{"id":4756,"date":"2026-02-09T05:48:44","date_gmt":"2026-02-09T05:48:44","guid":{"rendered":"https:\/\/www.markus-schall.de\/?p=4756"},"modified":"2026-05-17T09:37:09","modified_gmt":"2026-05-17T09:37:09","slug":"helge-schneider-postoj-humor-a-svoboda-nemuset-vysvetlovat-sam-sebe","status":"publish","type":"post","link":"https:\/\/www.markus-schall.de\/cs\/2026\/02\/helge-schneider-postoj-humor-a-svoboda-nemuset-vysvetlovat-sam-sebe\/","title":{"rendered":"Helge Schneider: P\u0159\u00edstup, humor a svoboda nemuset se vysv\u011btlovat"},"content":{"rendered":"<p>Helgeho Schneidera jsem si v\u0161iml velmi brzy. Ne proto, \u017ee by byl n\u011bjak zvl\u00e1\u0161\u0165 hlasit\u00fd nebo se tla\u010dil do pop\u0159ed\u00ed - naopak. Byla to ta zvl\u00e1\u0161tn\u00ed sm\u011bs inteligentn\u00ed absurdity, jazykov\u00e9ho postrann\u00edho my\u0161len\u00ed a hudebn\u00ed v\u011bcnosti, kter\u00e1 mi utkv\u011bla v pam\u011bti. N\u011bco mi na n\u011bm od za\u010d\u00e1tku p\u0159ipadalo jin\u00e9. Nevzru\u0161en\u00fd. Bez dojmu. A p\u0159edev\u0161\u00edm: nepot\u0159ebuje vysv\u011btlen\u00ed.<\/p>\n<p>Tento portr\u00e9t tedy nen\u00ed fanou\u0161kovsk\u00fdm textem. Nen\u00ed ani ironick\u00fdm pomrk\u00e1v\u00e1n\u00edm nebo snahou za\u0159adit Helgeho Schneidera do kulturn\u00ed \u0161katulky. Je to sp\u00ed\u0161e pokus o pohled na osobnost, kter\u00e1 se po desetilet\u00ed d\u016fsledn\u011b br\u00e1nila jak\u00e9koli form\u011b p\u0159ivlast\u0148ov\u00e1n\u00ed - a t\u00edm projevila sv\u016fj postoj.<!--more--><\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-545 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 9px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-545 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Soci\u00e1ln\u00ed ot\u00e1zky sou\u010dasnosti<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-545\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"vicco von b\u00fclow alias loriot &#8211; ordnung, form und der leise widerstand des humors\" data-id=\"4169\"  data-category=\"allgemein gesellschaft kunst &amp; kultur stories &amp; humor\" data-post_tag=\"deutschland erfahrungen pers\u00f6nlichkeitsentwicklung portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/vicco-von-buelow-alias-loriot-objednavkovy-formular-a-tichy-odpor-humoru\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Vicco von B\u00fclow alias Loriot - \u0159\u00e1d, forma a tich\u00fd odpor humoru<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"747\" class=\"attachment-full size-full\" alt=\"\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Titel.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Titel.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Titel-300x219.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Titel-768x560.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Loriot-Titel-16x12.jpg 16w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/vicco-von-buelow-alias-loriot-objednavkovy-formular-a-tichy-odpor-humoru\/\" rel=\"bookmark\">Vicco von B\u00fclow alias Loriot - \u0159\u00e1d, forma a tich\u00fd odpor humoru<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"was unsere opas vom krieg erz\u00e4hlten &#8211; und warum diese stimmen heute fehlen\" data-id=\"4674\"  data-category=\"allgemein gesellschaft\" data-post_tag=\"deutschland erfahrungen europa geopolitik krisen meinungsfreiheit musik sicherheitspolitik\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/co-nam-nasi-dedove-vypraveli-o-valce-a-proc-tyto-hlasy-dnes-chybi\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Co n\u00e1m na\u0161i d\u011bde\u010dkov\u00e9 vypr\u00e1v\u011bli o v\u00e1lce - a pro\u010d tyto hlasy dnes chyb\u00ed<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"V\u00e1le\u010dn\u00e9 vzpom\u00ednky d\u011bde\u010dk\u016f\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Opa-Kriegserinnerungen-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/co-nam-nasi-dedove-vypraveli-o-valce-a-proc-tyto-hlasy-dnes-chybi\/\" rel=\"bookmark\">Co n\u00e1m na\u0161i d\u011bde\u010dkov\u00e9 vypr\u00e1v\u011bli o v\u00e1lce - a pro\u010d tyto hlasy dnes chyb\u00ed<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"wenn pflicht wieder pflicht wird. eine art essay von herrn von l&#8217;oreot.\" data-id=\"3010\"  data-category=\"allgemein gesellschaft kunst &amp; kultur stories &amp; humor\" data-post_tag=\"deutschland erfahrungen geopolitik krisen pers\u00f6nlichkeitsentwicklung sicherheitspolitik\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/kdyz-se-povinnost-opet-stava-povinnosti-druh-eseje-pana-von-loreota\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Kdy\u017e se povinnost op\u011bt stane povinnost\u00ed. Jak\u00e1si esej pana von L'oreota.<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Ne\u010dekan\u00fd telefon\u00e1t\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loreot-pflicht-anruf-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/kdyz-se-povinnost-opet-stava-povinnosti-druh-eseje-pana-von-loreota\/\" rel=\"bookmark\">Kdy\u017e se povinnost op\u011bt stane povinnost\u00ed. Jak\u00e1si esej pana von L'oreota.<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"die stille gefahr von wearables: wenn bequemlichkeit zur \u00dcberwachung wird\" data-id=\"3560\"  data-category=\"allgemein apple iphone &amp; ipad gesellschaft gesundheit hardware\" data-post_tag=\"apple datenschutz gesundheit ratgeber\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/11\/tiche-nebezpeci-nositelnych-zarizeni-kdy-se-z-pohodli-stava-dohled\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Tich\u00e9 nebezpe\u010d\u00ed nositeln\u00fdch za\u0159\u00edzen\u00ed: kdy\u017e se z pohodl\u00ed stane sledov\u00e1n\u00ed<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Nositeln\u00e1 elektronika, chytr\u00e9 hodinky, sluch\u00e1tka do u\u0161\u00ed\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/wearables-smartwatch-daten.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/wearables-smartwatch-daten.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/wearables-smartwatch-daten-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/wearables-smartwatch-daten-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/wearables-smartwatch-daten-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/11\/tiche-nebezpeci-nositelnych-zarizeni-kdy-se-z-pohodli-stava-dohled\/\" rel=\"bookmark\">Tich\u00e9 nebezpe\u010d\u00ed nositeln\u00fdch za\u0159\u00edzen\u00ed: kdy\u017e se z pohodl\u00ed stane sledov\u00e1n\u00ed<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>\n<h2>Posledn\u00ed zpr\u00e1vy o Helge Schneiderovi<\/h2>\n<p><strong>17.05.2026<\/strong>: A proud <a href=\"https:\/\/www.abendzeitung-muenchen.de\/kultur\/musik\/zwischen-dada-und-jazz-helge-schneider-verzaubert-muenchen-art-1130336\" target=\"_blank\" rel=\"noopener\"><strong>Koncertn\u00ed report\u00e1\u017e den\u00edku M\u00fcnchner Abendzeitung<\/strong><\/a> znovu ukazuje, pro\u010d Helge Schneider z\u016fst\u00e1v\u00e1 ji\u017e po desetilet\u00ed v\u00fdjime\u010dn\u00fdm zjevem na n\u011bmecky mluv\u00edc\u00ed kulturn\u00ed sc\u00e9n\u011b. Kritika popisuje jeho vystoupen\u00ed v Circus Krone jako sv\u00e9r\u00e1znou sm\u011bs jazzu, dada, improvizace a z\u00e1m\u011brn\u00e9ho nonsensu - n\u011bkde na pomez\u00ed koncertu, divadla a spont\u00e1nn\u00ed performance. Pr\u00e1v\u011b tato sm\u011bs hudebn\u00edch schopnost\u00ed a naprost\u00e9 nep\u0159edv\u00eddatelnosti je z\u0159ejm\u011b t\u00edm, co \u010din\u00ed jeho vystoupen\u00ed dodnes tak p\u0159ita\u017eliv\u00fdmi. Je tak\u00e9 zaj\u00edmav\u00e9, \u017ee Schneider se d\u016fsledn\u011b vyh\u00fdb\u00e1 jak\u00e9mukoli jednozna\u010dn\u00e9mu za\u0159azen\u00ed:<\/p>\n<p>Na \u010distou komedii je p\u0159\u00edli\u0161 muzik\u00e1ln\u00ed, ale na klasick\u00fd jazz p\u0159\u00edli\u0161 absurdn\u00ed. Mo\u017en\u00e1 pr\u00e1v\u011b v tom tkv\u00ed tajemstv\u00ed jeho dlouholet\u00e9ho \u00fasp\u011bchu. Report\u00e1\u017e proto velmi dob\u0159e dopl\u0148uje portr\u00e9t o aktu\u00e1ln\u00ed pohled zven\u010d\u00ed a ukazuje, \u017ee Helge Schneider i v roce 2026 d\u011bl\u00e1 p\u0159esn\u011b to, co ho v\u017edy charakterizovalo: nekompromisn\u011b si d\u011bl\u00e1 to sv\u00e9.<\/p>\n<hr \/>\n<h2>Vynikn\u011bte, ani\u017e byste p\u0159itahovali pozornost<\/h2>\n<p>Mnoz\u00ed um\u011blci se zviditel\u0148uj\u00ed, proto\u017ee se umis\u0165uj\u00ed. Helge Schneider se zviditelnil, proto\u017ee se nezviditelnil. Zat\u00edmco jin\u00ed se brzy nau\u010dili, jak naplnit nebo p\u0159ekonat o\u010dek\u00e1v\u00e1n\u00ed, on se nikdy nijak zvl\u00e1\u0161\u0165 nezaj\u00edmal o to, zda v\u016fbec n\u011bjak\u00e1 o\u010dek\u00e1v\u00e1n\u00ed existuj\u00ed. Jeho vystoupen\u00ed \u010dasto jako by vych\u00e1zela z paraleln\u00edho prostoru: form\u00e1ln\u011b spr\u00e1vn\u00e1, technicky precizn\u00ed, ale obsahov\u011b natolik svobodn\u00e1, \u017ee se div\u00e1ci museli rozhodnout, zda s n\u00edm p\u016fjdou, nebo ne.<\/p>\n<p>Pr\u00e1v\u011b to ho \u010dinilo zaj\u00edmav\u00fdm. Tenhle humor, kter\u00fd se nepokou\u0161\u00ed. Jazyk, kter\u00fd se nesna\u017e\u00ed o pointu, ale o dojet\u00ed. A hudba, kter\u00e1 neilustruje, ale nese. Kdy\u017e se pod\u00edv\u00e1te bl\u00ed\u017e, rychle zjist\u00edte, \u017ee to nen\u00ed n\u00e1hoda. Je to metoda - i kdy\u017e nevysv\u011btlen\u00e1.<\/p>\n<h3>Inteligentn\u011b absurdn\u00ed - a \u00fa\u017easn\u011b p\u0159esn\u00e9<\/h3>\n<p>Ozna\u010den\u00ed \u201eabsurdn\u00ed\u201c je u Helgeho Schneidera nedostate\u010dn\u00e9, pokud je \u0161patn\u011b pochopeno. Nejde o nesmysl ve smyslu sv\u00e9vole. Jde sp\u00ed\u0161e o formu p\u0159esn\u00e9ho vyt\u011bsn\u011bn\u00ed. Slova jsou m\u00edrn\u011b nesynchronizovan\u00e1 s t\u00edm, co se o\u010dek\u00e1v\u00e1, hudebn\u00ed mezihry p\u0159ich\u00e1zej\u00ed o n\u011bco pozd\u011bji nebo p\u0159\u00edli\u0161 brzy, pauzy jsou ponech\u00e1ny del\u0161\u00ed, ne\u017e by bylo dramaturgicky \u201espr\u00e1vn\u00e9\u201c.<\/p>\n<p>Pr\u00e1v\u011b v tom spo\u010d\u00edv\u00e1 jeho p\u0159ita\u017elivost. Jazykov\u00fd vtip je z\u0159\u00eddkakdy hlasit\u00fd, \u010dasto such\u00fd, n\u011bkdy a\u017e le\u017e\u00e9rn\u00ed. A p\u0159esto je za n\u00edm velmi p\u0159esn\u00fd smysl pro rytmus - jak jazykov\u00fd, tak hudebn\u00ed. Nen\u00ed to fra\u0161ka, ale kontrolovan\u00e1 up\u0159\u00edmnost. Kdo to p\u0159ehl\u00e9dne, bude si myslet, \u017ee Helge Schneider je hloup\u00fd. Kdo to rozpozn\u00e1, uv\u011bdom\u00ed si: tady n\u011bkdo pracuje s velk\u00fdm soust\u0159ed\u011bn\u00edm na zd\u00e1nliv\u00e9m nepo\u0159\u00e1dku.<\/p>\n<p>To, \u017ee m\u00e1m Helgeho Schneidera u\u017e dlouho r\u00e1d, je d\u00e1no pr\u00e1v\u011b t\u00edmto bodem. Ne kv\u016fli jednotliv\u00fdm gag\u016fm nebo zn\u00e1m\u00fdm \u010d\u00edsl\u016fm, ale kv\u016fli p\u0159\u00edstupu, kter\u00fd za nimi stoj\u00ed. Jeho odm\u00edt\u00e1n\u00ed nutnosti vysv\u011btlovat se. Klid, s n\u00edm\u017e si jde za sv\u00fdm - i kdy\u017e se okolnosti stanou nep\u0159\u00edjemn\u00fdmi.<\/p>\n<p>Zvl\u00e1\u0161t\u011b v dob\u011b, kdy se od um\u011blc\u016f neust\u00e1le o\u010dek\u00e1v\u00e1, \u017ee budou kategorizovat, zauj\u00edmat pozice a b\u00fdt mor\u00e1ln\u011b jednozna\u010dn\u00ed, se tato zdr\u017eenlivost zd\u00e1 b\u00fdt t\u00e9m\u011b\u0159 starom\u00f3dn\u00ed. A mo\u017en\u00e1 pr\u00e1v\u011b proto je tak cenn\u00e1. Helge Schneider sv\u011bt nekomentuje, ale reflektuje. A to n\u011bkdy \u00fapln\u011b sta\u010d\u00ed.<\/p>\n<h3>Postoj se projevuje v jedn\u00e1n\u00ed, ne v prohl\u00e1\u0161en\u00ed.<\/h3>\n<p>To se projevilo zejm\u00e9na v situac\u00edch, kdy se ozvalo mnoho dal\u0161\u00edch lid\u00ed. Nap\u0159\u00edklad v obdob\u00ed koronaviru, kdy byl tlak na tv\u016fr\u010d\u00ed um\u011blce obrovsk\u00fd a jak\u00e1koli odchylka byla okam\u017eit\u011b politizov\u00e1na, Helge Schneider nezvolil cestu velk\u00fdch slov. Jednal - a nechal mluvit jin\u00e9.<\/p>\n<p>Za ur\u010dit\u00fdch podm\u00ednek se mu prost\u011b neda\u0159ilo. Ne z protestu, ne jako provokaci, ale proto, \u017ee je pro n\u011bj jeho um\u011bn\u00ed v\u00e1z\u00e1no na ur\u010dit\u00e9 podm\u00ednky: Bl\u00edzkost, svoboda, bezprost\u0159ednost. Nebyl to aktivismus, ale d\u016fslednost. A to je pr\u00e1v\u011b postoj, kter\u00fd se stal vz\u00e1cn\u00fdm - proto\u017ee se ned\u00e1 zneu\u017e\u00edt.<\/p>\n<h3>Um\u011bn\u00ed jako nez\u00e1visl\u00fd prostor<\/h3>\n<p>Zd\u00e1 se, \u017ee Helge Schneider v\u017edy ch\u00e1pal um\u011bn\u00ed jako n\u011bco sv\u00e9ho. Ne jako koment\u00e1\u0159 k aktu\u00e1ln\u00ed situaci, ne jako slu\u017ebu, ne jako pedagogickou nab\u00eddku. Ale sp\u00ed\u0161e jako prostor, v n\u011bm\u017e se mohou uplatnit jin\u00e1 pravidla. \u00dast\u0159edn\u00ed roli p\u0159itom hraje improvizace - nejen hudebn\u011b, ale i existenci\u00e1ln\u011b.<\/p>\n<p>Improvizace zde neznamen\u00e1 sv\u00e9voli, ale d\u016fv\u011bru: ve vlastn\u00ed schopnosti, v okam\u017eik, v publikum. P\u0159edpokl\u00e1d\u00e1, \u017ee n\u011bco dok\u00e1\u017eete, ne\u017e to pust\u00edte. A pr\u00e1v\u011b t\u00edm se Helge Schneider li\u0161\u00ed od mnoh\u00fdch, kte\u0159\u00ed tak\u00e9 cht\u011bj\u00ed b\u00fdt \u201esvobodn\u00ed\u201c, ale nemaj\u00ed \u017e\u00e1dn\u00fd z\u00e1klad, na n\u011bm\u017e by tato svoboda mohla st\u00e1t.