9 vznikaj\u00ed, kdy\u017e lid\u00e9 lp\u00ed na sv\u00fdch vlastn\u00edch standardech.<\/p>\n<p>Hlavn\u00edm n\u00e1strojem tohoto humoru nen\u00ed nads\u00e1zka, ale minim\u00e1ln\u00ed odchylka. U Loriota je t\u00e9m\u011b\u0159 v\u0161e \u201evlastn\u011b spr\u00e1vn\u011b\u201c. V\u011bty jsou spr\u00e1vn\u00e9. Postoj je spr\u00e1vn\u00fd. Z\u00e1m\u011br je dobr\u00fd. A pr\u00e1v\u011b proto to nefunguje. Sta\u010d\u00ed drobn\u00fd posun - p\u0159\u00edli\u0161 form\u00e1ln\u00ed t\u00f3n, p\u0159\u00edli\u0161 p\u0159esn\u00e1 volba slov, chvilka p\u0159\u00edli\u0161n\u00e9 zdvo\u0159ilosti - a situace se zvrhne do absurdity. Loriot tak ukazuje n\u011bco velmi z\u00e1sadn\u00edho: nebezpe\u010dn\u00e1 nen\u00ed \u0161patn\u00e1 v\u011bc, ale p\u0159\u00edli\u0161n\u00e1 korektnost.<\/p>\n<h3>Na\u010dasov\u00e1n\u00ed jako mor\u00e1ln\u00ed kategorie<\/h3>\n<p>Pro Loriota je na\u010dasov\u00e1n\u00ed v\u00edce ne\u017e rytmus. Je to forma etiky. V\u00ed, kdy m\u00e1 ml\u010det. Kdy pohled \u0159ekne v\u00edc ne\u017e v\u011bta. Kdy pauza odhal\u00ed skute\u010dn\u00e9 j\u00e1dro.<\/p>\n<p>Zejm\u00e9na tyto pauzy jsou kl\u00ed\u010dov\u00e9. Nut\u00ed poslucha\u010de zaujmout pozici. Sm\u00edch \u010dasto nep\u0159ich\u00e1z\u00ed z pointy, ale z okam\u017eiku, kdy si uv\u011bdom\u00edte, \u017ee jste sami v sob\u011b pr\u00e1v\u011b pokra\u010dovali v mluven\u00ed. Loriot tomu v\u011b\u0159\u00ed - a tato d\u016fv\u011bra je sou\u010d\u00e1st\u00ed jeho postoje.<\/p>\n<h3>Humor bez devalvace<\/h3>\n<p>N\u00e1padn\u00fdm rysem jeho d\u00edla je naprost\u00e1 absence pohrd\u00e1n\u00ed. I tam, kde postavy selh\u00e1vaj\u00ed, z\u016fst\u00e1vaj\u00ed nedot\u010deny. Nejsou p\u0159ehl\u00ed\u017eeny, nejsou mor\u00e1ln\u011b degradov\u00e1ny. Jejich selh\u00e1n\u00ed je lidsk\u00e9, nikoli sm\u011b\u0161n\u00e9. To je um\u011bn\u00ed. Proto\u017ee zesm\u011b\u0161nit by bylo snaz\u0161\u00ed. Loriot se v\u011bdom\u011b rozhoduje proti n\u011bmu. Jeho humor vytv\u00e1\u0159\u00ed bl\u00edzkost, ne odstup. \u010clov\u011bk se sm\u011bje - a z\u00e1rove\u0148 c\u00edt\u00ed lehk\u00e9 pozn\u00e1n\u00ed. Mo\u017en\u00e1 i nep\u0159\u00edjemn\u00e9. Pr\u00e1v\u011b tady za\u010d\u00edn\u00e1 \u00fa\u010dinek.<\/p>\n<p>Pod ka\u017edou komickou sc\u00e9nou v Loriotov\u011b d\u00edle se skr\u00fdv\u00e1 v\u00e1\u017enost, kter\u00e1 nen\u00ed nikdy vyj\u00e1d\u0159ena. Ne jako poselstv\u00ed, ale jako ohlas. Je to o komunikaci, o vztaz\u00edch, o k\u0159ehk\u00e9 rovnov\u00e1ze mezi uzav\u0159enost\u00ed a \u0159\u00e1dem.<\/p>\n<p>Tato v\u00e1\u017enost vysv\u011btluje, pro\u010d se jeho komedie neomrz\u00ed. Nevy\u010derp\u00e1v\u00e1 se, proto\u017ee nenab\u00edz\u00ed rychlou \u00falevu. M\u00e1 trval\u00fd \u00fa\u010dinek. \u010casto si a\u017e pozd\u011bji uv\u011bdom\u00edte, pro\u010d jste se sm\u00e1li - a \u010demu.<\/p>\n<h3>P\u0159esnost m\u00edsto objemu<\/h3>\n<p>Ve sv\u011bt\u011b, kter\u00fd si st\u00e1le \u010dast\u011bji plete humor s hlasitost\u00ed, p\u016fsob\u00ed Loriot\u016fv p\u0159\u00edstup t\u00e9m\u011b\u0159 starom\u00f3dn\u011b. Ale pr\u00e1v\u011b v t\u00e9to starom\u00f3dnosti je jeho s\u00edla. Nesoust\u0159ed\u00ed se na stup\u0148ov\u00e1n\u00ed, ale na kondenzaci. Ne na rychlost, ale na p\u0159esnost. Dalo by se \u0159\u00edct, \u017ee Loriot\u016fv humor nen\u00ed v\u00fdlevkou, ale n\u00e1strojem. M\u011b\u0159\u00ed, upravuje, odhaluje. A d\u011bl\u00e1 to s klidem, kter\u00fd vytv\u00e1\u0159\u00ed d\u016fv\u011bru - a s d\u016fslednost\u00ed, kter\u00e1 se stala vz\u00e1cnou.<\/p>\n<p>Nakonec se uk\u00e1\u017ee, \u017ee humor nen\u00ed nic nav\u00edc, nen\u00ed to ozdoba, nen\u00ed to trik. Je to vyj\u00e1d\u0159en\u00ed postoje. Postoje, kter\u00fd p\u0159edpokl\u00e1d\u00e1, \u017ee lid\u00e9 jsou omyln\u00ed - a p\u0159esto si zaslou\u017e\u00ed respekt. \u017de \u0159\u00e1d je d\u016fle\u017eit\u00fd - ale ne d\u016fle\u017eit\u011bj\u0161\u00ed ne\u017e lid\u00e9. A \u017ee sm\u00edch je nejsiln\u011bj\u0161\u00ed, kdy\u017e spojuje, a ne v\u00edt\u011bz\u00ed.<\/p>\n<p>Tato kapitola tak organicky zapad\u00e1 mezi zku\u0161enost v\u00e1lky a historii jej\u00edho dopadu. Humor je n\u00e1strojem, s jeho\u017e pomoc\u00ed se vypo\u0159\u00e1d\u00e1v\u00e1 se v\u0161\u00edm, co bylo p\u0159edt\u00edm - ti\u0161e, p\u0159esn\u011b a bez jak\u00e9hokoli akcionismu.<\/p>\n<h3>\u201eNehraj si na vtipn\u00e9ho\u201c: nejd\u016fle\u017eit\u011bj\u0161\u00ed pravidlo pro komick\u00fd efekt<\/h3>\n<p>Toto pravidlo je t\u00e9m\u011b\u0159 legend\u00e1rn\u00ed - a v\u00fdslovn\u011b ho potvrzuj\u00ed jeho spole\u010dn\u00edci: Loriot u\u010dil herce, aby ned\u011blali vtipn\u00e9 sc\u00e9ny vtipn\u00fdmi. Pr\u00e1v\u011b proto, \u017ee jeho postavy nejsou \u201evtip\u00e1lci\u201c, ale lid\u00e9, kte\u0159\u00ed cht\u011bj\u00ed d\u011blat v\u0161echno spr\u00e1vn\u011b, mus\u00ed herectv\u00ed z\u016fstat v\u00e1\u017en\u00e9: korektn\u00ed, sna\u017eiv\u00e9, d\u016fstojn\u00e9.<\/p>\n<p>Komedi\u00e1lnost pak automaticky vypl\u00fdv\u00e1 ze situace, z p\u0159ehnan\u011b p\u0159esn\u00e9ho t\u00f3nu, z t\u0159en\u00ed mezi formou a realitou. . <a href=\"https:\/\/sz-magazin.sueddeutsche.de\/humor\/loriot-100-geburtstag-92805\" target=\"_blank\" rel=\"noopener\"><strong>SZ-Magaz\u00edn<\/strong><\/a> p\u0159esn\u011b tento bod p\u0159edala k jeho st\u00fdm narozenin\u00e1m: here\u010dka Dagmar Bienerov\u00e1 jej formuluje obdobn\u011b jako Loriotovu pou\u010dku \u201enehr\u00e1t sm\u011b\u0161n\u00e9 v\u011bci sm\u011b\u0161n\u011b\u201c - a dost\u00e1v\u00e1 se tak k j\u00e1dru jeho metody.<\/p>\n<h3>Celkov\u00e1 p\u0159\u00edprava: lehkost jako v\u00fdsledek discipl\u00edny<\/h3>\n<p>Ti, kdo s Loriotem pracovali, shodn\u011b popisuj\u00ed zp\u016fsob pr\u00e1ce, kter\u00fd se zd\u00e1 b\u00fdt st\u011b\u017e\u00ed slu\u010diteln\u00fd s pozd\u011bj\u0161\u00edm dojmem naprost\u00e9 lehkosti. Sc\u00e9ny byly p\u0159edem promy\u0161len\u00e9, ne\u017e byly realizov\u00e1ny. Pauzy, linie pohledu, vzd\u00e1lenosti mezi dv\u011bma v\u011btami - nic nebylo n\u00e1hodn\u00e9. Na t\u00e9to p\u0159\u00edprav\u011b nebylo nic pedantsk\u00e9ho, ale sp\u00ed\u0161e n\u011bco uklid\u0148uj\u00edc\u00edho:<\/p>\n<p>V\u0161ichni z\u00fa\u010dastn\u011bn\u00ed v\u011bd\u011bli, na \u010dem jsou. Pr\u00e1v\u011b proto nebyl na place \u017e\u00e1dn\u00fd tlak, ale sp\u00ed\u0161e soust\u0159ed\u011bn\u00ed. Paradoxem je, \u017ee \u010d\u00edm precizn\u011bj\u0161\u00ed bylo pl\u00e1nov\u00e1n\u00ed, t\u00edm voln\u011bj\u0161\u00ed se zd\u00e1l v\u00fdsledek. Loriot nevn\u00edmal lehkost jako spont\u00e1nnost, ale jako kone\u010dn\u00fd bod promy\u0161len\u00e9ho procesu. Ka\u017ed\u00fd, kdo to za\u017eil, rychle pochopil, pro\u010d u n\u011bj byla improvizace nutn\u00e1 jen z\u0159\u00eddka - ne proto, \u017ee by byla zak\u00e1zan\u00e1, ale proto, \u017ee by t\u011b\u017eko mohla n\u011bco zlep\u0161it.