<\/p>\n<p>Tento portr\u00e9t tedy nevznik\u00e1 proto, \u017ee by Helge Schneider pot\u0159eboval vysv\u011btlen\u00ed. Ale proto, \u017ee je dobr\u00fdm p\u0159\u00edkladem toho, jak se lze vyhnout zb\u011bsil\u00e9mu vysv\u011btlov\u00e1n\u00ed, ani\u017e by se \u010dlov\u011bk okam\u017eit\u011b dostal do opozice. Jak z\u016fstat viditeln\u00fd, ani\u017e byste se vystavovali. A jak si udr\u017eet postoj, ani\u017e byste ho nosili p\u0159ed sebou.<\/p>\n<p>V n\u00e1sleduj\u00edc\u00edch kapitol\u00e1ch proto nejde o oslavu, ale o bli\u017e\u0161\u00ed pohled: na vznik, hudebn\u00ed \u0159emeslo, humor, zlomy a d\u016fsledky. Na um\u011blce, kter\u00fd nikdy nahlas ne\u0159ekl, za \u010d\u00edm si stoj\u00ed - a kter\u00fd to pr\u00e1v\u011b t\u00edm d\u00e1v\u00e1 velmi jasn\u011b najevo.<br \/>\nA mo\u017en\u00e1 pr\u00e1v\u011b to je dnes obzvl\u00e1\u0161\u0165 zaj\u00edmav\u00e9.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4820 size-large\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Kindheit.jpg\" alt=\"D\u011btstv\u00ed Helgeho Schneidera\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Kindheit.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Kindheit-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Kindheit-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Kindheit-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h2>Por\u00fa\u0159\u00ed, jazz, down to earth<\/h2>\n<p>Helge Schneider nen\u00ed produktem sc\u00e9ny ani d\u00edt\u011btem program\u016f na podporu kultury. Jeho p\u016fvod je neok\u00e1zal\u00fd - a pr\u00e1v\u011b to je kl\u00ed\u010dem k pochopen\u00ed jeho postoje. M\u00fclheim an der Ruhr, pov\u00e1le\u010dn\u00e1 desetilet\u00ed, prost\u0159ed\u00ed, v n\u011bm\u017e pr\u00e1ce, spolehlivost a jist\u00fd such\u00fd humor byly sou\u010d\u00e1st\u00ed ka\u017edodenn\u00edho \u017eivota. \u017d\u00e1dn\u00e9 pozl\u00e1tko, \u017e\u00e1dn\u00e9 poz\u00e9rstv\u00ed, \u017e\u00e1dn\u00e1 velk\u00e1 vypr\u00e1v\u011bn\u00ed o sob\u011b sam\u00e9m. Ti, kdo zde vyrostli, se brzy nau\u010dili, \u017ee v\u011bci nen\u00ed t\u0159eba vysv\u011btlovat, aby fungovaly.<\/p>\n<p>Por\u00fa\u0159\u00ed 60. a 70. let nebylo m\u00edstem pro velkolep\u00e9 akce. Lid\u00e9 d\u011blali to, co museli. O citliv\u00fdch ot\u00e1zk\u00e1ch se p\u0159\u00edli\u0161 nemluvilo. Existoval humor, ale ten nep\u0159ich\u00e1zel s pointou a bubnov\u00e1n\u00edm, ale jako pozn\u00e1mka, k\u0159iv\u00fd pohled, v\u011bta, kter\u00e1 se vryla do pam\u011bti. Tento z\u00e1kladn\u00ed postoj - neagitovan\u00fd, n\u011bkdy k\u0159ehk\u00fd, \u010dasto lakonick\u00fd - pozd\u011bji p\u0159ekvapiv\u011b z\u0159eteln\u011b nach\u00e1z\u00edme ve vystupov\u00e1n\u00ed Helgeho Schneidera.<\/p>\n<p>Nen\u00ed to humor, kter\u00fd vy\u017eaduje souhlas. Sp\u00ed\u0161e takov\u00fd, kter\u00fd \u0159\u00edk\u00e1: Tak to te\u010f je. Poj\u010fte s n\u00e1mi - nebo ne. Pr\u00e1v\u011b tato svoboda jako by vych\u00e1zela z prost\u0159ed\u00ed, v n\u011bm\u017e jsme se nau\u010dili nemuset se neust\u00e1le vysv\u011btlovat.<\/p>\n<h3>Hudba jako samoz\u0159ejmost, ne jako kari\u00e9rn\u00ed pl\u00e1n<\/h3>\n<p>Hudba hr\u00e1la roli u\u017e na za\u010d\u00e1tku, ale ne ve smyslu strategick\u00e9 propagace. Ne\u0161lo o \u201erozvoj talentu\u201c, ale o to, \u017ee hudba prost\u011b byla. Helge Schneider poslouchal, hr\u00e1l, zkou\u0161el. Jazz nebyl v\u011bdom\u00fdm vymezen\u00edm, ale objevem. Forma hudby, kter\u00e1 fungovala jinak ne\u017e to, co se obvykle hr\u00e1lo v r\u00e1diu. Otev\u0159en\u011bj\u0161\u00ed, pru\u017en\u011bj\u0161\u00ed, m\u00e9n\u011b jednozna\u010dn\u00e1.<\/p>\n<p>Jazz nen\u00ed hudbou jasn\u00fdch sd\u011blen\u00ed. Vy\u017e\u00edv\u00e1 se v p\u0159est\u00e1vk\u00e1ch, pauz\u00e1ch a odbo\u010dk\u00e1ch. A neodpou\u0161t\u00ed nedbalost. Pokud chcete improvizovat, mus\u00edte um\u011bt naslouchat - ostatn\u00edm, okam\u017eiku, sami sob\u011b. Tato \u0161kola je formativn\u00ed. Formuje nejen hudebn\u00edky, ale i postoj ke sv\u011btu.<\/p>\n<h3>U\u010den\u00ed hrou<\/h3>\n<p>M\u00edsto p\u0159\u00edmo\u010dar\u00e9 vzd\u011bl\u00e1vac\u00ed cesty rozv\u00edjel Helge Schneider u\u010den\u00ed prost\u0159ednictv\u00edm praxe. Hr\u00e1t si, pozorovat, znovu si hr\u00e1t. N\u00e1stroje p\u0159id\u00e1val nikoli jako trofeje, ale ze zv\u011bdavosti. Klav\u00edr, saxofon, bic\u00ed - pozd\u011bji mnoho dal\u0161\u00edch. Ne v\u0161echny na virtu\u00f3zn\u00ed \u00farovni, ale v\u0161echny s v\u00e1\u017en\u00fdm p\u0159\u00edstupem. Kdo ho dnes odm\u00edt\u00e1 jako \u201ehloup\u00e9ho muzikanta\u201c, p\u0159ehl\u00ed\u017e\u00ed, kolik pr\u00e1ce a soust\u0159ed\u011bn\u00ed se za touto zd\u00e1nlivou lehkost\u00ed skr\u00fdv\u00e1.<\/p>\n<p>Jazz je nemilosrdn\u00fd. Okam\u017eit\u011b odhaluje nejistotu. Mo\u017en\u00e1 to je jeden z d\u016fvod\u016f, pro\u010d Helge Schneider nikdy nec\u00edtil pot\u0159ebu se pozd\u011bji prosadit. Ka\u017ed\u00fd, kdo pro\u0161el touto \u0161kolou, v\u00ed, co um\u00ed - a tak\u00e9 co neum\u00ed.<\/p>\n<h3>P\u0159\u00edzemn\u00ed m\u00edsto sebeprezentace<\/h3>\n<p>Je pozoruhodn\u00e9, \u017ee tato hudebn\u00ed hloubka nebyla nikdy vyu\u017eita k sebepropagaci. \u017d\u00e1dn\u00e1 velk\u00e1 vypr\u00e1v\u011bn\u00ed o genialit\u011b, \u017e\u00e1dn\u00e9 odkazy na tituly nebo mistry. Nam\u00edsto toho t\u00e9m\u011b\u0159 nenucen\u00e1 samoz\u0159ejmost: hudba je tady. Je vytvo\u0159ena. Te\u010dka.<\/p>\n<p>To odpov\u00edd\u00e1 postoji, kter\u00fd se v Por\u00fa\u0159\u00ed \u010dasto vyskytuje: Dovednosti se nevystavuj\u00ed, ale vyu\u017e\u00edvaj\u00ed. Pokud n\u011bco um\u00edte, nemus\u00edte o tom mluvit. Tato forma p\u0159\u00edzemnosti se prol\u00edn\u00e1 celou tvorbou Helgeho Schneidera. I tam, kde to p\u016fsob\u00ed chaoticky nebo hloup\u011b, z\u016fst\u00e1v\u00e1 z\u00e1klad stabiln\u00ed.<\/p>\n<h3>Jazz jako \u017eivotn\u00ed styl<\/h3>\n<p>Jazz je v\u00edc ne\u017e jen hudba. Je to zp\u016fsob, jak se vyrovnat s nejistotou. S otev\u0159en\u00fdmi konci. Se situacemi, kter\u00e9 nelze napl\u00e1novat. Ka\u017ed\u00fd, kdo bere jazz v\u00e1\u017en\u011b, se u\u010d\u00ed zbavovat se kontroly, ani\u017e by se vzd\u00e1val odpov\u011bdnosti. Pr\u00e1v\u011b tuto rovnov\u00e1hu - mezi zru\u010dnost\u00ed a otev\u0159enost\u00ed - si Helge Schneider z\u0159ejm\u011b brzy osvojil.<\/p>\n<p>Mo\u017en\u00e1 to vysv\u011btluje, pro\u010d pozd\u011bji \u0159e\u0161il roztr\u017eky tak klidn\u011b. S odm\u00edtnut\u00edm, s nepochopen\u00edm, s chybnou interpretac\u00ed. Kdy\u017e um\u00edte improvizovat, m\u00e9n\u011b panika\u0159\u00edte, kdy\u017e pl\u00e1n nevyjde. Hrajete d\u00e1l. Jinak, ale d\u00e1l.<\/p>\n<h3>P\u016fvod jako tich\u00fd z\u00e1klad<\/h3>\n<p>P\u016fvod Helgeho Schneidera v Por\u00fa\u0159\u00ed nen\u00ed figur\u00e1ln\u00ed. Ned\u011bl\u00e1 z toho probl\u00e9m. A p\u0159esto je to hmatateln\u00e9 - ve zp\u016fsobu, jak\u00fdm mluv\u00ed, jak d\u011bl\u00e1 pauzy, jak podvrac\u00ed o\u010dek\u00e1v\u00e1n\u00ed. Je to st\u0159\u00edzlivost, kter\u00e1 nen\u00ed chladn\u00e1, ale stabiln\u00ed. Jak\u00e1si vnit\u0159n\u00ed p\u016fda, na n\u00ed\u017e je mo\u017en\u00e9 mnoho v\u011bc\u00ed, ani\u017e by bylo nutn\u00e9 v\u0161e komentovat.<\/p>\n<p>Zvl\u00e1\u0161t\u011b v dob\u011b, kdy se p\u016fvod \u010dasto romantizuje nebo problematizuje, p\u016fsob\u00ed tato v\u011bcnost t\u00e9m\u011b\u0159 cize. Nen\u00ed to ani p\u00fdcha, ani vymezen\u00ed. Prost\u011b je tu.<\/p>\n<p>Tento z\u00e1klad - Por\u00fa\u0159\u00ed, jazz, hudebn\u00ed \u0159emeslo - vysv\u011btluje mnoh\u00e9 z toho, co p\u0159ich\u00e1z\u00ed pozd\u011bji. Vysv\u011btluje, pro\u010d Helge Schneider nikdy nevyhled\u00e1val pozornost. Pro\u010d nesleduje trendy. A pro\u010d z\u016fst\u00e1v\u00e1 klidn\u00fd, i kdy\u017e je kolem n\u011bj spousta hluku.<\/p>\n<p>Dal\u0161\u00ed kapitola se proto v\u011bnuje pr\u00e1v\u011b tomuto \u010dasto opom\u00edjen\u00e9mu aspektu: hudebn\u00edkovi Helge Schneiderovi. O dovednostech, discipl\u00edn\u011b a schopnostech, kter\u00e9 tvo\u0159\u00ed z\u00e1klad v\u0161eho, co bylo pozd\u011bji vn\u00edm\u00e1no jako \u201eabsurdn\u00ed\u201c. Proto\u017ee bez tohoto z\u00e1kladu by nic z toho nebylo mo\u017en\u00e9.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4821 size-large\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Junger-Musiker.jpg\" alt=\"Helge Schneider jako mlad\u00fd hudebn\u00edk\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Junger-Musiker.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Junger-Musiker-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Junger-Musiker-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Junger-Musiker-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h2>Hudebn\u00edk, kter\u00e9ho mnoz\u00ed podce\u0148uj\u00ed<\/h2>\n<p>Kdy\u017e se mluv\u00ed o Helge Schneiderovi, slovo \u201ehudebn\u00edk\u201c je \u010dasto a\u017e na druh\u00e9m m\u00edst\u011b - n\u011bkdy v\u016fbec. Obraz komika, neotesance, zd\u00e1nliv\u00e9ho hlup\u00e1ka je p\u0159\u00edli\u0161 dominantn\u00ed. A p\u0159esto stoj\u00ed za to se pr\u00e1v\u011b zde pozastavit. Proto\u017ee ten, kdo chce Helge Schneiderovi porozum\u011bt, nem\u016f\u017ee ignorovat jeho hudebn\u00ed podstatu. Ta nen\u00ed dopl\u0148kem, ale nosn\u00fdm r\u00e1mcem.<\/p>\n<p>Helge Schneider nen\u00ed komik, kter\u00fd d\u011bl\u00e1 hudbu. Je to hudebn\u00edk, kter\u00fd si dovoluje b\u00fdt vtipn\u00fd. Tento rozd\u00edl je z\u00e1sadn\u00ed. Vysv\u011btluje, pro\u010d jeho p\u0159edstaven\u00ed funguj\u00ed jinak ne\u017e klasick\u00e1 komedie, pro\u010d pointy n\u011bkdy mohou padat a pro\u010d hudebn\u00ed pas\u00e1\u017ee neslou\u017e\u00ed k pobaven\u00ed, ale jsou sob\u011bsta\u010dn\u00e9.<\/p>\n<p>Hudba pro n\u011bj nen\u00ed prost\u0159edkem k dosa\u017een\u00ed c\u00edle. Je to c\u00edl. A to s v\u00e1\u017enost\u00ed, kter\u00e1 se projevuje pr\u00e1v\u011b t\u00edm, \u017ee nen\u00ed neust\u00e1le zd\u016fraz\u0148ov\u00e1na. Kdy\u017e se pozorn\u011b zaposlouch\u00e1te, rychle zjist\u00edte, \u017ee n\u011bkdo pracuje s velmi p\u0159esnou vnit\u0159n\u00ed m\u0159\u00ed\u017ekou - harmonicky, rytmicky, struktur\u00e1ln\u011b.<\/p>\n<h3>N\u00e1stroj m\u00e1lokdy p\u0159ich\u00e1z\u00ed s\u00e1m<\/h3>\n<p>Helge Schneider hraje na ohromuj\u00edc\u00ed mno\u017estv\u00ed n\u00e1stroj\u016f. Klav\u00edr je logicky v centru - je to jeho z\u00e1klad, jeho sou\u0159adnicov\u00fd syst\u00e9m. Ale jsou tu tak\u00e9 saxofon, bic\u00ed, kytara, baskytara, trubka, housle, r\u016fzn\u00e9 bic\u00ed n\u00e1stroje a dal\u0161\u00ed zvukov\u00e9 n\u00e1stroje, kter\u00e9 se objevuj\u00ed a miz\u00ed v z\u00e1vislosti na kontextu.<\/p>\n<p>D\u016fle\u017eit\u00fd nen\u00ed ani tak po\u010det n\u00e1stroj\u016f, jako sp\u00ed\u0161e zp\u016fsob jejich pou\u017eit\u00ed. Nepou\u017e\u00edv\u00e1 n\u00e1stroje k p\u0159edv\u00e1d\u011bn\u00ed virtuozity, ale k otev\u00edr\u00e1n\u00ed mo\u017enost\u00ed. Ka\u017ed\u00fd n\u00e1stroj je p\u0159\u00edstupem k jin\u00e9 perspektiv\u011b. N\u011bkdo, kdo hraje na klav\u00edr, p\u0159em\u00fd\u0161l\u00ed jinak ne\u017e ten, kdo hraje na bic\u00ed. N\u011bkdo, kdo hraje na saxofon, d\u00fdch\u00e1 jinak. Pro Helgeho Schneidera nejsou tyto zm\u011bny trikem, ale sou\u010d\u00e1st\u00ed jeho hudebn\u00edho my\u0161len\u00ed.<\/p>\n<h3>Improvizace vy\u017eaduje discipl\u00ednu<\/h3>\n<p>Improvizace je \u010dasto \u0161patn\u011b ch\u00e1p\u00e1na. Je vn\u00edm\u00e1na jako protiklad discipl\u00edny, jako projev svobody bez pravidel. Ve skute\u010dnosti je to naopak. Improvizace vy\u017eaduje pravidla - a jejich zvl\u00e1dnut\u00ed. Jen ten, kdo v\u00ed, co d\u011bl\u00e1, se od nich m\u016f\u017ee odch\u00fdlit, ani\u017e by sklouzl ke sv\u00e9voli.<\/p>\n<p>Helge Schneider neimprovizuje proto, aby byl nep\u0159edv\u00eddateln\u00fd. Improvizuje, proto\u017ee naslouch\u00e1. Sv\u00e9 vlastn\u00ed h\u0159e, sv\u00fdm koleg\u016fm hudebn\u00edk\u016fm, m\u00edstnosti, n\u00e1lad\u011b. To vy\u017eaduje soust\u0159ed\u011bn\u00ed a p\u0159\u00edtomnost. Je to vy\u010derp\u00e1vaj\u00edc\u00ed. A pr\u00e1v\u011b proto se nezasv\u011bcen\u00fdm \u010dasto zd\u00e1, \u017ee je to bez n\u00e1mahy.<\/p>\n<h3>Jazz jako prub\u00ed\u0159sk\u00fd k\u00e1men<\/h3>\n<p>Jazz je nemilosrdn\u00fd u\u010ditel. Neodpust\u00ed \u017e\u00e1dnou nejistotu, \u017e\u00e1dn\u00fd polovi\u010dat\u00fd p\u0159\u00edstup. Ka\u017ed\u00fd, kdo v jazzu usp\u011bje, se nau\u010dil zvl\u00e1dat otev\u0159en\u00e9 situace, ani\u017e by ztratil kontrolu. Skute\u010dnost, \u017ee Helge Schneider m\u00e1 sv\u00e9 z\u00e1klady pr\u00e1v\u011b zde, vysv\u011btluje mnoh\u00e9.<\/p>\n<p>Jeho hudba odm\u00edt\u00e1 jasn\u00e1 \u0159e\u0161en\u00ed, pohr\u00e1v\u00e1 si s o\u010dek\u00e1v\u00e1n\u00edmi, nech\u00e1v\u00e1 v\u011bci otev\u0159en\u00e9. To nen\u00ed n\u00e1hoda, ale typick\u00e9 pro jazz. A pr\u00e1v\u011b tato otev\u0159enost pozd\u011bji charakterizuje jeho humor. Pauzy se prodlu\u017euj\u00ed, vstupy se posouvaj\u00ed, opakov\u00e1n\u00ed se najednou zdaj\u00ed pok\u0159iven\u00e1 - ne proto, \u017ee je n\u011bco \u201e\u0161patn\u011b\u201c, ale proto, \u017ee si n\u011bkdo z\u00e1m\u011brn\u011b hraje s r\u00e1mcem.<\/p>\n<h3>Pro\u010d se to \u010dasto p\u0159ehl\u00ed\u017e\u00ed<\/h3>\n<p>Podce\u0148ov\u00e1n\u00ed jeho hudebn\u00edch schopnost\u00ed m\u00e1 hodn\u011b co do \u010din\u011bn\u00ed s vn\u00edm\u00e1n\u00edm. Humorn\u00e9 masky. Kdy\u017e se sm\u011bjete, poslouch\u00e1te m\u00e9n\u011b pozorn\u011b. Helge Schneider nav\u00edc pop\u00edr\u00e1 b\u011b\u017enou p\u0159edstavu v\u00e1\u017en\u00e9ho hudebn\u00edka. \u017d\u00e1dn\u00e1 v\u00e1\u017enost, \u017e\u00e1dn\u00e9 vysv\u011btluj\u00edc\u00ed prezentace, \u017e\u00e1dn\u00e1 pedagogick\u00e1 gesta.