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-4174 alignnone\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Regie-Filmset.jpg\" alt=\"Loriot jako re\u017eis\u00e9r na filmov\u00e9m place\" width=\"1184\" height=\"864\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Regie-Filmset.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Regie-Filmset-300x219.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Regie-Filmset-768x560.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Regie-Filmset-16x12.jpg 16w\" sizes=\"auto, (max-width: 1184px) 100vw, 1184px\" \/><\/p>\n<h2>V\u00fdvoj um\u011bleck\u00e9ho podpisu<\/h2>\n<p>Loriot\u016fv um\u011bleck\u00fd vstup se neuskute\u010dnil prost\u0159ednictv\u00edm jevi\u0161t\u011b nebo slova, ale kresbou. To je v\u00edc ne\u017e jen biografick\u00e1 pozn\u00e1mka pod \u010darou. Kresba umo\u017e\u0148uje kontrolu: nad detailem obrazu, rytmem, sm\u011brem pohledu. Nic se ned\u011bje n\u00e1hodn\u011b. Ka\u017ed\u00e1 linie je pevn\u011b dan\u00e1, ka\u017ed\u00e1 postava z\u016fst\u00e1v\u00e1 v jasn\u011b vymezen\u00e9m prostoru.<\/p>\n<p>Pr\u00e1v\u011b zde se brzy formuj\u00ed prvky, kter\u00e9 pozd\u011bji charakterizuj\u00ed celou jeho tvorbu: redukce. \u017d\u00e1dn\u00e9 p\u0159et\u00ed\u017een\u00ed, \u017e\u00e1dn\u00e9 efekty. M\u00edsto toho figury, kter\u00e9 p\u016fsob\u00ed t\u00e9m\u011b\u0159 nehybn\u011b - a vytv\u00e1\u0159ej\u00ed tak nap\u011bt\u00ed. U\u017e tato ran\u00e1 d\u00edla ukazuj\u00ed, \u017ee humor nevznik\u00e1 z pohybu, ale z konstelace.<\/p>\n<h3>Text se p\u0159ipojuje - jazyk jako aktu\u00e1ln\u00ed prost\u0159ed\u00ed<\/h3>\n<p>Postupem \u010dasu je kresba st\u00e1le \u010dast\u011bji doprov\u00e1zena textem. Ne vysv\u011btluj\u00edc\u00ed, ale kontrapunktick\u00fd. Jazyk p\u0159eb\u00edr\u00e1 roli, kterou d\u0159\u00edve hr\u00e1la linie: r\u00e1muje, vymezuje, organizuje.<\/p>\n<p>Je pozoruhodn\u00e9, \u017ee Loriot nikdy nepou\u017e\u00edv\u00e1 jazyk naturalistick\u00fdm zp\u016fsobem. Nikdo nemluv\u00ed \u201eopravdov\u011b\u201c. Dialogy jsou m\u00edrn\u011b posunut\u00e9: p\u0159\u00edli\u0161 korektn\u00ed, p\u0159\u00edli\u0161 zdvo\u0159il\u00e9, p\u0159\u00edli\u0161 p\u0159esn\u00e9. Pr\u00e1v\u011b tento drobn\u00fd posun otev\u00edr\u00e1 prostor pro komiku. Jako by jazyk d\u00e1val pod lupu - a ukazoval to, co jinak v ka\u017edodenn\u00edm \u017eivot\u011b z\u016fst\u00e1v\u00e1 nepov\u0161imnuto.<\/p>\n<h3>P\u0159echod k filmu a televizi: \u010cas se st\u00e1v\u00e1 materi\u00e1lem<\/h3>\n<p>S p\u0159echodem na film a televizi se nem\u011bn\u00ed p\u0159\u00edstup, ale materi\u00e1l. Nyn\u00ed se p\u0159id\u00e1v\u00e1 \u010das: pauzy, pohledy, ticho. Loriot nepou\u017e\u00edv\u00e1 tyto nov\u00e9 prost\u0159edky, aby se stal hlasit\u011bj\u0161\u00edm, ale aby pracoval je\u0161t\u011b p\u0159esn\u011bji.<\/p>\n<p>Jeho technick\u00e1 n\u00e1ro\u010dnost je patrn\u00e1 zejm\u00e9na v pohybliv\u00e9m obraze. Pauzy nejsou nikdy n\u00e1hodn\u00e9. Jsou vypo\u010d\u00edtan\u00e9, n\u011bkdy a\u017e bolestn\u011b dlouh\u00e9. Ale pr\u00e1v\u011b v tom spo\u010d\u00edv\u00e1 jejich \u00fa\u010dinek. Div\u00e1k je nucen vydr\u017eet - a \u010dasto se pr\u00e1v\u011b v t\u00e9to v\u00fddr\u017ei pozn\u00e1v\u00e1.<\/p>\n<p>V pr\u016fb\u011bhu let se pozornost st\u00e1le v\u00edce p\u0159esouv\u00e1 od jednotliv\u00fdch situac\u00ed ke vztah\u016fm. Man\u017eelstv\u00ed, sousedstv\u00ed, soci\u00e1ln\u00ed bl\u00edzkost. Ne jako drama, ale jako trval\u00fd stav. Z\u00e1rove\u0148 se m\u011bn\u00ed perspektiva: zpo\u010d\u00e1tku se \u010dasto zam\u011b\u0159uje na izolovanou osobu, pozd\u011bji na pospolitost, kter\u00e1 selh\u00e1v\u00e1 kv\u016fli banalit\u00e1m. Nejde o tematickou shodu, ale o logick\u00fd v\u00fdvoj. \u010c\u00edm d\u00e9le pozorujete, t\u00edm je to jasn\u011bj\u0161\u00ed: Nejv\u011bt\u0161\u00ed t\u0159enice nevznikaj\u00ed za v\u00fdjime\u010dn\u00fdch okolnost\u00ed, ale v ka\u017edodenn\u00edm \u017eivot\u011b.<\/p>\n<h3>Konsolidace m\u00edsto eskalace<\/h3>\n<p>Pozoruhodn\u00e9 je, co se ned\u011bje: Nedoch\u00e1z\u00ed k \u017e\u00e1dn\u00e9 eskalaci, \u017e\u00e1dn\u00e9mu zlomu, \u017e\u00e1dn\u00e9 zm\u011bn\u011b stylu v z\u00e1jmu obnovy. Loriotovo d\u00edlo se zhu\u0161\u0165uje, st\u00e1v\u00e1 se klidn\u011bj\u0161\u00edm, jasn\u011bj\u0161\u00edm, t\u00e9m\u011b\u0159 stroh\u00fdm. Zat\u00edmco jin\u00ed um\u011blci se postupem \u010dasu st\u00e1vaj\u00ed hlasit\u011bj\u0161\u00edmi nebo explicitn\u011bj\u0161\u00edmi, on se je\u0161t\u011b v\u00edce stahuje - a pr\u00e1v\u011b d\u00edky tomu dosahuje v\u011bt\u0161\u00edho \u00fa\u010dinku. Je to klasick\u00fd, t\u00e9m\u011b\u0159 staromistrovsk\u00fd p\u0159\u00edstup: ne expanze, ale koncentrace.<\/p>\n<p>Jeho pozd\u011bj\u0161\u00ed rozhovory se tak\u00e9 nezdaj\u00ed b\u00fdt koment\u00e1\u0159i k d\u00edlu, ale sp\u00ed\u0161e jeho pokra\u010dov\u00e1n\u00edm. Stejn\u00e1 p\u0159esnost, stejn\u00e1 zdr\u017eenlivost, stejn\u00e9 um\u011bn\u00ed vynech\u00e1vat. Nemluv\u00ed, aby byl sly\u0161et, ale aby n\u011bco vynechal. \u010casto jde o nahodil\u00e9 v\u011bty, kter\u00e9 maj\u00ed dlouhotrvaj\u00edc\u00ed \u00fa\u010dinek. Ne proto, \u017ee by byly provokativn\u00ed, ale proto, \u017ee jsou \u0161ikovn\u011b um\u00edst\u011bn\u00e9 - jako dobr\u00e1 pointa, kterou pochop\u00edte, a\u017e kdy\u017e u\u017e je po v\u0161em.<\/p>\n<hr \/>\n<h3>Aktu\u00e1ln\u00ed pr\u016fzkum pro zainteresovan\u00e9 autory<\/h3>\n<div class='bootstrap-yop yop-poll-mc'>\n\t\t\t\t\t\t\t<div class=\"basic-yop-poll-container\" style=\"background-color:#ffffff; border:0px; border-style:solid; border-color:#000000; border-radius:5px; padding:0px 5px;\" data-id=\"8\" data-temp=\"basic-pretty\" data-skin=\"square\" data-cscheme=\"blue\" data-cap=\"0\" data-access=\"guest\" data-tid=\"\" data-uid=\"d8810d446444439b1fe3664486d236b6\" data-pid=\"4039\" data-resdet=\"votes-number,percentages\" data-show-results-to=\"guest\" data-show-results-moment=\"after-vote\" data-show-results-only=\"false\" data-show-message=\"true\" data-show-results-as=\"bar\" data-sort-results-by=\"as-defined\" data-sort-results-rule=\"asc\"data-is-ended=\"0\" data-percentages-decimals=\"2\" data-gdpr=\"no\" data-gdpr-sol=\"consent\" data-css=\".basic-yop-poll-container[data-uid] .basic-vote {\t\t\t\t\t\t\t\t\ttext-align: center;\t\t\t\t\t\t\t\t}\" data-counter=\"0\" data-load-with=\"1\" data-notification-section=\"top\"><div class=\"row\"><div class=\"col-md-12\"><div class=\"basic-inner\"><div class=\"basic-message hide\" style=\"border-left: 10px solid #008000; padding: 0px 10px;\" data-error=\"#ff0000\" data-success=\"#008000\"><p class=\"basic-message-text\" style=\"color:#000000; font-size:14px; font-weight:normal;\"><\/p><\/div><div class=\"basic-overlay hide\"><div class=\"basic-vote-options\"><\/div><div class=\"basic-preloader\"><div class=\"basic-windows8\"><div class=\"basic-wBall basic-wBall_1\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_2\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_3\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_4\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_5\"><div class=\"basic-wInnerBall\"><\/div><\/div><\/div><\/div><\/div><form class=\"basic-form\" action=\"\"><input type=\"hidden\" name=\"_token\" value=\"56059b9e07\" autocomplete=\"off\"><div class=\"basic-elements\"><div class=\"basic-element basic-question basic-question-text-vertical\" data-id=\"8\" data-uid=\"ad97de9ffe094a43c4f4d6c5ed30dd19\" data-type=\"question\" data-question-type=\"text\" data-required=\"yes\" data-allow-multiple=\"no\" data-min=\"1\" data-max=\"7\" data-display=\"vertical\" data-colnum=\"\" data-display-others=\"no\" data-others-color=\"\" data-others=\"\" data-others-max-chars=\"0\"><div class=\"basic-question-title\"><h5 style=\"color:#000000; font-size:16px; font-weight:normal; text-align:left;\">Co by pro v\u00e1s bylo hlavn\u00edm d\u016fvodem k naps\u00e1n\u00ed vlastn\u00ed knihy?<\/h5><\/div><ul class=\"basic-answers\"><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"38\" data-type=\"text\" data-vn=\"5\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[38]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[38]\" name=\"answer[8]\" value=\"38\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">R\u00e1d bych p\u0159edal sv\u00e9 zku\u0161enosti<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"39\" data-type=\"text\" data-vn=\"0\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[39]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[39]\" name=\"answer[8]\" value=\"39\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">Chci zdokumentovat sv\u00e9 odborn\u00e9 znalosti<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"40\" data-type=\"text\" data-vn=\"6\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[40]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[40]\" name=\"answer[8]\" value=\"40\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">Hled\u00e1m tv\u016fr\u010d\u00ed rovnov\u00e1hu<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"41\" data-type=\"text\" data-vn=\"2\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[41]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[41]\" name=\"answer[8]\" value=\"41\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">Douf\u00e1m, \u017ee si s n\u00edm vyd\u011bl\u00e1m<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"42\" data-type=\"text\" data-vn=\"2\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[42]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[42]\" name=\"answer[8]\" value=\"42\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">U\u017e jsem napsal knihu<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"44\" data-type=\"text\" data-vn=\"3\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[44]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[44]\" name=\"answer[8]\" value=\"44\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">Nem\u00e1m z\u00e1jem ps\u00e1t<\/span><\/label><\/div><\/li><\/ul><\/div><div class=\"clearfix\"><\/div><\/div><div class=\"basic-vote\"><a href=\"#\" class=\"button basic-vote-button\" role=\"button\" style=\"background:#027bb8; border:0px; border-style: solid; border-color:#000000; border-radius:5px; padding:10px 10px; color:#ffffff; font-size:14px; font-weight:normal;\">Hlasujte na<\/a><\/div><input type=\"hidden\" name=\"trp-form-language\" value=\"cs\"\/><\/form><\/div><\/div><\/div><\/div>\n\t\t\t\t\t\t<\/div>\n<hr \/>\n<h3>V\u00fdvoj bez rozbit\u00ed<\/h3>\n<p>P\u0159i zp\u011btn\u00e9m pohledu je patrn\u00fd um\u011bleck\u00fd v\u00fdvoj bez skute\u010dn\u00e9ho zlomu. \u017d\u00e1dn\u00e1 f\u00e1ze, kterou by bylo t\u0159eba p\u0159ekonat. \u017d\u00e1dn\u00e1 ran\u00e1 d\u00edla, za kter\u00e1 by bylo t\u0159eba se omlouvat. M\u00edsto toho nep\u0159etr\u017eit\u00fd proces zdokonalov\u00e1n\u00ed.<\/p>\n<p>Loriotovo d\u00edlo je proto vz\u00e1cn\u00fdm p\u0159\u00edkladem um\u011bleck\u00e9 konzistence: cel\u00fd \u017eivot pracoval na stejn\u00e9m t\u00e9matu - a p\u0159esto ho st\u00e1le prohluboval. Ne hled\u00e1n\u00edm n\u011b\u010deho nov\u00e9ho, ale bli\u017e\u0161\u00edm pohledem.<\/p>\n<h3>Evelyn Hamann: P\u0159esnost bez tlaku<\/h3>\n<p>Evelyn Hamannov\u00e1 m\u00e1 v <a href=\"https:\/\/sz-magazin.sueddeutsche.de\/fernsehen\/loriot-interview-vicco-von-buelow-78375\" target=\"_blank\" rel=\"noopener\"><strong>Diskuse o spolupr\u00e1ci<\/strong><\/a> opakovan\u011b uk\u00e1zal, jak neobvykl\u00fd je Loriot\u016fv re\u017eijn\u00ed styl: \u017e\u00e1dn\u00e1 hlasitost, \u017e\u00e1dn\u00e1 hra na s\u00edlu, \u017e\u00e1dn\u00e9 \u201eTe\u010f u\u017e se do toho dejte!