<\/p>\n<p>Nevysv\u011btluje, co d\u011bl\u00e1. Prost\u011b to d\u011bl\u00e1. A pr\u00e1v\u011b proto je pro mnoho lid\u00ed obt\u00ed\u017en\u00e9 ho za\u0159adit. V kultu\u0159e, kter\u00e1 r\u00e1da viditeln\u011b potvrzuje v\u00fdkon, je tato zdr\u017eenlivost dr\u00e1\u017ediv\u00e1. Kde jsou ty n\u00e1lepky? Kde je kategorizace? Kde je odkaz na vlastn\u00ed odbornost?<br \/>\nChyb\u00ed. Z\u00e1m\u011brn\u011b.<\/p>\n<p>Helge Schneider z\u0159ejm\u011b nikdy nec\u00edtil pot\u0159ebu dokazovat sv\u00e9 schopnosti. Mo\u017en\u00e1 proto, \u017ee to v\u00ed. Ka\u017ed\u00fd, kdo pracuje dostate\u010dn\u011b dlouho v hudebn\u00edm prost\u0159ed\u00ed, kde nelze blafovat, si vyp\u011bstuje ur\u010dit\u00fd klid. V\u00edte, kdy n\u011bco funguje - a kdy ne.<\/p>\n<p>Tato vyrovnanost se projevuje i v tom, \u017ee hudebn\u00ed chyby jsou povoleny. K\u0159iv\u00fd t\u00f3n, nad\u00fdchan\u00fd vstup - to v\u0161e se neskr\u00fdv\u00e1, ale integruje. Chyby se st\u00e1vaj\u00ed sou\u010d\u00e1st\u00ed vystoupen\u00ed. To nen\u00ed nedostatek ambic\u00ed, ale v\u00fdraz suverenity.<\/p>\n<h3>Hudba jako strukturuj\u00edc\u00ed prvek humoru<\/h3>\n<p>Mnoho komick\u00fdch moment\u016f Helgeho Schneidera je pojato hudebn\u011b. Rytmy \u0159e\u010di n\u00e1sleduj\u00ed po taktech, opakov\u00e1n\u00ed funguj\u00ed jako refr\u00e9ny, zd\u00e1nliv\u00e9 odbo\u010dky p\u0159ipom\u00ednaj\u00ed s\u00f3la. I tam, kde hudba nen\u00ed, je p\u0159\u00edtomna - jako struktura, jako smysl pro \u010das.<\/p>\n<p>To tak\u00e9 vysv\u011btluje, pro\u010d jeho humor nespo\u010d\u00edv\u00e1 v rychl\u00fdch reakc\u00edch. Pot\u0159ebuje \u010das. Jako jazzov\u00e1 skladba, kter\u00e1 se rozv\u00edj\u00ed, m\u00edsto aby okam\u017eit\u011b vzpl\u00e1la. Pokud tento \u010das neinvestujete, p\u0159ijdete o j\u00e1dro. Kdo ho investuje, objev\u00ed vrstvy, kter\u00e9 jdou daleko za prvn\u00ed dojem.<\/p>\n<h3>Mezi jevi\u0161t\u011bm a zku\u0161ebnou<\/h3>\n<p>Helge Schneider \u010dasto vystupuje na jevi\u0161ti, jako by v\u0161e bylo spont\u00e1nn\u00ed. Ale spont\u00e1nnost m\u00e1lokdy vznik\u00e1 z ni\u010deho. Poch\u00e1z\u00ed z opakov\u00e1n\u00ed, z praxe, z hlubok\u00e9 znalosti materi\u00e1lu. I zde je patrn\u00fd klasick\u00fd postoj um\u011blce: nejd\u0159\u00edve pracovat, pak nechat b\u00fdt.<\/p>\n<p>T\u00edmto p\u0159\u00edstupem se odli\u0161uje od mnoha sou\u010dasn\u00fdch form\u00e1t\u016f, kter\u00e9 kladou d\u016fraz na efekty a rychlost. Helge Schneider si d\u00e1v\u00e1 na \u010das - na hudbu, na pauzy, na odbo\u010dky. A v\u011b\u0159\u00ed, \u017ee publikum se na t\u00e9to cest\u011b vyd\u00e1 s n\u00edm.<\/p>\n<p>Nakonec z\u016fst\u00e1v\u00e1 pozn\u00e1n\u00ed: kdo vid\u00ed Helgeho Schneidera jen jako komickou figurku, tomu unik\u00e1 podstata. Jeho hudba nen\u00ed dekorac\u00ed, ale p\u016fvodem. Vysv\u011btluje svobodu, vyrovnanost a d\u016fslednost, s jakou pracuje. A vysv\u011btluje, pro\u010d se nikdy nemus\u00ed ospravedl\u0148ovat.<\/p>\n<p>Pr\u00e1v\u011b o tom je dal\u0161\u00ed kapitola: o v\u011bdom\u00e9m rozchodu s o\u010dek\u00e1van\u00fdm. O rozhodnut\u00edch proti snadn\u00e9 cest\u011b. A o tom, pro\u010d se n\u011bkdo s takov\u00fdmi schopnostmi v\u011bdom\u011b rozhodne nezapadnout do tradi\u010dn\u00ed kari\u00e9rn\u00ed logiky.<\/p>\n<div class=\"lyte-wrapper\" style=\"width:640px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_PdZz9hU_Pr4\"><div id=\"lyte_PdZz9hU_Pr4\" data-src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FPdZz9hU_Pr4%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/PdZz9hU_Pr4\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FPdZz9hU_Pr4%2F0.jpg\" alt=\"Miniatura videa na YouTube\" width=\"640\" height=\"340\" \/><br \/>Pod\u00edvejte se na toto video na YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:640px;margin:5px;\"><\/div><br \/>\nHelge Schneider na Schmidteinander | <a href=\"https:\/\/www.youtube.com\/channel\/UCJzOrIN4PqUxrmp6O-7lJMA\" target=\"_blank\" rel=\"nofollow noopener\">Helgeshow<\/a><\/p>\n<h2>Z\u00e1m\u011brn\u00e9 poru\u0161en\u00ed o\u010dek\u00e1van\u00e9ho<\/h2>\n<p>U Helgeho Schneidera nikdy nenastane okam\u017eik, kdy byste mohli jednozna\u010dn\u011b \u0159\u00edct: Tady se rozhodl d\u011blat v\u0161echno jinak. Nebyl to \u017e\u00e1dn\u00fd t\u0159esk, \u017e\u00e1dn\u00e9 ve\u0159ejn\u00e9 z\u00fa\u010dtov\u00e1n\u00ed, \u017e\u00e1dn\u00fd demonstrativn\u00ed odklon od st\u00e1vaj\u00edc\u00edch struktur. Rozchod s o\u010dek\u00e1van\u00fdm se odehr\u00e1l ti\u0161e, t\u00e9m\u011b\u0159 nen\u00e1padn\u011b - a pr\u00e1v\u011b proto d\u016fsledn\u011b.<\/p>\n<p>Mnoho um\u011blc\u016f se definuje prost\u0159ednictv\u00edm sv\u00e9ho odporu. Bojuj\u00ed proti instituc\u00edm, trh\u016fm a o\u010dek\u00e1v\u00e1n\u00edm. Helge Schneider ud\u011blal n\u011bco jin\u00e9ho: jednodu\u0161e nem\u011bl dostate\u010dn\u00fd z\u00e1jem, aby se do tohoto boje pustil. Nahr\u00e1vac\u00ed spole\u010dnosti, form\u00e1ty, televizn\u00ed logika - to v\u0161e vyzkou\u0161el, dotkl se toho, n\u011bkdy dokonce vyu\u017eil. Ale nikdy ne jako c\u00edl s\u00e1m o sob\u011b.<\/p>\n<p>Pokud se n\u011bco nehodilo, nebojovalo se proti tomu, ale opustilo se to. Tento p\u0159\u00edstup se zd\u00e1 b\u00fdt nen\u00e1padn\u00fd, ale je pozoruhodn\u00fd. P\u0159edpokl\u00e1d\u00e1 toti\u017e, \u017ee jste p\u0159ipraveni sn\u00e1\u0161et nejistotu. Ti, kte\u0159\u00ed se nep\u0159izp\u016fsob\u00ed, \u010dasto nev\u011bd\u00ed, co p\u0159ijde p\u0159\u00ed\u0161t\u011b. Pr\u00e1v\u011b to Helgeho Schneidera z\u0159ejm\u011b neznepokojovalo.<\/p>\n<h3>Kari\u00e9ra bez pov\u00fd\u0161en\u00ed<\/h3>\n<p>V klasick\u00fdch \u017eivotopisech um\u011blc\u016f je jasn\u00e1 dramaturgie: v\u00fdcvik, pr\u016flom, etablov\u00e1n\u00ed, korunovace. V p\u0159\u00edpad\u011b Helgeho Schneidera plat\u00ed tento model jen v omezen\u00e9 m\u00ed\u0159e. Byly tu \u00fasp\u011bchy, byla tu pozornost, bylo tu uzn\u00e1n\u00ed. Nikdy v\u0161ak nevznikl dojem, \u017ee by se cht\u011bl \u201edostat na vrchol\u201c.<\/p>\n<p>Jeho cesta se zd\u00e1 b\u00fdt sp\u00ed\u0161e bo\u010dn\u00ed. N\u011bkdy je bl\u00ed\u017ee hlavn\u00edmu proudu, jindy zase daleko od n\u011bj. Filmy, kter\u00e9 se vymykaj\u00ed ve\u0161ker\u00e9 tr\u017en\u00ed logice. Alba, kter\u00e1 se nevysv\u011btluj\u00ed. V\u00fdkony, kter\u00e9 se vymykaj\u00ed v\u0161em o\u010dek\u00e1v\u00e1n\u00edm. Tato cesta nen\u00ed n\u00e1hodn\u00e1. Je to v\u00fdsledek v\u011bdom\u00e9ho rozhodnut\u00ed proti p\u0159edv\u00eddatelnosti.<\/p>\n<h3>Odvaha b\u00fdt nepou\u017eiteln\u00fd<\/h3>\n<p>\u00dast\u0159edn\u00edm prvkem tohoto rozchodu je odm\u00edtnut\u00ed pln\u00e9ho vyu\u017eit\u00ed. Helge Schneider nep\u0159in\u00e1\u0161\u00ed jasn\u00fd produkt. P\u0159in\u00e1\u0161\u00ed situace. Okam\u017eiky. Ve\u010dery, kter\u00e9 mohou fungovat - nebo ne. To je pro klasickou logiku vyu\u017eit\u00ed t\u011b\u017eko snesiteln\u00e9.<\/p>\n<p>A pr\u00e1v\u011b v tom je jej\u00ed s\u00edla. Ti, kte\u0159\u00ed z\u016fst\u00e1vaj\u00ed nepou\u017eiteln\u00ed, si zachov\u00e1vaj\u00ed svobodu. Pokud se nenech\u00e1te sv\u00e1zat s n\u011bjak\u00fdm form\u00e1tem, nemus\u00edte ho pou\u017e\u00edvat. Helge Schneider tuto svobodu h\u00e1jil ji\u017e na po\u010d\u00e1tku, ani\u017e by ji deklaroval. Nepostavil se proti n\u011b\u010demu - od n\u011b\u010deho ustoupil.<\/p>\n<h3>Nesmysl jako z\u00e1m\u011brn\u00e1 strategie<\/h3>\n<p>Na prvn\u00ed pohled to vypad\u00e1 jako z\u00e1m\u011brn\u00fd nesmysl. Texty, kter\u00e9 k ni\u010demu nevedou. Sc\u00e9ny, kter\u00e9 se rozplynou. Hudba, kter\u00e1 se n\u00e1hle zastav\u00ed. Ale tento \u201enesmysl\u201c je strukturovan\u00fd. Je to v\u00fdsledek rozhodnut\u00ed proti jasn\u00e9mu napln\u011bn\u00ed o\u010dek\u00e1v\u00e1n\u00ed.<\/p>\n<p>Nesmysl se st\u00e1v\u00e1 metodou vytv\u00e1\u0159en\u00ed prostoru. Pokud nedod\u00e1te nic jednozna\u010dn\u00e9ho, t\u011b\u017eko v\u00e1s n\u011bkdo p\u0159im\u011bje k tomu, abyste se k n\u011b\u010demu p\u0159imkli. Kdo se vyh\u00fdb\u00e1 point\u011b, vyh\u00fdb\u00e1 se i p\u0159ivlastn\u011bn\u00ed. V t\u00e9to perspektiv\u011b nen\u00ed humor c\u00edlem s\u00e1m o sob\u011b, ale ochrann\u00fdm prostorem.<\/p>\n<p>D\u016fle\u017eit\u00e9 je, \u017ee tento zlom nen\u00ed vzdorovit\u00fd. Nen\u00ed to emocion\u00e1ln\u011b nabit\u00e9. Nen\u00ed v n\u011bm \u017e\u00e1dn\u00e1 z\u00e1\u0161\u0165, \u017e\u00e1dn\u00e9 vy\u0159izov\u00e1n\u00ed \u00fa\u010dt\u016f. Helge Schneider se nezd\u00e1 b\u00fdt odm\u00edtnut\u00edm dot\u010den. Je sp\u00ed\u0161e lhostejn\u00fd. A tato lhostejnost nen\u00ed slabost\u00ed, ale zn\u00e1mkou vnit\u0159n\u00ed stability. Nem\u00e1 pot\u0159ebu n\u011bkam pat\u0159it. Nepot\u0159ebuje b\u00fdt uzn\u00e1v\u00e1n. V\u00ed, co d\u011bl\u00e1 - a to mu sta\u010d\u00ed. Takov\u00fd postoj je vz\u00e1cn\u00fd, zejm\u00e9na v tv\u016fr\u010d\u00edm prost\u0159ed\u00ed, kter\u00e9 se vy\u017e\u00edv\u00e1 ve zp\u011btn\u00e9 vazb\u011b a potvrzen\u00ed.<\/p>\n<h3>Svoboda, \u017ee nemus\u00edte nic vysv\u011btlovat<\/h3>\n<p>Z\u00e1m\u011brn\u00e9 p\u0159eru\u0161en\u00ed je doprov\u00e1zeno dal\u0161\u00edm d\u016fsledkem: odm\u00edtnut\u00edm neust\u00e1l\u00e9ho vysv\u011btlov\u00e1n\u00ed. Rozhovory \u010dasto z\u016fst\u00e1vaj\u00ed vyh\u00fdbav\u00e9, ironick\u00e9, stru\u010dn\u00e9. \u017d\u00e1dn\u00e9 velk\u00e9 programy, \u017e\u00e1dn\u00e9 manifesta\u010dn\u00ed texty. Pokud chcete n\u011b\u010demu porozum\u011bt, mus\u00edte se d\u00edvat - ne \u010d\u00edst.<\/p>\n<p>V dob\u011b permanentn\u00edho sebepopisov\u00e1n\u00ed se tento postoj zd\u00e1 b\u00fdt t\u00e9m\u011b\u0159 anachronick\u00fd. Dnes se od um\u011blc\u016f o\u010dek\u00e1v\u00e1, \u017ee odhal\u00ed sv\u00e9 motivy, formuluj\u00ed sv\u016fj postoj, vyzna\u010d\u00ed svou pozici. Helge Schneider to aktivn\u011b neodm\u00edt\u00e1 - jednodu\u0161e to pova\u017euje za zbyte\u010dn\u00e9.<\/p>\n<h3>Riziko jako norm\u00e1ln\u00ed stav<\/h3>\n<p>\u017divot nad r\u00e1mec o\u010dek\u00e1v\u00e1n\u00ed je riskantn\u00ed. Neexistuj\u00ed \u017e\u00e1dn\u00e9 z\u00e1ruky, \u017e\u00e1dn\u00e9 jasn\u00e9 jistoty. P\u0159esto se zd\u00e1, \u017ee pr\u00e1v\u011b toto riziko je pro Helgeho Schneidera normou. Mo\u017en\u00e1 proto, \u017ee se nikdy nespol\u00e9hal na jistotu. Mo\u017en\u00e1 proto, \u017ee ho jeho hudebn\u00ed socializace nau\u010dila, jak se vypo\u0159\u00e1dat s nejistotou.<\/p>\n<p>Jazzu se da\u0159\u00ed d\u00edky riziku. Ka\u017ed\u00e1 improvizace m\u016f\u017ee selhat. A p\u0159esto do toho jdete. Tato my\u0161lenka se prol\u00edn\u00e1 celou jeho tvorbou. I tam, kde se zd\u00e1, \u017ee jde jen o humor, je v\u017edycky riziko, \u017ee n\u011bco nevyjde. To je p\u0159ijateln\u00e9 - a integrovan\u00e9.<\/p>\n<p>V\u011bdom\u00fd rozchod s o\u010dek\u00e1van\u00fdm nen\u00ed pro Helgeho Schneidera jednor\u00e1zov\u00fdm aktem, ale trval\u00fdm rozhodnut\u00edm. Obnovuje se znovu a znovu - p\u0159i ka\u017ed\u00e9m p\u0159edstaven\u00ed, p\u0159i ka\u017ed\u00e9m projektu. Ne z principu, ale z d\u016fslednosti. Ned\u011bl\u00e1 to, co se od n\u011bj o\u010dek\u00e1v\u00e1. D\u011bl\u00e1 to, co je pro n\u011bj spr\u00e1vn\u00e9. A to je pr\u00e1v\u011b forma postoje, kter\u00e1 z\u016fst\u00e1v\u00e1 tich\u00e1, ale je udr\u017eiteln\u00e1.<\/p>\n<p>Dal\u0161\u00ed kapitola se zab\u00fdv\u00e1 t\u00edmto postojem v jeho snad nejzaj\u00edmav\u011bj\u0161\u00edm projevu: humorem jako svobodou. Ne jako koment\u00e1\u0159, ne jako kritika, ale jako prostor, v n\u011bm\u017e lze v\u011bci \u0159\u00edkat - nebo ne\u0159\u00edkat -, ani\u017e by byly fixov\u00e1ny.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4822 size-large\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Klavier.jpg\" alt=\"Helge Schneider na klav\u00edr\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Klavier.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Klavier-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Klavier-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Klavier-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h2>Humor jako svoboda - ne jako koment\u00e1\u0159<\/h2>\n<p>U Helgeho Schneidera nen\u00ed humor n\u00e1strojem, jak n\u011bco vysv\u011btlit. Nen\u00ed ani prost\u0159edkem k ozna\u010dov\u00e1n\u00ed postoj\u016f nebo p\u0159ed\u00e1v\u00e1n\u00ed sd\u011blen\u00ed. Humor je pro n\u011bj stav. Prostor. Forma svobody, kter\u00e1 se prosazuje pr\u00e1v\u011b proto, \u017ee ji nelze nijak omezit.<\/p>\n<p>T\u00edm se z\u00e1sadn\u011b li\u0161\u00ed od mnoha jin\u00fdch sou\u010dasn\u00fdch forem humoru. Tam je humor \u010dasto koment\u00e1\u0159em: k politice, ke spole\u010dnosti, k duchu doby. Kategorizuje, poukazuje, moralizuje - \u010dasto s dobr\u00fdm \u00famyslem, n\u011bkdy \u00fa\u010dinn\u011b, ale t\u00e9m\u011b\u0159 v\u017edy jednozna\u010dn\u011b. Helge Schneider k tomu p\u0159istupuje jinak. Jeho humor je dvojzna\u010dn\u00fd. A pr\u00e1v\u011b v tom je jeho s\u00edla.<\/p>\n<h3>\u017d\u00e1dn\u00fd vtip s objedn\u00e1vkou<\/h3>\n<p>Ka\u017ed\u00fd, kdo nav\u0161t\u00edv\u00ed p\u0159edstaven\u00ed Helgeho Schneidera, si rychle uv\u011bdom\u00ed, \u017ee k sm\u00edchu nen\u00ed \u017e\u00e1dn\u00fd mand\u00e1t. Nikdo nen\u00ed \u017e\u00e1d\u00e1n, aby n\u011bco konkr\u00e9tn\u00edho poznal nebo si odnesl. Humor nen\u00ed v\u00fdchovn\u00fd. Nevysv\u011btluje, co je spr\u00e1vn\u00e9 a co ne. Nech\u00e1v\u00e1 v\u011bci tak, jak jsou.<\/p>\n<p>To m\u016f\u017ee b\u00fdt nep\u0159\u00edjemn\u00e9. Zvl\u00e1\u0161t\u011b v kultu\u0159e, kter\u00e1 je zvykl\u00e1 na humor vyjad\u0159uj\u00edc\u00ed postoj, p\u016fsob\u00ed tato otev\u0159enost a\u017e provokativn\u011b. Ale je to z\u00e1m\u011brn\u00e1 volba. Helge Schneider nenut\u00ed sv\u00e9 publikum k interpretaci. Otev\u00edr\u00e1 prostor, v n\u011bm\u017e je mo\u017en\u00e9 mnoho v\u011bc\u00ed - v\u010detn\u011b nedorozum\u011bn\u00ed.<\/p>\n<h3>Sm\u00edch jako vedlej\u0161\u00ed produkt<\/h3>\n<p>Je pozoruhodn\u00e9, \u017ee jeho sm\u00edch se \u010dasto opo\u017e\u010fuje. Nez\u0159\u00eddka se st\u00e1v\u00e1, \u017ee se n\u011bkte\u0159\u00ed div\u00e1ci sm\u011bj\u00ed d\u0159\u00edve, jin\u00ed pozd\u011bji - nebo v\u016fbec. To nen\u00ed chyba, ale sou\u010d\u00e1st konceptu. Humor zde nevych\u00e1z\u00ed z pointy, ale z pohybu k n\u00ed. Z odbo\u010dek. Z toho, co se tam tak \u00fapln\u011b nehod\u00ed.<\/p>\n<p>Tento sm\u00edch nen\u00ed reflex, ale rozhodnut\u00ed. Sm\u011bjete se, proto\u017ee se sm\u011bjete. Nebo se nesm\u011bjete. Oboj\u00ed je dovoleno. Tato svoboda se stala vz\u00e1cnou, proto\u017ee d\u00e1v\u00e1 div\u00e1k\u016fm odpov\u011bdnost. Nem\u016f\u017eete se nechat jen tak bavit.<\/p>\n<h3>Absurdita bez sv\u00e9vole<\/h3>\n<p>Humor Helgeho Schneidera je \u010dasto ozna\u010dov\u00e1n jako \u201eabsurdn\u00ed\u201c. I zde je v\u0161ak t\u0159eba rozli\u0161ovat. Jeho absurdita nen\u00ed n\u00e1hodn\u00e1. \u0158\u00edd\u00ed se vnit\u0159n\u00edmi pravidly, i kdy\u017e ta nejsou na prvn\u00ed pohled patrn\u00e1. Jazyk se posouv\u00e1, v\u00fdznamy se natahuj\u00ed, kontexty se rozpadaj\u00ed - ale nikdy ne \u00fapln\u011b.<\/p>\n<p>T\u00edm se jeho d\u00edlo odli\u0161uje od \u010dir\u00e9ho nesmyslu. V\u017edy je zde n\u011bjak\u00e1 struktura, i kdy\u017e nen\u00ed pojmenov\u00e1na. A pr\u00e1v\u011b tato struktura umo\u017e\u0148uje svobodu. Zabra\u0148uje tomu, aby v\u0161e platilo stejn\u011b. Absurdita zde nevznik\u00e1 z libov\u016fle, ale z p\u0159esnosti.<\/p>\n<h3>Humor bez mor\u00e1ln\u00edho p\u0159eh\u00e1n\u011bn\u00ed<\/h3>\n<p>N\u00e1padn\u00fdm rysem humoru Helgeho Schneidera je absence mor\u00e1ln\u00ed nads\u00e1zky. Nen\u00ed zde \u017e\u00e1dn\u00e9 jasn\u00e9 poselstv\u00ed, \u017e\u00e1dn\u00fd implicitn\u00ed n\u00e1vod. Postavy nejsou demaskov\u00e1ny, postoje nejsou prezentov\u00e1ny. V\u0161e z\u016fst\u00e1v\u00e1 v nejistot\u011b.<\/p>\n<p>D\u00edky tomu je jeho humor p\u0159\u00edstupn\u00fd - a z\u00e1rove\u0148 nenapadnuteln\u00fd. Nenab\u00edz\u00ed \u017e\u00e1dn\u00fd ter\u010d rozho\u0159\u010den\u00ed, proto\u017ee nic nekodifikuje. Ka\u017ed\u00fd, kdo si ho chce politicky p\u0159ivlastnit, selh\u00e1v\u00e1 pr\u00e1v\u011b v tomto bod\u011b. Nen\u00ed v n\u011bm nic pevn\u011b dan\u00e9ho, na \u010dem by se dalo stav\u011bt.<\/p>\n<h3>Svoboda prost\u0159ednictv\u00edm neur\u010den\u00ed<\/h3>\n<p>Tato forma humoru je riskantn\u00ed. Z\u0159\u00edk\u00e1 se jistoty jasn\u00fdch prohl\u00e1\u0161en\u00ed. M\u016f\u017ee b\u00fdt \u0161patn\u011b pochopen. M\u016f\u017ee vyj\u00edt napr\u00e1zdno. Ale pr\u00e1v\u011b toto riziko se zd\u00e1 b\u00fdt sou\u010d\u00e1st\u00ed tohoto postoje. Svoboda se zde nevytv\u00e1\u0159\u00ed hlasitost\u00ed, ale zdr\u017eenlivost\u00ed.<\/p>\n<p>Helge Schneider se nezavazuje - a pr\u00e1v\u011b proto z\u016fst\u00e1v\u00e1 flexibiln\u00ed. Jeho humor se nep\u0159izp\u016fsobuje aktu\u00e1ln\u00ed situaci. Nekomentuje, nereaguje. Existuje paraleln\u011b. To mu dod\u00e1v\u00e1 nad\u010dasovost, kterou mnoh\u00e9 sou\u010dasn\u00e9 formy postr\u00e1daj\u00ed.<\/p>\n<p>Humor Helgeho Schneidera lze vn\u00edmat tak\u00e9 jako bezpe\u010dn\u00fd prostor. Ne jako m\u00edsto, kam se lze uch\u00fdlit p\u0159ed sv\u011btem, ale jako m\u00edsto, kde mohou platit jin\u00e1 pravidla. Kde se mohou v\u011bci \u0159\u00edkat, ani\u017e by byly zafixov\u00e1ny. Kde se v\u00fdznamy mohou rozplynout, ani\u017e by byly nahrazeny. V tomto prostoru je prostor pro rozpory. Pro hloupost a v\u00e1\u017enost z\u00e1rove\u0148. Pro p\u0159esnost i chaos. Tento prostor nen\u00ed hlasit\u00fd, ale je stabiln\u00ed. A je otev\u0159en\u00fd - pro v\u0161echny, kdo jsou p\u0159ipraveni se j\u00edm zab\u00fdvat.<\/p>\n<h3>Proti o\u010dek\u00e1v\u00e1n\u00ed jednozna\u010dnosti<\/h3>\n<p>Sou\u010dasnost vy\u017eaduje jasnost. Jasn\u00e1 stanoviska, jasn\u00e9 postoje, jasn\u00e1 poselstv\u00ed. Humor se \u010dasto m\u011b\u0159\u00ed podle toho, zda \u201eukazuje postoj\u201c. Helge Schneider se tomuto m\u011b\u0159\u00edtku vymyk\u00e1. Ne z odm\u00edt\u00e1n\u00ed, ale z p\u0159esv\u011bd\u010den\u00ed.<\/p>\n<p>Jeho humor se projevuje t\u00edm, \u017ee se nenech\u00e1 instrumentalizovat. Odm\u00edt\u00e1 se st\u00e1t koment\u00e1\u0159em. Netvrd\u00ed, \u017ee je svobodn\u00fd, ale praktikuje ji. Je tich\u00fd - ale \u00fa\u010dinn\u00fd.<\/p>\n<h3>Spojen\u00ed m\u00edsto rozd\u011blen\u00ed<\/h3>\n<p>Zaj\u00edmav\u00e9 je, \u017ee pr\u00e1v\u011b tato otev\u0159enost zp\u016fsobuje, \u017ee jeho publikum je \u010dasto velmi r\u016fznorod\u00e9. Lid\u00e9 s r\u016fzn\u00fdmi n\u00e1zory sed\u00ed vedle sebe a sm\u011bj\u00ed se - nebo se spole\u010dn\u011b div\u00ed. Ne proto, \u017ee by se shodovali, ale proto, \u017ee jsou na chv\u00edli v jedn\u00e9 m\u00edstnosti.<\/p>\n<p>To je mo\u017en\u00e1 jedna z nejsiln\u011bj\u0161\u00edch str\u00e1nek tohoto humoru: spojuje, ani\u017e by spojoval. Vytv\u00e1\u0159\u00ed spole\u010denstv\u00ed, ani\u017e by vy\u017eadoval konsenzus. A da\u0159\u00ed se mu to jen proto, \u017ee se nestav\u00ed na \u017e\u00e1dnou stranu.<\/p>\n<p>Humor Helgeho Schneidera se nakonec jev\u00ed ani ne tak jako stylistick\u00fd prost\u0159edek, jako sp\u00ed\u0161 jako zp\u016fsob \u017eivota. Zp\u016fsob, jak se setk\u00e1vat se sv\u011btem, ani\u017e by v\u00e1s definoval. Postoj, kter\u00fd nevy\u017eaduje svobodu, ale \u017eije ji.<\/p>\n<p>Dal\u0161\u00ed kapitola se zab\u00fdv\u00e1 pr\u00e1v\u011b t\u00edmto postojem pod tlakem: ve chv\u00edl\u00edch, kdy byla svoboda omezena a rozhodnut\u00ed m\u011bla n\u00e1sledky. To ukazuje, jak udr\u017eiteln\u00e1 tato forma humoru a postoje ve skute\u010dnosti je - mimo jevi\u0161t\u011b, mimo sm\u00edch.<\/p>\n<h3>V\u00fdro\u010d\u00ed na turn\u00e9 - a Klimperclown cestuje d\u00e1l<\/h3>\n<p>Helge Schneider je na cest\u011b - a vytrvale. Na <a href=\"https:\/\/helge-schneider.de\" target=\"_blank\" rel=\"noopener\"><strong>aktu\u00e1ln\u00ed v\u00fdro\u010dn\u00ed turn\u00e9<\/strong><\/a> je ji\u017e v pln\u00e9m proudu a a\u017e do \u0159\u00edjna p\u0159\u00ed\u0161t\u00edho roku bude putovat po mnoha n\u011bmeck\u00fdch m\u011bstech. M\u00edsto ohl\u00ed\u017een\u00ed se zp\u011bt je tu pohyb: nov\u00e9 ve\u010dery, nov\u00e9 p\u0159echody, star\u00e9 s\u00edly v tom nejlep\u0161\u00edm slova smyslu.<\/p>\n<p><a href=\"https:\/\/helge-schneider.de\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4826 size-large\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Live-Ellebogen.jpg\" alt=\"Helge Live Tour k v\u00fdro\u010d\u00ed\" width=\"1024\" height=\"320\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Live-Ellebogen.jpg 1748w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Live-Ellebogen-300x94.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Live-Ellebogen-1024x320.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Live-Ellebogen-768x240.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Live-Ellebogen-1536x480.jpg 1536w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Live-Ellebogen-18x6.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/p>\n<p>Nositel paruky z Por\u00fa\u0159\u00ed se do dal\u0161\u00edho desetilet\u00ed vman\u00e9vruje trouben\u00edm, brnk\u00e1n\u00edm a sv\u00fdm nezam\u011bniteln\u00fdm \u017evatl\u00e1n\u00edm. Pokud se chcete pono\u0159it hloub\u011bji, dal\u0161\u00ed p\u00e1tr\u00e1n\u00ed po stop\u00e1ch nab\u00edz\u00ed film Klimperclown, kter\u00fd je k dispozici na r\u016fzn\u00fdch platform\u00e1ch a prov\u00e1z\u00ed um\u011blcem op\u011bt z jin\u00e9 perspektivy.<\/p>\n<h2>Uka\u017ete sv\u016fj postoj, ani\u017e byste ho deklarovali<\/h2>\n<p>U Helgeho Schneidera se postoj projevuje jen z\u0159\u00eddka. Neobjevuje se jako teze, ani jako apel, ani jako prohl\u00e1\u0161en\u00ed. Projevuje se v jedn\u00e1n\u00ed - a n\u011bkdy i v opomenut\u00ed. Tento druh postoje je patrn\u00fd zejm\u00e9na v situac\u00edch, kdy jsou o\u010dek\u00e1v\u00e1n\u00ed ve\u0159ejnosti vysok\u00e1. Ne hlasit\u011b, ne demonstrativn\u011b, ale d\u016fsledn\u011b.<\/p>\n<p>Ve f\u00e1z\u00edch spole\u010densk\u00e9 eskalace se od um\u011blc\u016f \u010dasto o\u010dek\u00e1v\u00e1, \u017ee zaujmou stanovisko. Jevi\u0161t\u011b se st\u00e1v\u00e1 kazatelnou, rozhovor manifestem. Helge Schneider si tuto cestu nikdy nevybral. Ne z pohodlnosti, ale z jin\u00e9ho pojet\u00ed odpov\u011bdnosti. Nevysv\u011btluje, pro\u010d n\u011bco d\u011bl\u00e1 - on to d\u011bl\u00e1. A p\u0159ij\u00edm\u00e1 d\u016fsledky.<\/p>\n<p>Tento p\u0159\u00edstup je n\u00e1ro\u010dn\u00fd. Z\u0159\u00edk\u00e1 se interpreta\u010dn\u00ed suverenity. Spol\u00e9h\u00e1 na to, \u017ee \u010diny mluv\u00ed samy za sebe. A p\u0159ipou\u0161t\u00ed, \u017ee m\u016f\u017ee doj\u00edt k nedorozum\u011bn\u00ed. Ti, kte\u0159\u00ed se nevysv\u011btluj\u00ed, jsou interpretov\u00e1ni. Zd\u00e1 se, \u017ee Helge Schneider je ochoten se s t\u00edm sm\u00ed\u0159it.<\/p>\n<h3>Svoboda jako p\u0159edpoklad um\u011bn\u00ed<\/h3>\n<p>To se uk\u00e1zalo v dob\u011b, kdy byla um\u011bleck\u00e1 pr\u00e1ce v\u00e1z\u00e1na na podm\u00ednky, kter\u00e9 byly pro mnoh\u00e9 p\u0159ijateln\u00e9, pro n\u011bkter\u00e9 nezbytn\u00e9, ale pro n\u011bj ned\u016fsledn\u00e9. Jeho reakce byla pozoruhodn\u011b neok\u00e1zal\u00e1: za ur\u010dit\u00fdch okolnost\u00ed prost\u011b nevystupoval. \u017d\u00e1dn\u00e1 kampa\u0148, \u017e\u00e1dn\u00fd apel, \u017e\u00e1dn\u00fd patos.<\/p>\n<p>Toto rozhodnut\u00ed nebylo protestem ani provokac\u00ed. Bylo v\u00fdrazem ch\u00e1p\u00e1n\u00ed um\u011bn\u00ed, kter\u00e9 je v\u00e1z\u00e1no na p\u0159edpoklady: Bl\u00edzkost, bezprost\u0159ednost, sd\u00edlen\u00fd prostor. Pokud tyto p\u0159edpoklady chyb\u00ed, um\u011bn\u00ed pro n\u011bj ztr\u00e1c\u00ed smysl. S t\u00edm m\u016f\u017eete, ale nemus\u00edte souhlasit - je to v\u017edy konzistentn\u00ed.<\/p>\n<h3>Nedorozum\u011bn\u00ed jako cena za d\u016fslednost<\/h3>\n<p>Takov\u00e1 rozhodnut\u00ed m\u00e1lokdy z\u016fstanou bez n\u00e1sledk\u016f. Jsou interpretov\u00e1na, p\u0159ivlast\u0148ov\u00e1na a zveli\u010dov\u00e1na. I zde se projevil postoj Helgeho Schneidera: nenechal se p\u0159ivlastnit, ani\u017e by byl z\u00e1rove\u0148 vta\u017een do opa\u010dn\u00fdch t\u00e1bor\u016f. Tam, kde to bylo nutn\u00e9, se vyj\u00e1d\u0159il jasn\u011b - stru\u010dn\u011b, objektivn\u011b, bez vyhrocov\u00e1n\u00ed.<\/p>\n<p>Pozoruhodn\u00e9 je, co neud\u011blal. Nevyu\u017eil pozornosti k tomu, aby se uch\u00e1zel o v\u011bt\u0161\u00ed sc\u00e9nu. Nevytv\u00e1\u0159el si o sob\u011b p\u0159\u00edb\u011bh. Dr\u017eel se v\u011bci. Zd\u00e1 se to neok\u00e1zal\u00e9, ale je to zn\u00e1mka vnit\u0159n\u00ed stability, zvl\u00e1\u0161t\u011b ve vyhrocen\u00e9 dob\u011b.<\/p>\n<h3>\u017d\u00e1dn\u00e1 bl\u00edzkost sklad\u016f<\/h3>\n<p>Opakuj\u00edc\u00edm se motivem je jeho jasn\u00fd odstup od politick\u00fdch a spole\u010densk\u00fdch t\u00e1bor\u016f. Ne proto, \u017ee by mu byly lhostejn\u00e9, ale proto, \u017ee se nepova\u017euje za jejich mluv\u010d\u00edho. Jeho um\u011bn\u00ed nem\u00e1 slou\u017eit - nen\u00ed ani kauzou, ani protin\u00e1vrhem.<\/p>\n<p>Tato vzd\u00e1lenost nen\u00ed \u00fanikem. Je to v\u011bdom\u00e9 rozhodnut\u00ed proti instrumentalizaci. Helge Schneider z\u0159ejm\u011b dob\u0159e v\u00ed, \u017ee um\u011bn\u00ed ztr\u00e1c\u00ed svobodu, jakmile se k n\u00ed zav\u00e1\u017ee. Postoj se zde nevytv\u00e1\u0159\u00ed skrze p\u0159\u00edslu\u0161nost, ale skrze nez\u00e1vislost.<\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-546 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 10px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-546 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Portr\u00e9ty lid\u00ed s postojem<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-546\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"helge schneider: haltung, humor und die freiheit, sich nicht erkl\u00e4ren zu m\u00fcssen\" data-id=\"4756\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"deutschland erfahrungen meinungsfreiheit musik portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/helge-schneider-postoj-humor-a-svoboda-nemuset-vysvetlovat-sam-sebe\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Helge Schneider: P\u0159\u00edstup, humor a svoboda nemuset se vysv\u011btlovat<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Helge Schneider Portr\u00e9t\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/helge-schneider-postoj-humor-a-svoboda-nemuset-vysvetlovat-sam-sebe\/\" rel=\"bookmark\">Helge Schneider: P\u0159\u00edstup, humor a svoboda nemuset se vysv\u011btlovat<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"mehr als punk: nina hagen, cosma shiva und die kunst, sich nicht vereinnahmen zu lassen\" data-id=\"4521\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"auswandern deutschland erfahrungen europa krisen meinungsfreiheit musik portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/more-than-punk-nina-hagen-cosma-shiva-a-umeni-nenechat-se-strhnout\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">V\u00edce ne\u017e punk: Nina Hagen, Cosma Shiva a um\u011bn\u00ed nenechat se strhnout<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Portr\u00e9t Niny a Cosmy Shiva Hagenov\u00fdch\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Nina-Cosma-Shiva-Hagen-Titel.