\u201c. - ale klidn\u00fd, t\u00e9m\u011b\u0159 zdvo\u0159il\u00fd t\u00f3n, kter\u00fd byl p\u0159esto ostr\u00fd jako b\u0159itva. Z tohoto zp\u016fsobu pr\u00e1ce t\u011b\u017eil zejm\u00e9na Hamann, kter\u00fd dok\u00e1zal dokonale p\u0159en\u00e9st sv\u00e9 nuance:<\/p>\n<p>Loriot nepracoval s velk\u00fdm vysv\u011btlov\u00e1n\u00edm, ale s minim\u00e1ln\u00edmi opravami. Pohled o n\u011bco pozd\u011bji. V\u011bta \u0159e\u010den\u00e1 trochu \u201ep\u0159\u00edli\u0161 spr\u00e1vn\u011b\u201c - nebo je\u0161t\u011b ne dost spr\u00e1vn\u011b. A najednou byla sc\u00e9na na m\u00edst\u011b. Podstatn\u00e9 je, \u017ee tato p\u0159esnost nep\u016fsobila jako znehodnocen\u00ed, ale jako \u0159emesln\u00e1 pr\u00e1ce. Nebyli jste \u201epok\u00e1r\u00e1ni\u201c, ale jemn\u011b upraveni. Tato atmosf\u00e9ra - soust\u0159ed\u011bn\u00e1, uctiv\u00e1, t\u00e9m\u011b\u0159 starom\u00f3dn\u00ed slu\u0161nost - tak\u00e9 vysv\u011btluje, pro\u010d duo Loriot\/Hamann tak z\u0159\u00eddka p\u016fsob\u00ed jako dva lid\u00e9, kte\u0159\u00ed si \u201ehraj\u00ed\u201c, ale sp\u00ed\u0161e jako dva lid\u00e9, kte\u0159\u00ed takov\u00ed skute\u010dn\u011b jsou, a proto se st\u00e1vaj\u00ed z\u00e1bavn\u00fdmi.<\/p>\n<h3>Slu\u0161n\u00e1 n\u00e1mitka: kritika bez ur\u00e1\u017eky<\/h3>\n<p>Kdy\u017e Loriot s n\u011b\u010d\u00edm nesouhlasil, m\u00e1lokdy to vyj\u00e1d\u0159il p\u0159\u00edmo - a nikdy ne ost\u0159e. M\u00edsto toho se uch\u00fdlil k formulaci, kter\u00e1 zn\u011bla ne\u0161kodn\u011b, a p\u0159esto byla jednozna\u010dn\u00e1:<\/p>\n<blockquote><p><em>\u201eNejsem si jist\u00fd, jestli si \u00fapln\u011b rozum\u00edme.\u201c<\/em><\/p><\/blockquote>\n<p>Tato v\u011bta nebyla obvin\u011bn\u00edm, ale v\u00fdzvou k n\u00e1prav\u011b. Nikdo nebyl odhalen, nikdo neztratil tv\u00e1\u0159. A p\u0159esto bylo v\u0161em jasn\u00e9: sc\u00e9na je\u0161t\u011b nen\u00ed tam, kde by m\u011bla b\u00fdt. Tato zdvo\u0159il\u00e1 n\u00e1mitka je v\u00edc ne\u017e jen pracovn\u00ed anekdota, je to vyj\u00e1d\u0159en\u00ed postoje. Kritika nemus\u00ed b\u00fdt zra\u0148uj\u00edc\u00ed, aby byla \u00fa\u010dinn\u00e1. M\u016f\u017ee b\u00fdt klidn\u00e1, p\u0159esn\u00e1, uctiv\u00e1 - a proto z\u00e1vazn\u00e1.<\/p>\n<p>V odv\u011btv\u00ed, kde se hlasitost \u010dasto zam\u011b\u0148uje s asertivitou, se mi tento typ veden\u00ed zd\u00e1l t\u00e9m\u011b\u0159 zastaral\u00fd. A mo\u017en\u00e1 pr\u00e1v\u011b proto byl tak \u00fasp\u011b\u0161n\u00fd.<\/p>\n<div class=\"lyte-wrapper\" style=\"width:640px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_lEneUjnNMW8\"><div id=\"lyte_lEneUjnNMW8\" data-src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FlEneUjnNMW8%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/lEneUjnNMW8\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FlEneUjnNMW8%2F0.jpg\" alt=\"Miniatura videa na YouTube\" width=\"640\" height=\"340\" \/><br \/>Pod\u00edvejte se na toto video na YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:640px;margin:5px;\"><\/div><br \/>\nLoriot | Posledn\u00ed ve\u0159ejn\u00fd projev - Vicco von B\u00fclow | <a href=\"https:\/\/www.youtube.com\/@Skb-tvDe\" target=\"_blank\" rel=\"noopener\">SKB TV Brandenburg<\/a><\/p>\n<h2>Dopad, odkaz a v\u00fdznam v sou\u010dasnosti<\/h2>\n<p>Mnoho forem humoru rychle st\u00e1rne. Lp\u00ed na duchu doby, na m\u00f3dn\u00edch trendech, na b\u011b\u017en\u00fdch vzru\u0161en\u00edch. Naproti tomu Loriot tomuto opot\u0159eben\u00ed t\u00e9m\u011b\u0159 zcela unik\u00e1. D\u016fvod je prost\u00fd - a p\u0159esto \u010dasto p\u0159ehl\u00ed\u017een\u00fd: Nikdy nemluvil o t\u00e9matech, ale o lidech. O jejich nejistot\u00e1ch, o jejich touze po \u0159\u00e1du, o jejich strachu, \u017ee ud\u011blaj\u00ed n\u011bco \u0161patn\u011b.<\/p>\n<p>Vtipn\u00e1 na n\u011bm nen\u00ed pointa, ale okam\u017eik, kter\u00fd j\u00ed p\u0159edch\u00e1z\u00ed: zav\u00e1h\u00e1n\u00ed, spr\u00e1vn\u00fd za\u010d\u00e1tek, p\u0159\u00edli\u0161 pe\u010dliv\u011b formulovan\u00e1 v\u011bta. Tento mechanismus funguje stejn\u011b dob\u0159e dnes jako p\u0159ed pades\u00e1ti lety, proto\u017ee nen\u00ed v\u00e1z\u00e1n na vn\u011bj\u0161\u00ed okolnosti. Dokud spolu budou lid\u00e9 mluvit, budou se vyskytovat nedorozum\u011bn\u00ed. Dokud budou lid\u00e9 pot\u0159ebovat pravidla, budou kv\u016fli nim selh\u00e1vat.<\/p>\n<p>Loriotova nad\u010dasovost nespo\u010d\u00edv\u00e1 v nostalgii, ale v preciznosti. Ned\u011blal tehdy nic \u201espr\u00e1vn\u011b\u201c, ale n\u011bco z\u00e1sadn\u00edho.<\/p>\n<h3>Um\u011bn\u00ed nevysv\u011btlovat<\/h3>\n<p>Dal\u0161\u00edm d\u016fvodem jeho trval\u00e9ho \u00fa\u010dinku je jeho zdr\u017eenlivost. Loriot to nevysv\u011btluje. Nevyjad\u0159uje se. Nemoralizuje. Ukazuje - a d\u016fv\u011b\u0159uje sv\u00fdm poslucha\u010d\u016fm, \u017ee se s t\u00edm vyrovnaj\u00ed sami.<\/p>\n<p>Je to postoj, kter\u00fd se dnes zd\u00e1 b\u00fdt t\u00e9m\u011b\u0159 ciz\u00ed. V dob\u011b, kdy je t\u0159eba v\u0161e kategorizovat, hodnotit a okam\u017eit\u011b za\u0161katulkovat, p\u016fsob\u00ed Loriotovo ml\u010den\u00ed t\u00e9m\u011b\u0159 provokativn\u011b. Ale pr\u00e1v\u011b v tom je jeho s\u00edla: bere lidi natolik v\u00e1\u017en\u011b, \u017ee jim v\u011b\u0159\u00ed, \u017ee budou p\u0159em\u00fd\u0161let. Tato forma respektu se stala vz\u00e1cnou - a pr\u00e1v\u011b proto je tak \u00fa\u010dinn\u00e1.<\/p>\n<h3>Ztr\u00e1ta formy v sou\u010dasnosti<\/h3>\n<p>Kdy\u017e se pod\u00edv\u00e1te na sou\u010dasnost, v\u0161imnete si n\u011b\u010deho, co by Loriot pravd\u011bpodobn\u011b pozoroval skepticky: forma se stala k\u0159ehkou. Miz\u00ed formy osloven\u00ed, t\u00f3ny jsou st\u00e1le drsn\u011bj\u0161\u00ed, jazyk se st\u00e1v\u00e1 drsn\u011bj\u0161\u00edm nebo z\u00e1rove\u0148 um\u011ble moralizuj\u00edc\u00edm. Mezi t\u011bmito dv\u011bma je jen m\u00e1lo prostoru pro um\u00edrn\u011bnost.<\/p>\n<p>Nejde o to, \u017ee \u201ev minulosti bylo v\u0161echno lep\u0161\u00ed\u201c. Forma nen\u00ed c\u00edlem sama o sob\u011b. Je to v\u0161ak ochrann\u00fd prostor. Umo\u017e\u0148uje odstup tam, kde je bl\u00edzkost p\u0159\u00edli\u0161 velk\u00e1. Umo\u017e\u0148uje konflikt bez eskalace. Tam, kde forma miz\u00ed, z\u016fst\u00e1v\u00e1 \u010dasto jen objem.<\/p>\n<p>Loriotovo d\u00edlo n\u00e1m p\u0159ipom\u00edn\u00e1, \u017ee forma nen\u00ed opakem svobody, ale sp\u00ed\u0161e jej\u00edm p\u0159edpokladem. Jen ten, kdo zn\u00e1 pravidla, je m\u016f\u017ee v\u011bdom\u011b poru\u0161ovat - nebo je vtipn\u011b p\u0159evracet.