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Nina-Cosma-Shiva-Hagen-Titel.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Nina-Cosma-Shiva-Hagen-Titel-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Nina-Cosma-Shiva-Hagen-Titel-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Nina-Cosma-Shiva-Hagen-Titel-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/more-than-punk-nina-hagen-cosma-shiva-a-umeni-nenechat-se-strhnout\/\" rel=\"bookmark\">V\u00edce ne\u017e punk: Nina Hagen, Cosma Shiva a um\u011bn\u00ed nenechat se strhnout<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"dieter hallervorden &#8211; mehr als didi: portr\u00e4t eines unbequemen freigeists\" data-id=\"4347\"  data-category=\"gesellschaft kunst &amp; kultur stories &amp; humor\" data-post_tag=\"erfahrungen meinungsfreiheit musik portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/dieter-hallervorden-vice-nez-didi-portret-nepohodlneho-svobodneho-ducha\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Dieter Hallervorden - V\u00edce ne\u017e Didi: Portr\u00e9t nepohodln\u00e9ho svobodn\u00e9ho ducha<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Dieter Hallervorden a W\u00fchlm\u00e4use v Berl\u00edn\u011b\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Dieter-Hallvervorden-Wuehlmaeuse-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/dieter-hallervorden-vice-nez-didi-portret-nepohodlneho-svobodneho-ducha\/\" rel=\"bookmark\">Dieter Hallervorden - V\u00edce ne\u017e Didi: Portr\u00e9t nepohodln\u00e9ho svobodn\u00e9ho ducha<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"wie tiere zeit wahrnehmen &#8211; und was das f\u00fcr die zukunft der ki bedeutet\" data-id=\"4918\"  data-category=\"allgemein gesellschaft ki-systeme\" data-post_tag=\"denkmodelle erfahrungen k\u00fcnstliche intelligenz llm portrait prozesse sprachmodell\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/jak-zvirata-vnimaji-cas-a-co-to-znamena-pro-budoucnost-ki\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Jak zv\u00ed\u0159ata vn\u00edmaj\u00ed \u010das - a co to znamen\u00e1 pro budoucnost um\u011bl\u00e9 inteligence<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Zv\u00ed\u0159ata, um\u011bl\u00e1 inteligence a vn\u00edm\u00e1n\u00ed \u010dasu\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Tiere-KI-Zeitwahrnehmung-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/jak-zvirata-vnimaji-cas-a-co-to-znamena-pro-budoucnost-ki\/\" rel=\"bookmark\">Jak zv\u00ed\u0159ata vn\u00edmaj\u00ed \u010das - a co to znamen\u00e1 pro budoucnost um\u011bl\u00e9 inteligence<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>\n<h3>Ml\u010den\u00ed jako \u010dinnost<\/h3>\n<p>Ve v\u011bku permanentn\u00edch koment\u00e1\u0159\u016f z\u00edsk\u00e1v\u00e1 ml\u010den\u00ed novou kvalitu. U\u017e se ne\u010dte jako neutralita, ale jako provokace. Helge Schneider toto ml\u010den\u00ed nepou\u017e\u00edv\u00e1 strategicky. Je prost\u011b sou\u010d\u00e1st\u00ed jeho zp\u016fsobu pr\u00e1ce. Mluv\u00ed, kdy\u017e m\u00e1 co \u0159\u00edct - a ne jinak.<\/p>\n<p>Toto ticho nen\u00ed pr\u00e1zdn\u00e9. Je napln\u011bno prac\u00ed, p\u0159edstaven\u00edmi, hudbou. Ukazuje na jin\u00e9 m\u00edsto dialogu: ne na rozhovor, ne na diskurz, ale na jevi\u0161t\u011b. Tam se odehr\u00e1v\u00e1 jeho komunikace. A tam je dostate\u010dn\u011b nejednozna\u010dn\u00e1, aby nebyla fixovan\u00e1.<\/p>\n<h3>Postoj bez mor\u00e1lky<\/h3>\n<p>Je tak\u00e9 patrn\u00e9, \u017ee rozhodnut\u00ed Helgeho Schneidera maj\u00ed jen z\u0159\u00eddkakdy mor\u00e1ln\u00ed n\u00e1boj. Nevysv\u011btluje, pro\u010d je n\u011bco \u201espr\u00e1vn\u00e9\u201c nebo \u201e\u0161patn\u00e9\u201c. Nepopisuje soubor hodnot. Jedn\u00e1 podle vnit\u0159n\u00ed normy, ani\u017e by ji standardizoval.<\/p>\n<p>D\u00edky tomu je jeho postoj obt\u00ed\u017en\u011b napadnuteln\u00fd - a obt\u00ed\u017en\u011b kop\u00edrovateln\u00fd. Nen\u00ed programov\u00fd, ale osobn\u00ed. Nevy\u017eaduje souhlas, ale respekt k d\u016fslednosti. Pokud se j\u00edm chcete \u0159\u00eddit, mus\u00edte si ho sami vytvo\u0159it.<\/p>\n<p>V pr\u016fb\u011bhu let se vyvinula ur\u010dit\u00e1 forma d\u016fv\u011bry. Ne ve smyslu jistoty o\u010dek\u00e1v\u00e1n\u00ed, ale ve smyslu spolehlivosti. V\u00edte, \u017ee Helge Schneider najednou neud\u011bl\u00e1 n\u011bco, co by odporovalo jeho vnit\u0159n\u00ed logice. M\u016f\u017ee p\u0159ekvapit, ale nezrad\u00ed. Tato spolehlivost je vz\u00e1cn\u00e1. Neplyne z opakov\u00e1n\u00ed, ale z d\u016fslednosti. A vysv\u011btluje, pro\u010d ho jeho publikum n\u00e1sleduje, i kdy\u017e ne v\u0161emu rozum\u00ed. Je c\u00edtit, \u017ee tu n\u011bkdo nejedn\u00e1 oportunisticky.<\/p>\n<h3>Postoj mimo jevi\u0161t\u011b<\/h3>\n<p>Je zaj\u00edmav\u00e9, \u017ee tento postoj se neomezuje pouze na jevi\u0161t\u011b. Projevuje se tak\u00e9 ve zp\u016fsobu, jak\u00fdm jedn\u00e1me s ve\u0159ejnost\u00ed, s m\u00e9dii, s o\u010dek\u00e1v\u00e1n\u00edm. \u017d\u00e1dn\u00e9 skandalizov\u00e1n\u00ed, \u017e\u00e1dn\u00e1 sebedramatizace. M\u00edsto toho klidn\u00e1 vytrvalost.<\/p>\n<p>V dob\u011b, kdy se mnoz\u00ed st\u00e1vaj\u00ed hlasit\u011bj\u0161\u00edmi, aby byli sly\u0161et, Helge Schneider z\u016fst\u00e1v\u00e1 tich\u00fd - a pr\u00e1v\u011b proto je sly\u0161et. Ne v\u017edy okam\u017eit\u011b, ne ka\u017ed\u00fd. Ale trvale.<\/p>\n<p>Tato kapitola ukazuje, \u017ee p\u0159\u00edstup nemus\u00ed b\u00fdt nutn\u011b viditeln\u00fd, aby byl \u00fa\u010dinn\u00fd. M\u016f\u017ee se projevit v od\u0159\u00edk\u00e1n\u00ed, v opomenut\u00ed, v ne\u00fa\u010dasti. Helge Schneider zt\u011bles\u0148uje tuto formu postoje s v\u011bcnost\u00ed, kter\u00e1 se zd\u00e1 b\u00fdt t\u00e9m\u011b\u0159 starom\u00f3dn\u00ed. Dal\u0161\u00ed kapitola se zab\u00fdv\u00e1 podrobn\u011bj\u0161\u00edm \u010dten\u00edm tohoto tich\u00e9ho postoje: mezi \u0159\u00e1dky, v nar\u00e1\u017ek\u00e1ch, ve zd\u00e1nliv\u011b n\u00e1hodn\u00fdch v\u00fdroc\u00edch. Tam, kde se nic neproklamuje, ale kde mnoh\u00e9 rezonuje.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4823 size-large\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Buehne-Abgang.jpg\" alt=\"Helge Schneider a postoj\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Buehne-Abgang.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Buehne-Abgang-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Buehne-Abgang-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Buehne-Abgang-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h2>Mezi \u0159\u00e1dky - Helgeho tich\u00e1 spole\u010densk\u00e1 kritika<\/h2>\n<p>Kdo by od Helgeho Schneidera \u010dekal jasn\u011b formulovan\u00e9 soci\u00e1ln\u00ed poselstv\u00ed, bude zklam\u00e1n. \u017d\u00e1dn\u00e9 teze, \u017e\u00e1dn\u00e9 po\u017eadavky, \u017e\u00e1dn\u00e9 mor\u00e1ln\u00ed ukazatele. A p\u0159esto by bylo chybou \u010d\u00edst jeho d\u00edlo jako apolitick\u00e9 nebo lhostejn\u00e9. Soci\u00e1ln\u00ed kritika Helgeho Schneidera existuje - jen se pohybuje na jin\u00e9 \u00farovni. Ti\u0161\u0161\u00ed, nep\u0159\u00edm\u00e1, obt\u00ed\u017en\u011bji uchopiteln\u00e1. A pr\u00e1v\u011b proto je p\u0159ekvapiv\u011b \u00fa\u010dinn\u00e1.<\/p>\n<p>Helge Schneider nekritizuje t\u00edm, \u017ee pojmenov\u00e1v\u00e1, co je \u0161patn\u011b. M\u00edsto toho ukazuje, jak k\u0159ehk\u00e9 jsou mnoh\u00e9 v\u011bci, kter\u00e9 pova\u017eujeme za samoz\u0159ejm\u00e9. Jeho um\u011bn\u00ed odhaluje trhliny, ani\u017e by je ozna\u010dovalo. Vytv\u00e1\u0159\u00ed situace, v nich\u017e rutina klop\u00fdt\u00e1: jazyk ztr\u00e1c\u00ed sv\u016fj smysl, procesy se vymykaj\u00ed, o\u010dek\u00e1v\u00e1n\u00ed p\u0159ich\u00e1zej\u00ed vnive\u010d.<\/p>\n<p>Nejedn\u00e1 se o kritiku v tradi\u010dn\u00edm slova smyslu, ale o formu podr\u00e1\u017ed\u011bn\u00ed. A podr\u00e1\u017ed\u011bn\u00ed m\u016f\u017ee b\u00fdt produktivn\u011bj\u0161\u00ed ne\u017e jak\u00e9koli jasn\u00e9 sd\u011blen\u00ed. Ti, kdo jsou podr\u00e1\u017ed\u011bn\u00ed, se mus\u00ed zamyslet sami nad sebou. Ti, kte\u0159\u00ed jsou pou\u010deni, se mohou op\u0159\u00edt a souhlasit nebo nesouhlasit. Helge Schneider nikoho do t\u011bchto pohodln\u00fdch rol\u00ed nenut\u00ed.<\/p>\n<h3>Skepse v\u016f\u010di ritu\u00e1l\u016fm<\/h3>\n<p>\u00dast\u0159edn\u00edm motivem jeho tich\u00e9 soci\u00e1ln\u00ed kritiky je skepse v\u016f\u010di ritualizovan\u00e9mu chov\u00e1n\u00ed. Mnoho jeho sc\u00e9n p\u016fsob\u00ed jako pr\u00e1zdn\u00e9 ritu\u00e1ly: rozhovory, kter\u00e9 nic ne\u0159\u00edkaj\u00ed; procesy, kter\u00e9 si \u017eij\u00ed vlastn\u00edm \u017eivotem; postavy, kter\u00e9 pln\u00ed funkce, ani\u017e by jim rozum\u011bly. Nen\u00ed to v\u00fdsm\u011bch, ale pozorov\u00e1n\u00ed.<\/p>\n<p>Tyto momenty rezonuj\u00ed s hlubokou skeps\u00ed v\u016f\u010di sv\u011btu, kter\u00fd je st\u00e1le v\u00edce definov\u00e1n formou a st\u00e1le m\u00e9n\u011b obsahem. Helge Schneider to nekomentuje - on to odhaluje. A nech\u00e1v\u00e1 na div\u00e1c\u00edch, aby si t\u00e9to pr\u00e1zdnoty v\u0161imli.<\/p>\n<h3>Humor jako zrcadlo, ne jako soud<\/h3>\n<p>Jeho humor nesoud\u00ed. Uva\u017euje. A zrcadla jsou nep\u0159\u00edjemn\u00e1, proto\u017ee nic nevysv\u011btluj\u00ed, jen ukazuj\u00ed. Kdy\u017e se do nich pod\u00edv\u00e1te, uvid\u00edte sami sebe - nebo n\u011bco, co byste rad\u011bji p\u0159ehl\u00e9dli. Tato forma humoru nen\u00ed agresivn\u00ed, ale je ne\u00faprosn\u00e1.<\/p>\n<p>Pr\u00e1v\u011b proto je obt\u00ed\u017en\u00e9 ji politizovat. Neexistuje \u017e\u00e1dn\u00fd jasn\u00fd protivn\u00edk, \u017e\u00e1dn\u00fd identifikovateln\u00fd c\u00edl. Kritika nesm\u011b\u0159uje ven, ale dovnit\u0159. Nept\u00e1 se: Kdo za to m\u016f\u017ee, ale sp\u00ed\u0161e: Co tu vlastn\u011b d\u011bl\u00e1me?<\/p>\n<hr \/>\n<h3>Aktu\u00e1ln\u00ed pr\u016fzkum d\u016fv\u011bry v politiku a m\u00e9dia<\/h3>\n<div class='bootstrap-yop yop-poll-mc'>\n\t\t\t\t\t\t\t<div class=\"basic-yop-poll-container\" style=\"background-color:#ffffff; border:0px; border-style:solid; border-color:#000000; border-radius:5px; padding:0px 5px;\" data-id=\"1\" data-temp=\"basic-pretty\" data-skin=\"square\" data-cscheme=\"blue\" data-cap=\"0\" data-access=\"guest\" data-tid=\"\" data-uid=\"40f1902d30af1d9c469f25144f7a5a98\" data-pid=\"4918\" data-resdet=\"votes-number,percentages\" data-show-results-to=\"guest\" data-show-results-moment=\"after-vote\" data-show-results-only=\"false\" data-show-message=\"true\" data-show-results-as=\"bar\" data-sort-results-by=\"as-defined\" data-sort-results-rule=\"asc\"data-is-ended=\"0\" data-percentages-decimals=\"2\" data-gdpr=\"no\" data-gdpr-sol=\"consent\" data-css=\"\" data-counter=\"0\" data-load-with=\"1\" data-notification-section=\"top\"><div class=\"row\"><div class=\"col-md-12\"><div class=\"basic-inner\"><div class=\"basic-message hide\" style=\"border-left: 10px solid #008000; padding: 0px 10px;\" data-error=\"#ff0000\" data-success=\"#008000\"><p class=\"basic-message-text\" style=\"color:#000000; font-size:14px; font-weight:normal;\"><\/p><\/div><div class=\"basic-overlay hide\"><div class=\"basic-vote-options\"><\/div><div class=\"basic-preloader\"><div class=\"basic-windows8\"><div class=\"basic-wBall basic-wBall_1\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_2\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_3\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_4\"><div class=\"basic-wInnerBall\"><\/div><\/div><div class=\"basic-wBall basic-wBall_5\"><div class=\"basic-wInnerBall\"><\/div><\/div><\/div><\/div><\/div><form class=\"basic-form\" action=\"\"><input type=\"hidden\" name=\"_token\" value=\"743aa80776\" autocomplete=\"off\"><div class=\"basic-elements\"><div class=\"basic-element basic-question basic-question-text-vertical\" data-id=\"1\" data-uid=\"3b08e5b954eaf0d8689f4db55600b3a2\" data-type=\"question\" data-question-type=\"text\" data-required=\"yes\" data-allow-multiple=\"no\" data-min=\"1\" data-max=\"1\" data-display=\"vertical\" data-colnum=\"\" data-display-others=\"no\" data-others-color=\"\" data-others=\"\" data-others-max-chars=\"0\"><div class=\"basic-question-title\"><h5 style=\"color:#000000; font-size:16px; font-weight:normal; text-align:left;\">Jakou d\u016fv\u011bru m\u00e1te v politiku a m\u00e9dia v N\u011bmecku?<\/h5><\/div><ul class=\"basic-answers\"><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"1\" data-type=\"text\" data-vn=\"12\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[1]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[1]\" name=\"answer[1]\" value=\"1\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">Velmi vysok\u00e1 - pln\u011b d\u016fv\u011b\u0159uji ofici\u00e1ln\u00edm org\u00e1n\u016fm<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"2\" data-type=\"text\" data-vn=\"34\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[2]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[2]\" name=\"answer[1]\" value=\"2\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">St\u0159edn\u00ed - Jsem opatrn\u00fd, ale ne z\u00e1sadn\u011b podez\u0159\u00edvav\u00fd.