<\/p>\n<p>Je tak\u00e9 pozoruhodn\u00e9, jak m\u00e1lo opovr\u017een\u00ed Loriot\u016fv humor obsahuje. Ned\u011bl\u00e1 si legraci ze slabosti, ale ze snahy slabost zakr\u00fdt. Jeho postavy nejsou hloup\u00e9, ale sna\u017e\u00ed se. A pr\u00e1v\u011b tato snaha je \u010din\u00ed lidsk\u00fdmi - a z\u00e1bavn\u00fdmi. V kultu\u0159e, kter\u00e1 st\u00e1le rychleji odsuzuje, je to klidn\u00e1 alternativa. \u017d\u00e1dn\u00e9 zesm\u011b\u0161\u0148ov\u00e1n\u00ed, \u017e\u00e1dn\u00e9 odhalov\u00e1n\u00ed, \u017e\u00e1dn\u00e1 mor\u00e1ln\u00ed nad\u0159azenost. M\u00edsto toho tich\u00e9 uv\u011bdom\u011bn\u00ed: v\u0161ichni ob\u010das sed\u00edme na \u0161patn\u00e9 \u017eidli a \u0159\u00edk\u00e1me \u0161patn\u00e9 v\u011bci ve \u0161patn\u00fd \u010das.<\/p>\n<h3>Tich\u00e1 alternativa<\/h3>\n<p>Mo\u017en\u00e1 pr\u00e1v\u011b v tom spo\u010d\u00edv\u00e1 Loriot\u016fv nejv\u011bt\u0161\u00ed v\u00fdznam pro dne\u0161ek: Nab\u00edz\u00ed alternativu ke sv\u011btu, kter\u00fd neust\u00e1le komentuje s\u00e1m sebe. Alternativu k neust\u00e1l\u00e9mu rozho\u0159\u010den\u00ed, k permanentn\u00edmu \u0161katulkov\u00e1n\u00ed, k reflexivn\u00edmu \u201ezauj\u00edm\u00e1n\u00ed stanoviska\u201c. Jeho postoj nen\u00ed neutr\u00e1ln\u00ed, ale je odm\u011b\u0159en\u00fd. Rozpozn\u00e1v\u00e1 propasti, ani\u017e by je osv\u011btloval. Uzn\u00e1v\u00e1 komiku lidsk\u00e9 existence, ani\u017e by \u010dlov\u011bka obna\u017eoval.<\/p>\n<p>Loriot ukazuje, \u017ee m\u016f\u017eete b\u00fdt velmi srozumiteln\u00ed, ani\u017e byste byli hlasit\u00ed. \u017de m\u016f\u017eete kritizovat, ani\u017e byste \u00fato\u010dili. A \u017ee humor neznehodnocuje, ale naopak uv\u00e1d\u00ed v\u011bci na pravou m\u00edru.<\/p>\n<p>Nakonec z toho nez\u016fstane ani tak d\u00edlo, jako sp\u00ed\u0161 postoj. Postoj k pozorn\u00e9mu pohledu. Postoj br\u00e1t jazyk v\u00e1\u017en\u011b. Postoj nevylu\u010dovat s\u00e1m sebe.<\/p>\n<p>Mo\u017en\u00e1 to je jeho skute\u010dn\u00fd odkaz: ne jak se sm\u00e1t, ale kdy. Ne komu, ale pro\u010d. V dob\u011b, kter\u00e1 \u010dasto hled\u00e1 rychl\u00e9 odpov\u011bdi, n\u00e1m Loriot p\u0159ipom\u00edn\u00e1, \u017ee nejp\u0159esn\u011bj\u0161\u00ed odpov\u011bd\u00ed je n\u011bkdy tich\u00e1 v\u011bta - a okam\u017eik sm\u00edchu, kter\u00fd trv\u00e1 d\u00e9le ne\u017e jak\u00fdkoli slogan.<\/p>\n<p>T\u00edm se kruh uzav\u00edr\u00e1. To, co za\u010dalo jako p\u016fvod a otisk, vede k postoji, kter\u00fd trv\u00e1 dodnes. A mo\u017en\u00e1 pr\u00e1v\u011b to je d\u016fvod, pro\u010d se po Loriotov\u011b ske\u010di \u010dasto usm\u00edv\u00e1te - a teprve pozd\u011bji si uv\u011bdom\u00edte, \u017ee jste pr\u00e1v\u011b pochopili n\u011bco velmi v\u00e1\u017en\u00e9ho.<\/p>\n<h3>Pan von L'oreot: S\u00e9rie \u010dl\u00e1nk\u016f, kter\u00e9 v\u00e1s rozesm\u011bj\u00ed<\/h3>\n<p>V s\u00e9rii Lord of L'oreot se klasick\u00fd p\u0159\u00edstup setk\u00e1v\u00e1 s modern\u00edmi absurditami. V p\u0159\u00edsp\u011bvku <a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/budoucnost-s-nabijeckou-pan-von-loreot-si-koupi-elektronicky-skutr\/\"><em><strong>\u201eBudoucnost s nab\u00edje\u010dkou - pan von L'oreot kupuje e-kolob\u011b\u017eku\u201c<\/strong><\/em><\/a> pr\u00e1v\u011b tato t\u0159ec\u00ed plocha se dost\u00e1v\u00e1 do liter\u00e1rn\u00ed roviny: technologie, r\u00e9torika pokroku a dob\u0159e m\u00edn\u011bn\u00fd rozum se ocitaj\u00ed v situaci, kter\u00e1 odhaluje sama sebe. Text je dopln\u011bn vlo\u017een\u00fdm rozhovorem z \u010dasopisu Der Spiegel, v n\u011bm\u017e Loriot hovo\u0159\u00ed se sv\u00fdm typick\u00fdm klidem a p\u0159ehledem. Souhra vyprav\u011b\u010dsk\u00e9 satiry a origin\u00e1ln\u00edho Loriotova hlasu prohlubuje t\u00e9ma postoj\u016f v ka\u017edodenn\u00edm technick\u00e9m \u017eivot\u011b - bez fra\u0161ky, ale s tichou dojemnost\u00ed.<\/p>\n<h3>Kdy\u017e se povinnost op\u011bt st\u00e1v\u00e1 povinnost\u00ed - jak\u00e1si esej o p\u0159\u00edpadu nap\u011bt\u00ed<\/h3>\n<p>Druh\u00fd text v \u0159ad\u011b, <a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/kdyz-se-povinnost-opet-stava-povinnosti-druh-eseje-pana-von-loreota\/\"><em><strong>\u201eKdy\u017e se povinnost op\u011bt stane povinnost\u00ed\u201c<\/strong><\/em><\/a>, je sp\u00ed\u0161e esejistick\u00fd s ohledem na mo\u017en\u00fd p\u0159\u00edpad nap\u011bt\u00ed v N\u011bmecku a z\u00e1m\u011brn\u011b m\u00e1 v\u00e1\u017en\u011bj\u0161\u00ed t\u00f3n. Pan von L'oreot si v\u0161\u00edm\u00e1 spole\u010dnosti, v n\u00ed\u017e se odpov\u011bdnost, z\u00e1vazek a pojmy povinnosti z\u00e1rove\u0148 vz\u00fdvaj\u00ed i vyprazd\u0148uj\u00ed. Text si klade ot\u00e1zku, co z\u016fstane, kdy\u017e se ji\u017e nedodr\u017euj\u00ed pravidla, ale pouze se jimi \u0159\u00edd\u00ed. Vlo\u017een je star\u0161\u00ed rozhovor s panem Loriotem z R\u00e1dia Br\u00e9my, kter\u00fd tuto my\u0161lenku p\u0159ekvapiv\u011b nad\u010dasov\u011b dopl\u0148uje. Seri\u00e1l Herr von L'oreot funguje jako liter\u00e1rn\u00ed postava pozorovatele: ne pou\u010duj\u00edc\u00edho, ne nostalgick\u00e9ho, ale pozorn\u00e9ho - zrcadlo, kter\u00e9 je m\u00e9n\u011b zkreslen\u00e9 ne\u017e p\u0159esn\u00e9.<\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-901 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 9px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-901 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Soci\u00e1ln\u00ed ot\u00e1zky sou\u010dasnosti<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-901\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" 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.dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"dauerkrise als normalzustand: wie narrative unsere wahrnehmung verzerren\" data-id=\"3840\"  data-category=\"allgemein b\u00fccher gesellschaft\" data-post_tag=\"buch deutschland energiepolitik erfahrungen europa krisen meinungsfreiheit pers\u00f6nlichkeitsentwicklung\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/permanentni-krize-jako-normalni-stav-jak-narativy-zkresluji-nase-vnimani\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Permanentn\u00ed krize jako norm\u00e1ln\u00ed stav: Jak narativy zkresluj\u00ed na\u0161e vn\u00edm\u00e1n\u00ed<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Permanentn\u00ed krize, vypr\u00e1v\u011bn\u00ed\" 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vn\u00edm\u00e1n\u00ed<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"europa zwischen meinungsfreiheit und regulierung: neues us-infoportal wirft fragen auf\" data-id=\"5102\"  data-category=\"allgemein gesellschaft\" data-post_tag=\"denkmodelle deutschland eu-gesetze europa geopolitik krisen meinungsfreiheit spieltheorie\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/03\/evropa-mezi-svobodou-projevu-a-regulaci-novy-informacni-portal-usa-vyvolava-otazky\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Evropa mezi svobodou projevu a regulac\u00ed: Nov\u00fd informa\u010dn\u00ed port\u00e1l USA vyvol\u00e1v\u00e1 ot\u00e1zky<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Cenzura EU, nen\u00e1vistn\u00e9 projevy a nov\u00fd port\u00e1l USA\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/EU-Hatespeech-US-Portal.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/EU-Hatespeech-US-Portal.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/EU-Hatespeech-US-Portal-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/EU-Hatespeech-US-Portal-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/EU-Hatespeech-US-Portal-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/03\/evropa-mezi-svobodou-projevu-a-regulaci-novy-informacni-portal-usa-vyvolava-otazky\/\" rel=\"bookmark\">Evropa mezi svobodou projevu a regulac\u00ed: Nov\u00fd informa\u010dn\u00ed port\u00e1l USA vyvol\u00e1v\u00e1 ot\u00e1zky<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"cancel culture im westen: sport, universit\u00e4ten, milit\u00e4r und eu-sanktionen analysiert\" data-id=\"5009\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"denkmodelle deutschland europa geopolitik krisen meinungsfreiheit sicherheitspolitik spieltheorie\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/zrusit-kulturu-na-zapade-sportovni-univerzity-vojenske-a-eu-sankce-analyzovany\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Zru\u0161it kulturu na Z\u00e1pad\u011b: anal\u00fdza sportu, univerzit, arm\u00e1dy a sankc\u00ed EU<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Zru\u0161it kulturu na Z\u00e1pad\u011b\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cancel-Culture-Westen.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cancel-Culture-Westen.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cancel-Culture-Westen-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cancel-Culture-Westen-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Cancel-Culture-Westen-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/zrusit-kulturu-na-zapade-sportovni-univerzity-vojenske-a-eu-sankce-analyzovany\/\" rel=\"bookmark\">Zru\u0161it kulturu na Z\u00e1pad\u011b: anal\u00fdza sportu, univerzit, arm\u00e1dy a sankc\u00ed EU<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>\n<h2>\u010casto kladen\u00e9 ot\u00e1zky<\/h2>\n<ol>\n<li><strong>Pro\u010d je Loriot obzvl\u00e1\u0161t\u011b vhodn\u00fd pro portr\u00e9t o postoji?<\/strong><br \/>\nProto\u017ee Loriot sv\u016fj postoj nehl\u00e1s\u00e1, ale \u017eije j\u00edm. Vyh\u00fdb\u00e1 se slogan\u016fm, mor\u00e1ln\u00ed nad\u0159azenosti a hlasit\u00fdm gest\u016fm. Jeho postoj se vyzna\u010duje um\u00edrn\u011bnost\u00ed, zdr\u017eenlivost\u00ed a p\u0159esnost\u00ed. Pr\u00e1v\u011b to ho \u010din\u00ed viditeln\u00fdm. V\u011b\u0159\u00ed, \u017ee lid\u00e9 dok\u00e1\u017e\u00ed vn\u00edmat nuance - a pr\u00e1v\u011b to ho \u010din\u00ed dodnes aktu\u00e1ln\u00edm.<\/li>\n<li><strong>\u010c\u00edm se Loriot\u016fv humor li\u0161\u00ed od klasick\u00e9ho kabaretu nebo satiry?<\/strong><br \/>\nLoriot ne\u00fato\u010d\u00ed na politick\u00e9 postoje ani se nevysm\u00edv\u00e1 skupin\u00e1m. Jeho humor je zam\u011b\u0159en na situace, jazyk a spole\u010densk\u00e9 ritu\u00e1ly. Neukazuje, kdo se m\u00fdl\u00ed, ale jak se lid\u00e9 nech\u00e1vaj\u00ed strhnout vlastn\u00ed korektnost\u00ed. D\u00edky tomu je jeho humor nad\u010dasov\u00fd a nez\u00e1visl\u00fd na aktu\u00e1ln\u00edm d\u011bn\u00ed.<\/li>\n<li><strong>Jakou roli hraje v jeho d\u00edle p\u016fvod?<\/strong><br \/>\nD\u00edky tomu, \u017ee \u017eil v siln\u011b formalizovan\u00e9m sv\u011bt\u011b, si ji\u017e v ran\u00e9m v\u011bku vybrousil smysl pro po\u0159\u00e1dek, etiketu a jazyk. Tento otisk nen\u00ed balastem, ale n\u00e1strojem. Ti, kdo znaj\u00ed pravidla, tak\u00e9 rozpoznaj\u00ed jejich zlomov\u00e1 m\u00edsta. Loriot vyu\u017e\u00edv\u00e1 pr\u00e1v\u011b tuto znalost ke zviditeln\u011bn\u00ed jemn\u00fdch posun\u016f.<\/li>\n<li><strong>Jak ovlivnilo jeho postoje vyr\u016fst\u00e1n\u00ed ve T\u0159et\u00ed \u0159\u00ed\u0161i?<\/strong><br \/>\nNe prost\u0159ednictv\u00edm politick\u00fdch hesel, ale ka\u017edodenn\u00ed zku\u0161enosti. Za\u017eil \u0159\u00e1d, konformitu a standardizovan\u00fd jazyk jako samoz\u0159ejmost. D\u00edky tomu si vyp\u011bstoval smysl pro mechaniku syst\u00e9m\u016f - a pro absurditu, kter\u00e1 vznik\u00e1, kdy\u017e lid\u00e9 stav\u00ed pravidla nad lidi.<\/li>\n<li><strong>Pro\u010d Loriot postr\u00e1d\u00e1 jakoukoli formu obvin\u011bn\u00ed nebo z\u00fa\u010dtov\u00e1n\u00ed?<\/strong><br \/>\nProto\u017ee ho nezaj\u00edm\u00e1 ot\u00e1zka viny, ale lid\u00e9. Pozoruje, m\u00edsto aby vyn\u00e1\u0161el soudy. Tento postoj se vyh\u00fdb\u00e1 zjednodu\u0161ov\u00e1n\u00ed a zachov\u00e1v\u00e1 d\u016fstojnost - i u postav, kter\u00e9 selh\u00e1vaj\u00ed. D\u00edky tomu je jeho d\u00edlo tak lidsk\u00e9 a trval\u00e9.<\/li>\n<li><strong>Jak\u00fd v\u00fdznam m\u011bla v\u00e1lka pro jeho pozd\u011bj\u0161\u00ed tvorbu?<\/strong><br \/>\nV\u00e1lka n\u00e1hle ukon\u010dila ml\u00e1d\u00ed a postavila ho p\u0159ed nutnost discipl\u00edny. Tato zku\u0161enost nevedla k zatvrzen\u00ed, ale ke skepsi v\u016f\u010di slep\u00e9 v\u00e1\u017enosti. \u0158\u00e1d pro n\u011bj z\u016fstal d\u016fle\u017eit\u00fd - ale nikdy ne jako c\u00edl s\u00e1m o sob\u011b. Toto nap\u011bt\u00ed charakterizuje celou jeho tvorbu.<\/li>\n<li><strong>Pro\u010d hraje jazyk v Loriotov\u011b d\u00edle tak z\u00e1sadn\u00ed roli?<\/strong><br \/>\nProto\u017ee jazyk vytv\u00e1\u0159\u00ed \u0159\u00e1d - a odhaluje ho. Loriot ukazuje, jak velk\u00e1 moc se skr\u00fdv\u00e1 ve formulac\u00edch, jak snadno se jazyk m\u016f\u017ee p\u0159evr\u00e1tit a jak rychle se zdvo\u0159ilost m\u016f\u017ee st\u00e1t zbran\u00ed. Jeho dialogy jsou lehce mimo m\u00edsu, a pr\u00e1v\u011b proto jsou tak p\u0159esn\u00e9.<\/li>\n<li><strong>Co d\u011bl\u00e1 Loriotovy postavy tak v\u011brohodn\u00e9?