<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"3\" data-type=\"text\" data-vn=\"61\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[3]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[3]\" name=\"answer[1]\" value=\"3\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">N\u00edzk\u00e1 - mnoho v\u011bc\u00ed si kontroluji s\u00e1m<\/span><\/label><\/div><\/li><li class=\"basic-answer\" style=\"padding:0px 0px;\" data-id=\"4\" data-type=\"text\" data-vn=\"274\" data-color=\"#000000\" data-make-link=\"no\" data-link=\"\"><div class=\"basic-answer-content basic-text-vertical\"><label for=\"answer[4]\" class=\"basic-answer-label\"><input type=\"radio\" id=\"answer[4]\" name=\"answer[1]\" value=\"4\"><span class=\"basic-text\" style=\"color: #000000; font-size: 14px; font-weight: normal;\">T\u00e9m\u011b\u0159 neexistuj\u00edc\u00ed - domn\u00edv\u00e1m se, \u017ee mnoh\u00e9 je zast\u0159en\u00e9 nebo zinscenovan\u00e9.<\/span><\/label><\/div><\/li><\/ul><\/div><div class=\"clearfix\"><\/div><\/div><div class=\"basic-vote\"><a href=\"#\" class=\"button basic-vote-button\" role=\"button\" style=\"background:#027bb8; border:0px; border-style: solid; border-color:#1636f0; border-radius:5px; padding:10px 10px; color:#ffffff; font-size:14px; font-weight:normal;\">Hlasujte na<\/a><\/div><input type=\"hidden\" name=\"trp-form-language\" value=\"cs\"\/><\/form><\/div><\/div><\/div><\/div>\n\t\t\t\t\t\t<\/div>\n<hr \/>\n<h3>Vzd\u00e1lenost od kultury vzru\u0161en\u00ed<\/h3>\n<p>V rozhovorech a n\u00e1hodn\u00fdch pozn\u00e1mk\u00e1ch d\u00e1v\u00e1 Helge Schneider opakovan\u011b najevo, \u017ee ho dr\u00e1\u017ed\u00ed rostouc\u00ed agresivita ve\u0159ejn\u00e9ho diskurzu. Ne rozho\u0159\u010den\u00fd, ne rozzloben\u00fd - sp\u00ed\u0161e odcizen\u00fd. Jeho reakc\u00ed na to nen\u00ed proti\u00fatok, ale odstup. Tento odstup nen\u00ed \u00fanikem. Je to v\u011bdom\u00e9 odm\u00edtnut\u00ed nechat se vt\u00e1hnout do logiky permanentn\u00ed agitace. Zat\u00edmco mnoz\u00ed um\u011blci zvy\u0161uj\u00ed hlas, aby byli sly\u0161et, Helge Schneider ho sni\u017euje - a t\u00edm m\u011bn\u00ed prostor.<\/p>\n<p>Pozoruhodn\u00fdm d\u016fsledkem tohoto postoje je slo\u017een\u00ed jeho publika. Vedle sebe sed\u00ed lid\u00e9 z nejr\u016fzn\u011bj\u0161\u00edch politick\u00fdch, soci\u00e1ln\u00edch a kulturn\u00edch prost\u0159ed\u00ed. Ne proto, \u017ee by se shodovali, ale proto, \u017ee na chv\u00edli sd\u00edlej\u00ed stejn\u00fd prostor.<\/p>\n<p>Um\u011bn\u00ed Helgeho Schneidera se net\u0159\u00edd\u00ed. Ned\u011bl\u00ed se na t\u00e1bory. Nevytv\u00e1\u0159\u00ed identity, kter\u00e9 je t\u0159eba br\u00e1nit. M\u00edsto toho vytv\u00e1\u0159\u00ed sd\u00edlen\u00fd prostor zku\u0161enosti, v n\u011bm\u017e rozd\u00edly nemus\u00ed hr\u00e1t roli. To nen\u00ed \u0159e\u0161en\u00ed soci\u00e1ln\u00edch konflikt\u016f - ale mo\u017en\u00e1 vz\u00e1cn\u00fd p\u0159edpoklad pro dialog.<\/p>\n<h3>Kritika jednozna\u010dnosti<\/h3>\n<p>Opakuj\u00edc\u00edm se motivem v jeho d\u00edle je podkop\u00e1v\u00e1n\u00ed jednozna\u010dnosti. Jazyk ztr\u00e1c\u00ed jasnost, v\u00fdznamy se m\u011bn\u00ed, v\u00fdpov\u011bdi se p\u0159evracej\u00ed do absurdity. Ve sv\u011bt\u011b, kter\u00fd se st\u00e1le v\u00edce zam\u011b\u0159uje na jasn\u00e9 atributy a jednoduch\u00e1 vypr\u00e1v\u011bn\u00ed, to p\u016fsob\u00ed t\u00e9m\u011b\u0159 podvratn\u011b.<\/p>\n<p>Tato infiltrace nen\u00ed intelektu\u00e1ln\u00edm trikem. Poukazuje na ned\u016fv\u011bru k jednoduch\u00fdm vysv\u011btlen\u00edm. Helge Schneider jako by \u0159\u00edkal: nen\u00ed to tak jednoduch\u00e9. A ne\u0159\u00edk\u00e1 to pou\u010duj\u00edc\u00edm zp\u016fsobem, ale hrav\u011b.<\/p>\n<h3>Politick\u00e9 v apolitick\u00e9m<\/h3>\n<p>Pr\u00e1v\u011b proto, \u017ee se Helge Schneider nevyjad\u0159uje explicitn\u011b politicky, st\u00e1v\u00e1 se jeho d\u00edlo politicky \u010diteln\u00fdm. Klade ot\u00e1zky o svobod\u011b, o sebeur\u010den\u00ed, o roli jedince ve standardizovan\u00fdch struktur\u00e1ch. \u010cin\u00ed tak bez slogan\u016f, bez program\u016f.<\/p>\n<p>Tato forma kritiky je obt\u00ed\u017en\u011b uchopiteln\u00e1, ale dlouhodob\u011b \u00fa\u010dinn\u00e1. Nespol\u00e9h\u00e1 se na kr\u00e1tkodob\u00fd souhlas, ale na trval\u00e9 podr\u00e1\u017ed\u011bn\u00ed. Jakmile si jednou vyzkou\u0161\u00edte, kolik v\u011bc\u00ed lze zpochybnit jako samoz\u0159ejmost, uvid\u00edte sv\u011bt jinak.<\/p>\n<h3>Mezi v\u00e1\u017enost\u00ed a hrou<\/h3>\n<p>Dal\u0161\u00ed kl\u00ed\u010d spo\u010d\u00edv\u00e1 v neust\u00e1l\u00e9m st\u0159\u00edd\u00e1n\u00ed v\u00e1\u017enosti a hravosti. Nic nen\u00ed jednozna\u010dn\u011b v\u00e1\u017en\u00e9, nic nen\u00ed jednozna\u010dn\u011b hloup\u00e9. Tento stav neur\u010ditosti je nep\u0159\u00edjemn\u00fd, proto\u017ee neumo\u017e\u0148uje zaujmout jasn\u00fd postoj. Nelze jednodu\u0161e souhlasit nebo nesouhlasit.<\/p>\n<p>To je hlubok\u00e1 kritika spole\u010dnosti, kter\u00e1 st\u00e1le v\u00edce vy\u017eaduje jasn\u00e9 postoje. Helge Schneider ukazuje, \u017ee \u010dlov\u011bk m\u016f\u017ee existovat, ani\u017e by se k n\u011b\u010demu zav\u00e1zal - a \u017ee tato otev\u0159enost nen\u00ed chybou, ale silnou str\u00e1nkou.<\/p>\n<h3>Tich\u00fd, ale ne ne\u0161kodn\u00fd<\/h3>\n<p>Bylo by chybou odm\u00edtat tuto tichou spole\u010denskou kritiku jako ne\u0161kodnou. Mo\u017en\u00e1 je m\u00e9n\u011b viditeln\u00e1 ne\u017e hlasit\u00e1 prohl\u00e1\u0161en\u00ed, ale jde hloub\u011bji. Nen\u00ed zam\u011b\u0159ena na n\u00e1zory, ale na my\u0161lenkov\u00e9 n\u00e1vyky. A ty je mnohem obt\u00ed\u017en\u011bj\u0161\u00ed zm\u011bnit. Helge Schneider nikoho nenut\u00ed myslet jinak. Ukazuje v\u0161ak, \u017ee je to mo\u017en\u00e9. A to n\u011bkdy sta\u010d\u00ed.<\/p>\n<p>Z t\u00e9to kapitoly je z\u0159ejm\u00e9, \u017ee postoj Helgeho Schneidera nespo\u010d\u00edv\u00e1 v jasn\u00fdch prohl\u00e1\u0161en\u00edch, ale v meziprostoru. V n\u00e1znaku, posunu, pauze. Jeho kritika nen\u00ed programem, ale nab\u00eddkou - k sebepozorov\u00e1n\u00ed, k odstupu, ke svobod\u011b.<\/p>\n<p>Dal\u0161\u00ed kapitola se zab\u00fdv\u00e1 v\u00fdsledkem t\u00e9to cesty: \u00fasp\u011bchem bez poz\u00e9rstv\u00ed, uzn\u00e1n\u00edm bez konformity a ot\u00e1zkou, co znamen\u00e1 z\u016fstat nez\u00e1visl\u00fd ve sv\u011bt\u011b, kter\u00fd nez\u00e1vislost st\u00e1le v\u00edce zt\u011b\u017euje.<\/p>\n<hr \/>\n<p>V rozhovoru s Helgem Schneiderem se pod\u00edv\u00e1me na KLIMPERCLOWN, nekonven\u010dn\u00ed dokument o um\u011blci, kter\u00fd z\u00e1m\u011brn\u011b upou\u0161t\u00ed od klasick\u00e9ho form\u00e1tu rozhovoru. M\u00edsto toho p\u0159ibli\u017euje div\u00e1k\u016fm \u010dlov\u011bka a hudebn\u00edka Helgeho Schneidera.<\/p>\n<div class=\"lyte-wrapper\" style=\"width:640px;max-width:100%;margin:5px;\"><div class=\"lyMe\" id=\"WYL_bxqR_TpLepw\"><div id=\"lyte_bxqR_TpLepw\" data-src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=%2F%2Fi.ytimg.com%2Fvi%2FbxqR_TpLepw%2Fhqdefault.jpg\" class=\"pL\"><div class=\"tC\"><div class=\"tT\"><\/div><\/div><div class=\"play\"><\/div><div class=\"ctrl\"><div class=\"Lctrl\"><\/div><div class=\"Rctrl\"><\/div><\/div><\/div><noscript><a href=\"https:\/\/youtu.be\/bxqR_TpLepw\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.markus-schall.de\/wp-content\/plugins\/wp-youtube-lyte\/lyteCache.php?origThumbUrl=https%3A%2F%2Fi.ytimg.com%2Fvi%2FbxqR_TpLepw%2F0.jpg\" alt=\"Miniatura videa na YouTube\" width=\"640\" height=\"340\" \/><br \/>Pod\u00edvejte se na toto video na YouTube<\/a><\/noscript><\/div><\/div><div class=\"lL\" style=\"max-width:100%;width:640px;margin:5px;\"><\/div><br \/>\nFilmTalk: V rozhovoru s Helge Schneiderem | <a href=\"https:\/\/www.youtube.com\/@FilmfestMunich\" target=\"_blank\" rel=\"nofollow noopener\">42. FILMFEST MNICHOV 2025<\/a><\/p>\n<hr \/>\n<h2>\u00dasp\u011bch bez p\u00f3zy<\/h2>\n<p>Pro Helgeho Schneidera nen\u00ed \u00fasp\u011bch nikdy c\u00edlem. Je sp\u00ed\u0161e vedlej\u0161\u00edm produktem - n\u011b\u010d\u00edm, co se stane, kdy\u017e se n\u011bkdo d\u016fsledn\u011b dr\u017e\u00ed sv\u00fdch c\u00edl\u016f. Tato forma \u00fasp\u011bchu je dr\u00e1\u017ediv\u00e1, proto\u017ee se ne\u0159\u00edd\u00ed obvykl\u00fdm vypr\u00e1v\u011bn\u00edm. \u017d\u00e1dn\u00fd vzestup, \u017e\u00e1dn\u00fd p\u0159\u00edchod, \u017e\u00e1dn\u00fd okam\u017eik triumfu. M\u00edsto toho jde o dlouh\u00fd, nep\u0159etr\u017eit\u00fd pohyb, kter\u00fd se vzp\u00edr\u00e1 jak\u00e9koli dramatizaci.<\/p>\n<p>Helge Schneider se v pr\u016fb\u011bhu let do\u010dkal velk\u00e9ho uzn\u00e1n\u00ed. Ocen\u011bn\u00ed, vyprodan\u00e9 s\u00e1ly, kultovn\u00ed status. A p\u0159esto jste nikdy nem\u011bli dojem, \u017ee by musel p\u0159edv\u00e9st n\u011bco, co mu nesed\u00ed. \u017d\u00e1dn\u00e9 stylistick\u00e9 \u00falitby, \u017e\u00e1dn\u00e9 uhlazov\u00e1n\u00ed, \u017e\u00e1dn\u00e9 zjednodu\u0161ov\u00e1n\u00ed pro \u0161ir\u0161\u00ed publikum.<\/p>\n<p>Tohoto uzn\u00e1n\u00ed nedos\u00e1hl proto, \u017ee se p\u0159izp\u016fsobil, ale proto, \u017ee z\u016fstal d\u016fsledn\u00fd. Je to v\u00fdsledek rozpoznatelnosti bez opakov\u00e1n\u00ed. V\u00edte, \u017ee Helge Schneider v\u00e1m d\u00e1 n\u011bco sv\u00e9ho - ale nikdy p\u0159esn\u011b co. Tato nejistota je sou\u010d\u00e1st\u00ed d\u016fv\u011bry.<\/p>\n<h3>Kultovn\u00ed status bez sebestylizace<\/h3>\n<p>Pojem \u201ekult\u201c se \u010dasto pou\u017e\u00edv\u00e1 v nadnesen\u00e9m v\u00fdznamu. V p\u0159\u00edpad\u011b Helgeho Schneidera se zd\u00e1, \u017ee pro jednou sed\u00ed pr\u00e1v\u011b proto, \u017ee nebyl aktivn\u011b vytvo\u0159en. Kult vznik\u00e1 tam, kde n\u011bco nelze vysv\u011btlit, reprodukovat, nen\u00ed pln\u011b k dispozici. To je p\u0159esn\u011b tento p\u0159\u00edpad.<\/p>\n<p>Helge Schneider se nikdy nesna\u017eil stylizovat do role. Neexistuje \u017e\u00e1dn\u00e1 zna\u010dka \u201eHelge\u201c, kterou by bylo t\u0159eba p\u011bstovat. \u017d\u00e1dn\u00fd p\u0159\u00edb\u011bh, kter\u00fd by bylo t\u0159eba udr\u017eovat konzistentn\u00ed. M\u00edsto toho existuje mno\u017estv\u00ed projev\u016f, kter\u00e9 si mohou navz\u00e1jem odporovat.<\/p>\n<h3>\u00dasp\u011bch jako svoboda, ne jako povinnost<\/h3>\n<p>V mnoha profes\u00edch se \u00fasp\u011bch st\u00e1v\u00e1 klec\u00ed. Vytv\u00e1\u0159\u00ed o\u010dek\u00e1v\u00e1n\u00ed, tlak na opakov\u00e1n\u00ed, strach z odchylky. V p\u0159\u00edpad\u011b Helgeho Schneidera se zd\u00e1, \u017ee je tomu naopak. \u00dasp\u011bch roz\u0161i\u0159uje jeho man\u00e9vrovac\u00ed prostor, m\u00edsto aby ho omezoval.<\/p>\n<p>M\u016f\u017ee d\u011blat projekty - nebo tak\u00e9 ne. M\u016f\u017ee vystupovat - nebo si d\u00e1t pauzu. Tato svoboda nen\u00ed luxusem ve smyslu materi\u00e1ln\u00edm, ale ve smyslu um\u011bleck\u00e9m. Umo\u017e\u0148uje rozhodnut\u00ed, kter\u00e1 nen\u00ed t\u0159eba vysv\u011btlovat. A chr\u00e1n\u00ed p\u0159ed nutk\u00e1n\u00edm napl\u0148ovat vn\u011bj\u0161\u00ed o\u010dek\u00e1v\u00e1n\u00ed.<\/p>\n<p>Zaj\u00edmav\u00fdm aspektem tohoto \u00fasp\u011bchu je vztah s publikem. Neexistuje \u017e\u00e1dn\u00fd jasn\u00fd rozd\u00edl mezi \u201efanou\u0161kem\u201c a \u201eum\u011blcem\u201c. Ka\u017ed\u00fd, kdo jde na ve\u010der Helgeho Schneidera, v\u00ed, \u017ee mu nen\u00ed serv\u00edrov\u00e1n. Jsou pozv\u00e1ni. Aby \u0161li s n\u00e1mi - nebo ne.<\/p>\n<p>Tento vztah je zalo\u017een na vz\u00e1jemn\u00e9m respektu. Um\u011blec m\u00e1 d\u016fv\u011bru v publikum. A publikum d\u016fv\u011b\u0159uje um\u011blci, \u017ee zn\u00e1 jeho cestu. Vznik\u00e1 tak vz\u00e1cn\u00e1 forma loajality, kter\u00e1 nen\u00ed zalo\u017eena na opakov\u00e1n\u00ed, ale na d\u016fv\u011b\u0159e.<\/p>\n<h3>Nez\u00e1vislost jako zp\u016fsob pr\u00e1ce<\/h3>\n<p>Nez\u00e1vislost nen\u00ed pro Helgeho Schneidera programov\u00fdm po\u017eadavkem. Je to zp\u016fsob pr\u00e1ce. Projevuje se ve v\u00fdb\u011bru projekt\u016f, ve form\u011b jeho vystoupen\u00ed, v jeho jedn\u00e1n\u00ed s m\u00e9dii. Neexistuje \u017e\u00e1dn\u00e1 st\u00e1l\u00e1 p\u0159\u00edtomnost, \u017e\u00e1dn\u00e9 trval\u00e9 zviditeln\u011bn\u00ed. F\u00e1ze publicity se st\u0159\u00eddaj\u00ed s f\u00e1zemi klidu.<\/p>\n<p>Tyto rytmy se zdaj\u00ed b\u00fdt v dob\u011b st\u00e1l\u00e9 dostupnosti t\u00e9m\u011b\u0159 starom\u00f3dn\u00ed. Ale pr\u00e1v\u011b v tom spo\u010d\u00edv\u00e1 jejich stabilita. Pokud nemus\u00edte b\u00fdt neust\u00e1le p\u0159\u00edtomni, m\u016f\u017eete b\u00fdt p\u0159\u00edtomni, kdy to m\u00e1 smysl.<\/p>\n<h3>\u00dasp\u011bch bez titulu<\/h3>\n<p>Je tak\u00e9 pozoruhodn\u00e9, \u017ee neexistuje \u017e\u00e1dn\u00fd bod, kdy byste mohli \u0159\u00edci: Te\u010f p\u0159i\u0161el. Helge Schneider se nikdy nezd\u00e1 b\u00fdt hotov\u00fd. Nevyv\u00edj\u00ed se ve smyslu line\u00e1rn\u00edho postupu, ale ve smyslu otev\u0159en\u00e9ho pohybu. V\u011bci se m\u011bn\u00ed, jin\u00e9 z\u016fst\u00e1vaj\u00ed. N\u011bkter\u00e9 motivy se vracej\u00ed, jin\u00e9 miz\u00ed.<\/p>\n<p>Tato otev\u0159enost br\u00e1n\u00ed nostalgii. Neexistuje \u017e\u00e1dn\u00e9 \u201ev minulosti bylo v\u0161echno lep\u0161\u00ed\u201c. Existuje pouze p\u0159\u00edtomnost - a mo\u017enost utv\u00e1\u0159et ji jinak. Zat\u00edmco mnoho um\u011blc\u016f za\u010dne v ur\u010dit\u00e9m okam\u017eiku bilancovat, Helge Schneider jako by se toho zdr\u017eoval. Nejsou tu \u017e\u00e1dn\u00e9 velk\u00e9 retrospektivy, \u017e\u00e1dn\u00e9 sebeza\u0159azov\u00e1n\u00ed do k\u00e1nonu. Tento klid nen\u00ed nedostatkem z\u00e1jmu, ale v\u00fdrazem d\u016fv\u011bry ve vlastn\u00ed cestu. Nemus\u00ed se dr\u017eet toho, co bylo. M\u016f\u017ee to nechat b\u00fdt - a j\u00edt d\u00e1l.