<\/strong><br \/>\nNejsou p\u0159e\u010derpan\u00e9, ale sna\u017e\u00ed se. Cht\u011bj\u00ed d\u011blat v\u0161echno spr\u00e1vn\u011b. Pr\u00e1v\u011b v tom spo\u010d\u00edv\u00e1 jejich komedi\u00e1lnost. Pozn\u00e1v\u00e1te sami sebe - ne jako karikaturu, ale jako \u010dlov\u011bka v nep\u0159\u00edjemn\u011b zn\u00e1m\u00e9 situaci.<\/li>\n<li><strong>Pro\u010d Loriotova d\u00edla t\u00e9m\u011b\u0159 nest\u00e1rnou?<\/strong><br \/>\nProto\u017ee nejsou v\u00e1z\u00e1ni na ducha doby ani na m\u00f3dn\u00ed trendy. Pracuje s univerz\u00e1ln\u00edmi lidsk\u00fdmi vzorci: nejistotou, pot\u0159ebou \u0159\u00e1du, strachem z chyb. Dokud budou lid\u00e9 mezi sebou komunikovat, budou tyto vzorce p\u0159etrv\u00e1vat.<\/li>\n<li><strong>Jak se vyv\u00edjela jeho um\u011bleck\u00e1 kari\u00e9ra?<\/strong><br \/>\n\u017d\u00e1dn\u00e9 poruchy, ale kondenzace. Od kresl\u00ed\u0159e p\u0159es text a film ke st\u00e1le v\u011bt\u0161\u00edmu soust\u0159ed\u011bn\u00ed na na\u010dasov\u00e1n\u00ed, pauzy a vztahy. Postupem \u010dasu nen\u00ed hlasit\u011bj\u0161\u00ed, ale ti\u0161\u0161\u00ed - a proto p\u0159esn\u011bj\u0161\u00ed.<\/li>\n<li><strong>Pro\u010d jsou jeho pauzy \u010dasto d\u016fle\u017eit\u011bj\u0161\u00ed ne\u017e pointy?<\/strong><br \/>\nProto\u017ee vytv\u00e1\u0159ej\u00ed prostor. Prostor pro realizaci, pro nepohodl\u00ed, pro pozn\u00e1n\u00ed. Pauza nut\u00ed div\u00e1ka k aktivit\u011b. Nen\u00ed to ne\u010dinn\u00fd \u010das, ale sou\u010d\u00e1st sd\u011blen\u00ed.<\/li>\n<li><strong>\u010c\u00edm se Loriot\u016fv humor li\u0161\u00ed od dne\u0161n\u00ed komedie?<\/strong><br \/>\nVyh\u00fdb\u00e1 se provokac\u00edm a rychlosti. M\u00edsto toho d\u00e1v\u00e1 p\u0159ednost trp\u011blivosti a p\u0159esnosti. Zat\u00edmco dne\u0161n\u00ed komedie se \u010dasto sna\u017e\u00ed o efekt, Loriot pracuje s efektem - dlouhodob\u011b, nen\u00e1padn\u011b, trvale.<\/li>\n<li><strong>Jakou roli hraje v jeho d\u00edle sebeironie?<\/strong><br \/>\n\u00dast\u0159edn\u00ed. Loriot se nevylu\u010duje. Jeho sv\u011bt nen\u00ed jevi\u0161t\u011bm, na n\u011bm\u017e ostatn\u00ed selh\u00e1vaj\u00ed, ale prostorem, v n\u011bm\u017e jsou v\u0161ichni z\u00fa\u010dastn\u011bn\u00ed sou\u010d\u00e1st\u00ed probl\u00e9mu. To zabra\u0148uje aroganci a vytv\u00e1\u0159\u00ed bl\u00edzkost.<\/li>\n<li><strong>Pro\u010d se Loriot zd\u00e1 b\u00fdt t\u00e9m\u011b\u0159 protikladem sou\u010dasnosti?<\/strong><br \/>\nProto\u017ee zachov\u00e1v\u00e1 um\u00edrn\u011bnost tam, kde dnes p\u0159evl\u00e1d\u00e1 p\u0159eh\u00e1n\u011bn\u00ed. Proto\u017ee ml\u010d\u00ed tam, kde jin\u00ed vysv\u011btluj\u00ed. A proto\u017ee projevuje d\u016fv\u011bru v schopnost \u00fasudku sv\u00fdch poslucha\u010d\u016f - co\u017e se st\u00e1le v\u00edce vytr\u00e1c\u00ed.<\/li>\n<li><strong>Co znamen\u00e1 \u201eforma\u201c v Loriotov\u011b d\u00edle?<\/strong><br \/>\nForma pro n\u011bj nen\u00ed korzet, ale r\u00e1mec. Umo\u017e\u0148uje odstup, chr\u00e1n\u00ed p\u0159ed eskalac\u00ed a umo\u017e\u0148uje humor. Jej\u00ed ztr\u00e1ta nevede ke svobod\u011b, ale \u010dasto k hrubosti. Loriot ukazuje, jak cenn\u00e1 m\u016f\u017ee forma b\u00fdt.<\/li>\n<li><strong>Pro\u010d jeho humor nikdy nezra\u0148uje?<\/strong><br \/>\nProto\u017ee neodhaluje, ale zviditel\u0148uje. Nikoho neodhaluje, ale odhaluje mechanismy. Sm\u00edch vznik\u00e1 z uv\u011bdom\u011bn\u00ed, nikoli z nad\u0159azenosti.<\/li>\n<li><strong>Jakou roli hraj\u00ed v celkov\u00e9m obrazu jeho pozd\u011bj\u0161\u00ed rozhovory?<\/strong><br \/>\nZd\u00e1 se, \u017ee navazuj\u00ed na jeho pr\u00e1ci jin\u00fdmi prost\u0159edky. Stejn\u00e1 zdr\u017eenlivost, stejn\u00e1 preciznost, stejn\u00e9 um\u011bn\u00ed vynech\u00e1vat. I zde mluv\u00ed mezi \u0159\u00e1dky - a \u010dasto nejz\u0159eteln\u011bji.<\/li>\n<li><strong>Co z\u016fstalo po Loriotovi krom\u011b zn\u00e1m\u00fdch skic?<\/strong><br \/>\nPostoj: d\u00edvejte se pozorn\u011b, zachovejte si smysl pro proporce, berte jazyk v\u00e1\u017en\u011b a nepohrdejte lidmi. To je mo\u017en\u00e1 jeho nejv\u011bt\u0161\u00ed odkaz - zejm\u00e9na v dob\u011b, kter\u00e1 \u010dasto vy\u017eaduje rychl\u00e9 soudy.<\/li>\n<\/ol>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-902 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 9px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-902 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Aktu\u00e1ln\u00ed \u010dl\u00e1nky o um\u011bl\u00e9 inteligenci<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-902\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"digitales eigentum erkl\u00e4rt &#8211; so entstehen nachhaltige online-verm\u00f6genswerte\" data-id=\"4766\"  data-category=\"allgemein b\u00fccher featured gesellschaft ki-systeme\" data-post_tag=\"buch datenbanken denkmodelle digitales eigentum erp-software k\u00fcnstliche intelligenz prozesse publishing\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/digitalni-majetek-vysvetlil-jak-se-vytvareji-udrzitelne-online-aktiva\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Vysv\u011btlen\u00ed digit\u00e1ln\u00edho vlastnictv\u00ed - Jak se vytv\u00e1\u0159ej\u00ed udr\u017eiteln\u00e9 online aktiva<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Co je digit\u00e1ln\u00ed vlastnictv\u00ed\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Digitales-Eigentum.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Digitales-Eigentum.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Digitales-Eigentum-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Digitales-Eigentum-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Digitales-Eigentum-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/digitalni-majetek-vysvetlil-jak-se-vytvareji-udrzitelne-online-aktiva\/\" rel=\"bookmark\">Vysv\u011btlen\u00ed digit\u00e1ln\u00edho vlastnictv\u00ed - Jak se vytv\u00e1\u0159ej\u00ed udr\u017eiteln\u00e9 online aktiva<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"k\u00fcnstliche intelligenz ohne hype: warum weniger ki-tools oft bessere arbeit bedeuten\" data-id=\"4402\"  data-category=\"apple macos hardware ki-systeme tipps &amp; anleitungen\" data-post_tag=\"denkmodelle erfahrungen k\u00fcnstliche intelligenz llm mac mlx ollama prozesse sprachmodell\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/umela-inteligence-bez-humbuku-proc-mene-nastroju-ki-casto-znamena-lepsi-praci\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Um\u011bl\u00e1 inteligence bez humbuku: pro\u010d m\u00e9n\u011b n\u00e1stroj\u016f AI \u010dasto znamen\u00e1 lep\u0161\u00ed pr\u00e1ci<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Um\u011bl\u00e1 inteligence bez humbuku\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-ohne-Hype-Titel.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-ohne-Hype-Titel.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-ohne-Hype-Titel-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-ohne-Hype-Titel-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-ohne-Hype-Titel-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/umela-inteligence-bez-humbuku-proc-mene-nastroju-ki-casto-znamena-lepsi-praci\/\" rel=\"bookmark\">Um\u011bl\u00e1 inteligence bez humbuku: pro\u010d m\u00e9n\u011b n\u00e1stroj\u016f AI \u010dasto znamen\u00e1 lep\u0161\u00ed pr\u00e1ci<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"rag mit ollama und qdrant als universelle suchmaschine f\u00fcr eigene daten\" data-id=\"2764\"  data-category=\"filemaker &amp; erp ki-systeme\" data-post_tag=\"datenbanken docker k\u00fcnstliche intelligenz llama llm mistral ollama qdrant vektordatenbank\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/rag-s-ollama-a-qdrant-jako-univerzalni-vyhledavac-vlastnich-dat\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">RAG s Ollama a Qdrant jako univerz\u00e1ln\u00ed vyhled\u00e1va\u010d vlastn\u00edch dat<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1920\" height=\"640\" class=\"attachment-full size-full\" alt=\"Roz\u0161\u00ed\u0159en\u00ed m\u00edstn\u00ed um\u011bl\u00e9 inteligence o datab\u00e1ze pomoc\u00ed RAG, Ollama a Qdrant\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/lokale-ki-rag-ollama-qdrant.jpg\" data-dpt-sizes=\"(max-width: 1920px) 100vw, 1920px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/lokale-ki-rag-ollama-qdrant.jpg 1920w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/lokale-ki-rag-ollama-qdrant-300x100.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/lokale-ki-rag-ollama-qdrant-1024x341.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/lokale-ki-rag-ollama-qdrant-768x256.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/lokale-ki-rag-ollama-qdrant-1536x512.jpg 1536w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/lokale-ki-rag-ollama-qdrant-18x6.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/08\/rag-s-ollama-a-qdrant-jako-univerzalni-vyhledavac-vlastnich-dat\/\" rel=\"bookmark\">RAG s Ollama a Qdrant jako univerz\u00e1ln\u00ed vyhled\u00e1va\u010d vlastn\u00edch dat<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"wenn der mac zuh\u00f6rt: was apples integrierte ki mit gemini und siri k\u00fcnftig f\u00fcr nutzer bedeutet\" data-id=\"4813\"  data-category=\"apple iphone &amp; ipad apple macos ki-systeme\" data-post_tag=\"apple datenlogik datenschutz k\u00fcnstliche intelligenz llm mac prozesse sprachmodell\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/pokud-mac-nasloucha-tomu-co-bude-pro-uzivatele-v-budoucnu-znamenat-integrovana-ki-od-applu-s-gemini-a-siri\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Kdy\u017e Mac naslouch\u00e1: Co bude integrovan\u00e1 um\u011bl\u00e1 inteligence Apple s Gemini a Siri znamenat pro u\u017eivatele v budoucnu?<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Apple, Siri a Gemini\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Apple-Siri-Gemini.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Apple-Siri-Gemini.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Apple-Siri-Gemini-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Apple-Siri-Gemini-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Apple-Siri-Gemini-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/pokud-mac-nasloucha-tomu-co-bude-pro-uzivatele-v-budoucnu-znamenat-integrovana-ki-od-applu-s-gemini-a-siri\/\" rel=\"bookmark\">Kdy\u017e Mac naslouch\u00e1: Co bude integrovan\u00e1 um\u011bl\u00e1 inteligence Apple s Gemini a Siri znamenat pro u\u017eivatele v budoucnu?<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>","protected":false},"excerpt":{"rendered":"<p>Es gibt K\u00fcnstler, die dr\u00fccken ihre Meinung wie einen Stempel aufs Papier: sichtbar, un\u00fcbersehbar, manchmal auch ein wenig billig. Und dann gibt es Vicco von B\u00fclow &#8211; Loriot -, der das Gegenteil verk\u00f6rpert: Haltung ohne Get\u00f6se. Er konnte, wenn er wollte, sehr deutlich werden. Aber er tat es nicht mit dem Zeigefinger, sondern mit einer &#8230; <a title=\"Kdy\u017e Mac naslouch\u00e1: Co bude integrovan\u00e1 um\u011bl\u00e1 inteligence Apple s Gemini a Siri znamenat pro u\u017eivatele v budoucnu?\" class=\"read-more\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/pokud-mac-nasloucha-tomu-co-bude-pro-uzivatele-v-budoucnu-znamenat-integrovana-ki-od-applu-s-gemini-a-siri\/\" aria-label=\"\u010c\u00edst v\u00edce o Kdy\u017e Mac naslouch\u00e1: Co bude integrovan\u00e1 um\u011bl\u00e1 inteligence Apple s Gemini a Siri znamenat pro u\u017eivatele v budoucnu?\">\u010c\u00edst d\u00e1l<\/a><\/p>","protected":false},"author":1,"featured_media":4172,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":188,"footnotes":""},"categories":[1,466,472,235],"tags":[480,458,429,477],"class_list":["post-4169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-gesellschaft","category-kunst-kultur","category-stories-humor","tag-deutschland","tag-erfahrungen","tag-persoenlichkeitsentwicklung","tag-portrait"],"_links":{"self":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/4169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/comments?post=4169"}],"version-history":[{"count":9,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/4169\/revisions"}],"predecessor-version":[{"id":5420,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/4169\/revisions\/5420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/media\/4172"}],"wp:attachment":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/media?parent=4169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/categories?post=4169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/tags?post=4169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}