<\/p>\n<p>Tato kapitola ukazuje, \u017ee \u00fasp\u011bch m\u016f\u017ee vypadat i jinak: ne jako c\u00edl, ale jako vedlej\u0161\u00ed efekt d\u016fslednosti. Helge Schneider zt\u011bles\u0148uje formu \u00fasp\u011bchu, kter\u00e1 nesvazuje, ale otev\u00edr\u00e1. Kter\u00fd nezavazuje, ale umo\u017e\u0148uje.<\/p>\n<p>Dal\u0161\u00ed a z\u00e1v\u011bre\u010dn\u00e1 kapitola je v\u011bnov\u00e1na postav\u011b, kter\u00e1 mnoh\u00e9 z toho shrnuje: \u201eKlimperclown\u201c. Ne jako maska, ale jako sebepopis. Jako v\u00fdraz postoje, kter\u00fd neodd\u011bluje v\u00e1\u017enost a hru - a pr\u00e1v\u011b v tom nach\u00e1z\u00ed svou svobodu.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4824 size-large\" src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Ende.jpg\" alt=\"Helge Schneider konec\" width=\"1024\" height=\"683\" srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Ende.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Ende-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Ende-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Helge-Schneider-Ende-18x12.jpg 18w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<h2>Klimperclown - v\u00e1\u017enost a hra jedn\u00edm dechem<\/h2>\n<p>Kdy\u017e o sob\u011b Helge Schneider mluv\u00ed jako o \u201eklaunovi\u201c, nejedn\u00e1 se o ironick\u00fd pejorativ nebo ochrann\u00fd \u0161t\u00edt. Je to p\u0159ekvapiv\u011b p\u0159esn\u00fd popis sebe sama. Spojuje dva p\u00f3ly, kter\u00e9 v jeho tvorb\u011b nikdy nebyly odd\u011bleny: v\u00e1\u017en\u00e9 \u0159emeslo a hravou svobodu.<\/p>\n<p>Klimpern znamen\u00e1 hudbu, pr\u00e1ci, praxi. Klaun znamen\u00e1 lehkost, riziko sm\u011b\u0161nosti, ochotu nebrat se v\u00e1\u017en\u011b.<\/p>\n<p>Ob\u011b dohromady nevytv\u00e1\u0159ej\u00ed postavu, ale postoj.<\/p>\n<h3>Ne maska, ale stav<\/h3>\n<p>Klimperclown nen\u00ed role, kterou si nasad\u00edte a zase sund\u00e1te. Nen\u00ed to divadeln\u00ed kost\u00fdm ani trik. Popisuje stav, v n\u011bm\u017e se pr\u00e1ce a hra snoub\u00ed. Hudba se vytv\u00e1\u0159\u00ed, ne hraje. Humor se vytv\u00e1\u0159\u00ed, ne pl\u00e1nuje. V\u00e1\u017enost a nesmyslnost se nevylu\u010duj\u00ed, jsou na sob\u011b z\u00e1visl\u00e9.<\/p>\n<p>To je mo\u017en\u00e1 z\u00e1sadn\u00ed v\u011bc: Helge Schneider tyto \u00farovn\u011b neodd\u011bluje. Nep\u0159ep\u00edn\u00e1 mezi \u201ete\u010f v\u00e1\u017en\u011b\u201c a \u201ete\u010f vtipn\u011b\u201c. D\u011bl\u00e1 oboj\u00ed z\u00e1rove\u0148. Kdo by to o\u010dek\u00e1val, tomu unik\u00e1 pointa. Klimperclown nen\u00ed souhra, ale simult\u00e1nnost.<\/p>\n<h3>Klaun, kter\u00fd nem\u00e1 co dokazovat<\/h3>\n<p>Klauni jsou tradi\u010dn\u011b postavy, kter\u00e9 mohou padnout. Ve\u0159ejn\u011b selh\u00e1vaj\u00ed, klop\u00fdtaj\u00ed, d\u011blaj\u00ed chyby. V mnoha modern\u00edch podob\u00e1ch je tento p\u00e1d zaji\u0161t\u011bn ironi\u00ed. Helge Schneider tuto ochranu postr\u00e1d\u00e1. Klaun riskuje selh\u00e1n\u00ed - bez dvojit\u00e9ho dna.<\/p>\n<p>Pr\u00e1v\u011b v tom spo\u010d\u00edv\u00e1 jeho d\u016fstojnost. Nemus\u00ed nic dokazovat, proto\u017ee nic neobhajuje. M\u016f\u017ee selhat, proto\u017ee nen\u00ed z\u00e1visl\u00fd na uzn\u00e1n\u00ed. To je svoboda, kterou nelze vyrobit. Lze ji pouze \u017e\u00edt.<\/p>\n<h3>V\u00e1\u017enost bez t\u00edhy<\/h3>\n<p>Hudebn\u00ed slo\u017eka Klimperclowna nen\u00ed nikdy vedlej\u0161\u00ed. Je soust\u0159ed\u011bn\u00e1, p\u0159esn\u00e1 a disciplinovan\u00e1. Tato v\u00e1\u017enost v\u0161ak nep\u0159ech\u00e1z\u00ed v t\u011b\u017ekop\u00e1dnost. Z\u016fst\u00e1v\u00e1 pru\u017en\u00e1. Hudba zde nen\u00ed monumentem, ale procesem. N\u011bco, co vznik\u00e1 a zanik\u00e1.<\/p>\n<p>Tento p\u0159\u00edstup se stal vz\u00e1cn\u00fdm. Je v rozporu s kulturou, kter\u00e1 chce zachovat v\u00fdsledky a upevnit \u00fasp\u011bchy. \u0160a\u0161ek s klav\u00edrem p\u0159ij\u00edm\u00e1 do\u010dasnost. V\u00ed, \u017ee p\u0159\u00ed\u0161t\u00ed nota m\u016f\u017ee v\u0161echno zm\u011bnit - a pr\u00e1v\u011b to ho d\u011bl\u00e1 zaj\u00edmav\u00fdm.<\/p>\n<h3>Svoboda nep\u00e1chat trestnou \u010dinnost<\/h3>\n<p>Snad nejv\u011bt\u0161\u00ed kvalita t\u00e9to postavy spo\u010d\u00edv\u00e1 v jej\u00ed neur\u010ditosti. Klimperclowna nelze p\u0159esn\u011b ur\u010dit. Nen\u00ed ani \u010dist\u00fdm hudebn\u00edkem, ani \u010dist\u00fdm komikem. Nen\u00ed ani koment\u00e1torem, ani eskamot\u00e9rem. Je n\u011b\u010d\u00edm t\u0159et\u00edm - nebo sp\u00ed\u0161e n\u011b\u010d\u00edm otev\u0159en\u00fdm.<\/p>\n<p>Tato otev\u0159enost chr\u00e1n\u00ed. Zabra\u0148uje p\u0159ivlastn\u011bn\u00ed. Ti, kdo se jasn\u011b nepostav\u00ed, nemohou b\u00fdt jasn\u011b vyu\u017eiti. To nen\u00ed strategie, ale d\u016fsledek postoje, kter\u00fd si cen\u00ed svobody p\u0159ed jednozna\u010dnost\u00ed.<\/p>\n<p>Tento portr\u00e9t z\u00e1m\u011brn\u011b kon\u010d\u00ed bez z\u00e1v\u011bru v tradi\u010dn\u00edm slova smyslu. Nen\u00ed zde \u017e\u00e1dn\u00fd bod, kter\u00fd by bylo mo\u017en\u00e9 ozna\u010dit za: Helge Schneider je takov\u00fd. To by bylo troufal\u00e9 - a odporovalo by to v\u0161emu, co ho charakterizuje. Nen\u00ed to dokon\u010den\u00fd objekt, ale pohyb. Procesem, kter\u00fd se st\u00e1le vyv\u00edj\u00ed, ani\u017e by se vysv\u011btloval.<\/p>\n<p>Mo\u017en\u00e1 pr\u00e1v\u011b to se hod\u00ed jako z\u00e1v\u011br: \u017ee nic nen\u00ed definitivn\u00ed. \u017d\u00e1dn\u00e9 resum\u00e9, \u017e\u00e1dn\u00e9 shrnut\u00ed, \u017e\u00e1dn\u00fd vyk\u0159i\u010dn\u00edk. M\u00edsto toho otev\u0159en\u00fd prostor - tak, jak si ho v\u017edy s\u00e1m vytv\u00e1\u0159\u00ed. Prostor, v n\u011bm\u017e mohou vedle sebe koexistovat v\u00e1\u017enost a hra. Kde se m\u016f\u017eete sm\u00e1t, ani\u017e byste v\u011bd\u011bli pro\u010d. A kde si nemus\u00edte nic odn\u00e1\u0161et, snad krom\u011b tich\u00e9ho pocitu svobody.<\/p>\n<p>Klimperclown by to mo\u017en\u00e1 nechal p\u0159esn\u011b tak, jak to je.<\/p>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-547 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 9px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-547 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Aktu\u00e1ln\u00ed \u010dl\u00e1nky o um\u011bn\u00ed a kultu\u0159e<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-547\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"jan-josef liefers: ein portr\u00e4t \u00fcber haltung, herkunft und k\u00fcnstlerische freiheit\" data-id=\"3854\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"deutschland erfahrungen krisen lernen meinungsfreiheit musik pers\u00f6nlichkeitsentwicklung portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/jan-josef-liefers-portret-postoje-puvodu-a-umelecke-svobody\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Jan-Josef Liefers: Portr\u00e9t postoje, p\u016fvodu a um\u011bleck\u00e9 svobody<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Jan-Josef Liefers\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/jan-josef-liefers-silhouette-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/jan-josef-liefers-portret-postoje-puvodu-a-umelecke-svobody\/\" rel=\"bookmark\">Jan-Josef Liefers: Portr\u00e9t postoje, p\u016fvodu a um\u011bleck\u00e9 svobody<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"johann sebastian bach &#8211; ordnung, haltung und das fundament unserer musik\" data-id=\"5033\"  data-category=\"allgemein gesellschaft kunst &amp; kultur\" data-post_tag=\"deutschland musik portrait\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/johann-sebastian-bach-order-postoj-a-zaklad-nasi-hudby\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Johann Sebastian Bach - \u0159\u00e1d, postoj a z\u00e1klad na\u0161\u00ed hudby<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Johann Sebastian Bach Portr\u00e9t\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/Johann-Sebastian-Bach-Portrait-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/02\/johann-sebastian-bach-order-postoj-a-zaklad-nasi-hudby\/\" rel=\"bookmark\">Johann Sebastian Bach - \u0159\u00e1d, postoj a z\u00e1klad na\u0161\u00ed hudby<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"reichweite ist kein eigentum &#8211; warum sichtbarkeit heute nicht mehr ausreicht\" data-id=\"3994\"  data-category=\"allgemein filemaker &amp; erp gesellschaft kunst &amp; kultur\" data-post_tag=\"datenlogik datenschutz denkmodelle digitales eigentum erp-software\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/dosah-neni-vlastnictvim-proc-dnes-jiz-nestaci-viditelnost\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Dosah neznamen\u00e1 vlastnictv\u00ed - Pro\u010d dnes u\u017e nesta\u010d\u00ed jen viditelnost<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Dosah vs. vlastnictv\u00ed\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/reichweite-vs-eigentum-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/dosah-neni-vlastnictvim-proc-dnes-jiz-nestaci-viditelnost\/\" rel=\"bookmark\">Dosah neznamen\u00e1 vlastnictv\u00ed - Pro\u010d dnes u\u017e nesta\u010d\u00ed jen viditelnost<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"zukunft mit ladeger\u00e4t &#8211; herr von l&#8217;oreot kauft einen e-scooter\" data-id=\"3229\"  data-category=\"allgemein gesellschaft kunst &amp; kultur stories &amp; humor\" data-post_tag=\"erfahrungen\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/budoucnost-s-nabijeckou-pan-von-loreot-si-koupi-elektronicky-skutr\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Budoucnost s nab\u00edje\u010dkou - pan von L'oreot kupuje e-kolob\u011b\u017eku<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"747\" class=\"attachment-full size-full\" alt=\"\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/loereot-e-scooter-1.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/loereot-e-scooter-1.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loereot-e-scooter-1-300x219.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loereot-e-scooter-1-768x560.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/loereot-e-scooter-1-16x12.jpg 16w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2025\/10\/budoucnost-s-nabijeckou-pan-von-loreot-si-koupi-elektronicky-skutr\/\" rel=\"bookmark\">Budoucnost s nab\u00edje\u010dkou - pan von L'oreot kupuje e-kolob\u011b\u017eku<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>\n<h2>\u010casto kladen\u00e9 ot\u00e1zky<\/h2>\n<ol>\n<li><strong>\u010c\u00edm je Helge Schneider jako um\u011blec tak v\u00fdjime\u010dn\u00fd?<\/strong><br \/>\nHelge Schneider je v\u00fdjime\u010dn\u00fd t\u00edm, \u017ee se d\u016fsledn\u011b vymyk\u00e1 jak\u00e9mukoli jednozna\u010dn\u00e9mu za\u0159azen\u00ed. Nen\u00ed ani ryz\u00edm hudebn\u00edkem, ani klasick\u00fdm komikem, ani politick\u00fdm koment\u00e1torem, ani eskamot\u00e9rem. Jeho specialita spo\u010d\u00edv\u00e1 v soub\u011bhu v\u00e1\u017enosti a herectv\u00ed. Sv\u00e9 \u0159emeslo ovl\u00e1d\u00e1 na vysok\u00e9 \u00farovni, ale tyto dovednosti nepou\u017e\u00edv\u00e1 k sebepropagaci, n\u00fdbr\u017e jako z\u00e1klad svobody. Pr\u00e1v\u011b tato kombinace zru\u010dnosti, zdr\u017eenlivosti a d\u016fslednosti ho \u010din\u00ed jedine\u010dn\u00fdm.<\/li>\n<li><strong>Pro\u010d je Helge Schneider \u010dasto podce\u0148ov\u00e1n, zejm\u00e9na po hudebn\u00ed str\u00e1nce?<\/strong><br \/>\nMnoz\u00ed vn\u00edmaj\u00ed nejprve humor, a proto poslouchaj\u00ed m\u00e9n\u011b pozorn\u011b. P\u0159esto je jeho hudebn\u00ed vzd\u011bl\u00e1n\u00ed a praxe - zejm\u00e9na jazzov\u00e1 - z\u00e1kladem cel\u00e9 jeho tvorby. Jeho improvizace, timing a struktura nejsou produktem n\u00e1hody, ale v\u00fdsledkem dlouholet\u00e9 pr\u00e1ce. Kdo v n\u011bm vid\u00ed jen \u201ehloup\u00e9ho um\u011blce\u201c, ten tento z\u00e1klad, a tedy j\u00e1dro jeho um\u011bn\u00ed, nerozpozn\u00e1.<\/li>\n<li><strong>Je Helge Schneider politick\u00fd um\u011blec?<\/strong><br \/>\nNe v tradi\u010dn\u00edm slova smyslu. Neformuluje \u017e\u00e1dn\u00e9 programy, nevyd\u00e1v\u00e1 \u017e\u00e1dn\u00e1 hesla a nep\u0159id\u00e1v\u00e1 se k \u017e\u00e1dn\u00e9mu t\u00e1boru. P\u0159esto je jeho um\u011bn\u00ed politicky \u010diteln\u00e9, proto\u017ee nastoluje ot\u00e1zky svobody, sebeur\u010den\u00ed a spole\u010densk\u00e9 rutiny. Jeho postoj nen\u00ed vyj\u00e1d\u0159en v prohl\u00e1\u0161en\u00edch, ale v rozhodnut\u00edch - a pr\u00e1v\u011b to mu dod\u00e1v\u00e1 hloubku.<\/li>\n<li><strong>Pro\u010d se Helge Schneider m\u00e1lokdy jasn\u011b vyjad\u0159uje k aktu\u00e1ln\u00edm spole\u010densk\u00fdm debat\u00e1m?<\/strong><br \/>\nProto\u017ee um\u011bn\u00ed nevn\u00edm\u00e1 jako form\u00e1t koment\u00e1\u0159e. Vyh\u00fdb\u00e1 se jednozna\u010dnosti, aby si zachoval svobodu. Nam\u00edsto proklamov\u00e1n\u00ed postoj\u016f vytv\u00e1\u0159\u00ed prostory, v nich\u017e se v\u011bci st\u00e1vaj\u00ed viditeln\u00fdmi, ani\u017e by byly fixov\u00e1ny. Toto ml\u010den\u00ed \u010di vyh\u00fdb\u00e1n\u00ed se nen\u00ed pr\u00e1zdn\u00fdm prostorem, ale sou\u010d\u00e1st\u00ed jeho postoje.<\/li>\n<li><strong>Jak lze ch\u00e1pat jeho humor?<\/strong><br \/>\nPro Helgeho Schneidera nen\u00ed humor n\u00e1strojem pou\u010dov\u00e1n\u00ed nebo kritiky, ale stavem. Vznik\u00e1 z posunu, z podr\u00e1\u017ed\u011bn\u00ed, ze hry s o\u010dek\u00e1v\u00e1n\u00edm. Sm\u00edch je mo\u017en\u00fdm vedlej\u0161\u00edm \u00fa\u010dinkem, ale ne c\u00edlem. Jeho humor vy\u017eaduje pozornost, nikoli souhlas.<\/li>\n<li><strong>Co vlastn\u011b znamen\u00e1 pojem \u201eKlimperclown\u201c?<\/strong><br \/>\nTerm\u00edn spojuje dva p\u00f3ly: hudebn\u00ed pr\u00e1ci a klaunskou lehkost. \u201eKlimpern\u201c znamen\u00e1 praxi, \u0159emeslo a v\u00e1\u017enost, \u201eClown\u201c riziko, otev\u0159enost a ochotu selhat. Dohromady klaun klaun nepopisuje roli, ale postoj, v n\u011bm\u017e mohou v\u00e1\u017enost a hra existovat sou\u010dasn\u011b.<\/li>\n<li><strong>Jakou roli hraje Por\u00fa\u0159\u00ed v postoji Helgeho Schneidera?<\/strong><br \/>\nJeho p\u016fvod v Por\u00fa\u0159\u00ed znamen\u00e1 p\u0159\u00edzemnost, st\u0159\u00edzlivost a jistou skepsi v\u016f\u010di patosu. Mluvit o v\u011bcech je tam m\u00e9n\u011b d\u016fle\u017eit\u00e9 ne\u017e je d\u011blat. Tato charakteristika vysv\u011btluje, pro\u010d Helge Schneider nep\u0159edv\u00e1d\u00ed schopnosti a nehl\u00e1s\u00e1 postoje, ale \u017eije jimi.<\/li>\n<li><strong>Pro\u010d Helge Schneider nezapad\u00e1 do tradi\u010dn\u00edch kari\u00e9rn\u00edch model\u016f?<\/strong><br \/>\nProto\u017ee nikdy neusiloval o vzestup ani o p\u0159\u00edchod. Jeho cesta vede stranou, nikoli vzh\u016fru. Vyu\u017e\u00edv\u00e1 p\u0159\u00edle\u017eitost\u00ed, ani\u017e by se jim pod\u0159izoval, a opou\u0161t\u00ed struktury, kdy\u017e mu p\u0159estanou vyhovovat. \u00dasp\u011bch je pro n\u011bj vedlej\u0161\u00ed efekt, nikoli c\u00edl.<\/li>\n<li><strong>Jak si vysv\u011btlujete jeho d\u016fslednou nez\u00e1vislost?<\/strong><br \/>\nPro Helgeho Schneidera nen\u00ed nez\u00e1vislost p\u00f3zou, ale zp\u016fsobem pr\u00e1ce. Projevuje se ve v\u00fdb\u011bru jeho projekt\u016f, v p\u0159est\u00e1vk\u00e1ch, v zach\u00e1zen\u00ed s m\u00e9dii a v rezignaci na trval\u00e9 zviditeln\u011bn\u00ed. Tato svoboda je zalo\u017eena na zru\u010dnosti, klidu a ochot\u011b sn\u00e1\u0161et nejistotu.<\/li>\n<li><strong>Jak\u00fd v\u00fdznam m\u011blo obdob\u00ed koronaviru pro jeho ve\u0159ejn\u00fd obraz?<\/strong><br \/>\nV t\u00e9to dob\u011b se obzvl\u00e1\u0161t\u011b jasn\u011b projevil postoj Helgeho Schneidera: sp\u00ed\u0161e rozhodnut\u00edmi ne\u017e prohl\u00e1\u0161en\u00edmi. Za ur\u010dit\u00fdch podm\u00ednek nevystupoval bez politick\u00e9ho prohl\u00e1\u0161en\u00ed. Tento d\u016fsledek byl nepochopen, ale jasn\u011b uk\u00e1zal, jak v\u00e1\u017en\u011b bere svobodu jako p\u0159edpoklad um\u011bn\u00ed.<\/li>\n<li><strong>Pro\u010d je tak t\u011b\u017ek\u00e9 se s Helgem Schneiderem dohodnout?<\/strong><br \/>\nProto\u017ee se nezavazuje. Jeho v\u00fdpov\u011bdi z\u016fst\u00e1vaj\u00ed otev\u0159en\u00e9, jeho um\u011bn\u00ed nejednozna\u010dn\u00e9. Neexistuj\u00ed v n\u011bm jasn\u00e1 sd\u011blen\u00ed, kter\u00e1 by bylo mo\u017en\u00e9 vyu\u017e\u00edt pro vlastn\u00ed \u00fa\u010dely. Tato neur\u010ditost chr\u00e1n\u00ed jeho d\u00edlo p\u0159ed instrumentalizac\u00ed a zachov\u00e1v\u00e1 jeho flexibilitu.<\/li>\n<li><strong>Je humor Helgeho Schneidera nad\u010dasov\u00fd?<\/strong><br \/>\nAno, pr\u00e1v\u011b proto, \u017ee nen\u00ed v\u00e1z\u00e1n na aktu\u00e1ln\u00ed ud\u00e1losti. Jeho humor nekomentuje titulky novin, ale lidsk\u00e9 vzorce, rutinu a absurdity. V d\u016fsledku toho st\u00e1rne pomaleji ne\u017e humoristick\u00e9 formy, kter\u00e9 jsou siln\u011b z\u00e1visl\u00e9 na duchu doby.<\/li>\n<li><strong>Jakou roli hraje v jeho tvorb\u011b improvizace?<\/strong><br \/>\nImprovizace nen\u00ed jen hudebn\u00ed technika, ale \u017eivotn\u00ed princip. Vy\u017eaduje discipl\u00ednu a pozornost a z\u00e1rove\u0148 umo\u017e\u0148uje otev\u0159enost. Tento princip formuje jeho hudbu, humor i p\u0159\u00edstup k nejistot\u011b.<\/li>\n<li><strong>Pro\u010d se Helge Schneider nikdy nezd\u00e1 b\u00fdt \u00fapln\u00fd nebo \u201ehotov\u00fd\u201c?<\/strong><br \/>\nProto\u017ee svou pr\u00e1ci nevn\u00edm\u00e1 jako d\u00edlo s kone\u010dn\u00fdm bodem, ale jako neust\u00e1l\u00fd proces. Neexistuje \u017e\u00e1dn\u00fd kone\u010dn\u00fd z\u00e1v\u011br, \u017e\u00e1dn\u00e1 bilance. V\u011bci se m\u011bn\u00ed, miz\u00ed, znovu se objevuj\u00ed. Tato otev\u0159enost br\u00e1n\u00ed stagnaci a nostalgii.<\/li>\n<li><strong>Co spojuje jeho publikum navzdory velk\u00fdm rozd\u00edl\u016fm?<\/strong><br \/>\nJeho um\u011bn\u00ed se ne\u0159ad\u00ed podle postoj\u016f nebo n\u00e1zor\u016f. Vytv\u00e1\u0159\u00ed sd\u00edlen\u00fd prostor, v n\u011bm\u017e rozd\u00edly ani na okam\u017eik nemus\u00ed hr\u00e1t roli. Lid\u00e9 se vedle sebe sm\u011bj\u00ed nebo \u017easnou, ani\u017e by museli souhlasit.<\/li>\n<li><strong>Pro\u010d je jeho tich\u00fd zp\u016fsob kritiky spole\u010dnosti tak \u00fa\u010dinn\u00fd?<\/strong><br \/>\nProto\u017ee nepou\u010duje, ale dr\u00e1\u017ed\u00ed. Nem\u011bn\u00ed p\u0159\u00edmo n\u00e1zory, ale sp\u00ed\u0161e my\u0161lenkov\u00e9 n\u00e1vyky. Tato forma kritiky m\u00e1 pomalej\u0161\u00ed, ale trvalej\u0161\u00ed \u00fa\u010dinek, proto\u017ee \u010din\u00ed jedince odpov\u011bdn\u00fdm.<\/li>\n<li><strong>Je Helge Schneider v\u00e1\u017en\u011bj\u0161\u00ed nebo vtipn\u011bj\u0161\u00ed?<\/strong><br \/>\nTato ot\u00e1zka je nedostate\u010dn\u00e1. Je oboj\u00edm z\u00e1rove\u0148. V\u00e1\u017enost a komi\u010dnost se v jeho d\u00edle nevylu\u010duj\u00ed, jsou na sob\u011b z\u00e1visl\u00e9. Pr\u00e1v\u011b tato simult\u00e1nnost \u010din\u00ed jeho d\u00edlo tak obt\u00ed\u017en\u011b za\u0159aditeln\u00e9 - a tak zaj\u00edmav\u00e9.<\/li>\n<li><strong>Pro\u010d stoj\u00ed Helge Schneider za portr\u00e9t?<\/strong><br \/>\nProto\u017ee ukazuje, \u017ee postoj je mo\u017en\u00fd i bez hlasitosti. Proto\u017ee dokazuje, \u017ee um\u011bleck\u00e1 svoboda je zalo\u017eena na zru\u010dnosti a d\u016fslednosti. A proto\u017ee je alternativou ke kultu\u0159e, kter\u00e1 vy\u017eaduje jednozna\u010dnost, kde by otev\u0159enost byla \u010dasto lep\u0161\u00ed odpov\u011bd\u00ed.<\/li>\n<\/ol>\n<hr \/>\n\n\t\t\t<div class=\"display-post-types\">\n\n\t\t\t\t\t\t\t<style type=\"text\/css\">\n\t\t\t#dpt-wrapper-548 { --dpt-text-align: left;--dpt-image-crop: center;--dpt-border-radius: 5px;--dpt-h-gutter: 10px;--dpt-v-gutter: 9px; }\t\t\t<\/style>\n\t\t\t<style type=\"text\/css\">#dpt-wrapper-548 { --dpt-title-font-style:normal;--dpt-title-font-weight:600;--dpt-title-line-height:1.5;--dpt-title-text-decoration:none;--dpt-title-text-transform:none;--dpt-excerpt-font-style:normal;--dpt-excerpt-font-weight:400;--dpt-excerpt-line-height:1.5;--dpt-excerpt-text-decoration:none;--dpt-excerpt-text-transform:none;--dpt-meta1-font-style:normal;--dpt-meta1-font-weight:400;--dpt-meta1-line-height:1.9;--dpt-meta1-text-decoration:none;--dpt-meta1-text-transform:none;--dpt-meta2-font-style:normal;--dpt-meta2-font-weight:400;--dpt-meta2-line-height:1.9;--dpt-meta2-text-decoration:none;--dpt-meta2-text-transform:none; }<\/style><div class=\"dpt-main-header\">\n\t\t\t\t\t\t<div class=\"dpt-main-title\">\n\t\t\t\t\t\t\t<span class=\"dpt-main-title-text\">Aktu\u00e1ln\u00ed \u010dl\u00e1nky o um\u011bl\u00e9 inteligenci<\/span>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t<\/div>\t\t\t\n\t\t\t\t<div id=\"dpt-wrapper-548\" class=\"dpt-wrapper dpt-mag1 land1 dpt-cropped dpt-flex-wrap\" >\n\n\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"vom chatgpt-datenexport zur eigenen wissens-ki: schritt-f\u00fcr-schritt mit ollama und qdrant\" data-id=\"5306\"  data-category=\"apple macos ki-systeme tipps &amp; anleitungen\" data-post_tag=\"datenbanken denkmodelle digitales eigentum docker k\u00fcnstliche intelligenz llama llm mlx ollama prozesse sprachmodell\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2026\/03\/od-exportu-dat-chatgpt-do-vlastnich-znalosti-ki-krok-za-krokem-s-ollama-a-qdrant\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Od exportu dat ChatGPT k vlastn\u00ed znalostn\u00ed AI: krok za krokem s Ollama a Qdrant<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Cesta k vlastn\u00ed 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k vlastn\u00ed znalostn\u00ed AI: krok za krokem s Ollama a Qdrant<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\t\t\t\t\t\t<div class=\"dpt-entry has-thumbnail\" data-title=\"ki als sparringspartner nutzen: wie denken im dialog produktiver wird\" data-id=\"4121\"  data-category=\"b\u00fccher ki-systeme tipps &amp; anleitungen\" data-post_tag=\"buch datenlogik denkmodelle k\u00fcnstliche intelligenz lernen llm ratgeber sprachmodell\">\n\t\t\t\t\t\t\t<div class=\"dpt-entry-wrapper\"><div class=\"dpt-featured-content\"><div class=\"dpt-permalink\"><a href=\"https:\/\/www.markus-schall.de\/cs\/2025\/12\/pouziti-ki-jako-sparingpartnera-jak-se-mysleni-v-dialogu-stava-produktivnejsim\/\" class=\"dpt-permalink\"><span class=\"screen-reader-text\">Pou\u017eit\u00ed um\u011bl\u00e9 inteligence jako sparingpartnera: Jak se my\u0161len\u00ed v dialogu st\u00e1v\u00e1 produktivn\u011bj\u0161\u00edm<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div 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class=\"dpt-permalink\"><span class=\"screen-reader-text\">Nov\u00e9 z\u00e1kony EU o cenzu\u0159e: Co znamenaj\u00ed z\u00e1kony Chatcontrol, DSA, EMFA a AI Act?<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Cenzurn\u00ed z\u00e1kony EU\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/eu-zensurgesetze.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/eu-zensurgesetze.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/eu-zensurgesetze-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/eu-zensurgesetze-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/eu-zensurgesetze-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div 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inteligence a energie: kolik skute\u010dn\u011b stoj\u00ed boom um\u011bl\u00e9 inteligence<\/span><\/a><\/div><div class=\"dpt-thumbnail\"><div class=\"dpt-thumbnail-inner\"><img width=\"1024\" height=\"683\" class=\"attachment-full size-full\" alt=\"Um\u011bl\u00e1 inteligence, energie a udr\u017eitelnost\" context=\"dpt\" data-dpt-src=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-Energie-Nachhaltigkeit.jpg\" data-dpt-sizes=\"(max-width: 1024px) 100vw, 1024px\" data-dpt-srcset=\"https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-Energie-Nachhaltigkeit.jpg 1024w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-Energie-Nachhaltigkeit-300x200.jpg 300w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-Energie-Nachhaltigkeit-768x512.jpg 768w, https:\/\/www.markus-schall.de\/wp-content\/uploads\/KI-Energie-Nachhaltigkeit-18x12.jpg 18w\" \/><\/div><span class=\"dpt-thumbnail-aspect-ratio\" style=\"padding-top: 75%\"><\/span><\/div><\/div><div class=\"sub-entry\"><h3 class=\"dpt-title\"><a class=\"dpt-title-link\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/umela-inteligence-a-energie-co-ki-boom-skutecne-stoji\/\" rel=\"bookmark\">Um\u011bl\u00e1 inteligence a energie: kolik skute\u010dn\u011b stoj\u00ed boom um\u011bl\u00e9 inteligence<\/a><\/h3><\/div><\/div>\n\t\t\t\t\t\t<\/div><!-- .dpt-entry -->\n\t\t\t\t\t\t\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\n<hr \/>","protected":false},"excerpt":{"rendered":"<p>Helge Schneider mi padl do oka u\u017e velmi brzy. Ne proto, \u017ee by byl n\u011bjak zvl\u00e1\u0161\u0165 hlu\u010dn\u00fd nebo se tla\u010dil do pop\u0159ed\u00ed \u2013 sp\u00ed\u0161 naopak. Byla to ta zvl\u00e1\u0161tn\u00ed sm\u011bsice inteligentn\u00ed absurdity, jazykov\u00e9ho nekonven\u010dn\u00edho uva\u017eov\u00e1n\u00ed a hudebn\u00ed p\u0159irozenosti, kter\u00e1 mi utkv\u011bla v pam\u011bti. N\u011bco na tom p\u016fsobilo od sam\u00e9ho za\u010d\u00e1tku jinak. Klidn\u011b. Neovlivn\u011bn\u011b. A p\u0159edev\u0161\u00edm: ne \u2026 <a title=\"Um\u011bl\u00e1 inteligence a energie: kolik skute\u010dn\u011b stoj\u00ed boom um\u011bl\u00e9 inteligence\" class=\"read-more\" href=\"https:\/\/www.markus-schall.de\/cs\/2026\/01\/umela-inteligence-a-energie-co-ki-boom-skutecne-stoji\/\" aria-label=\"\u010c\u00edst v\u00edce o Um\u011bl\u00e1 inteligence a energie: kolik skute\u010dn\u011b stoj\u00ed boom um\u011bl\u00e9 inteligence\">\u010c\u00edst d\u00e1l<\/a><\/p>","protected":false},"author":1,"featured_media":4819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":121,"footnotes":""},"categories":[1,466,472],"tags":[480,458,476,483,477],"class_list":["post-4756","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-allgemein","category-gesellschaft","category-kunst-kultur","tag-deutschland","tag-erfahrungen","tag-meinungsfreiheit","tag-musik","tag-portrait"],"_links":{"self":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/4756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/comments?post=4756"}],"version-history":[{"count":11,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/4756\/revisions"}],"predecessor-version":[{"id":6122,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/posts\/4756\/revisions\/6122"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/media\/4819"}],"wp:attachment":[{"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/media?parent=4756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/categories?post=4756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.markus-schall.de\/cs\/wp-json\/wp\/v2\/tags?post=4756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}