Art & Culture

Kunst und Kultur sind mehr als nur Unterhaltung – sie sind Ausdruck unserer Geschichte, unserer Werte und unseres inneren Maßstabs. In dieser neuen Kategorie des MSchall Verlags widmen wir uns jenen Persönlichkeiten, Werken und Entwicklungen, die unser gesellschaftliches Leben prägen und bereichern. Ob Schauspiel, Musik, Literatur oder zeitgenössische Debatten: Wir betrachten diese Themen mit dem nötigen Respekt für ihre Tradition und mit einem wachen Blick für das, was sie uns heute noch zu sagen haben. Jede Analyse folgt dabei dem Leitgedanken, dass echte Kultur nicht laut sein muss, sondern tief. Hier entsteht ein Ort, an dem Kunst wieder das wird, was sie immer war – ein Spiegel der Zeit und ein Anker für den Einzelnen.

Jan-Josef Liefers: A portrait of attitude, origins and artistic freedom

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Jan-Josef Liefers

When you see Jan-Josef Liefers today as the eccentric Professor Boerne in „Tatort“, it's easy to forget how long it took to get there. I myself have always enjoyed seeing him in this role: as a mixture of subtlety, narcissism, humor and astonishing clarity. But this mixture doesn't come out of nowhere. It is the result of a life that began in a completely different Germany - in the GDR, in a country with narrow borders and clear guidelines.

To understand why Liefers takes such a consistent stance today, you have to go back to his childhood, to his parents' theater world and to a time when criticism of the system was anything but without consequences.

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Why Dieter Bohlen speaks when others remain silent: A portrait of diligence and clarity

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There are personalities that you only really understand when you detach yourself from their public image. Dieter Bohlen belongs exactly in this category. Musically, I myself am not a big fan of his shallow, often very simple melodies - and yet, to be fair, it has to be said that what he created was extremely precise, target group-oriented and clearly structured for the 1980s. Bohlen was never the great artist in the romantic sense. But he was an outstanding businessman, a hard worker and someone who understood his craft in a way that few do today.

What makes him interesting for me is not so much his music - but the fact that he remained successful for decades, while whole generations of artists came and went around him. And that today - after many years of silence - he is suddenly taking a clear stand on social issues. This is the reason why it is worth looking at Dieter Bohlen as a person beyond the usual media image: not as a pop titan, not as a TV pundit, but as a craftsman, businessman and mirror of a time that understands itself less and less.

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The Affinity graphics suite becomes free: What professional users need to know now

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Affinity graphics suite free of charge

If, like me, you have been working with layout and typesetting programs for decades, you usually notice such changes more clearly than those who have only recently entered this world. I have seen many things come and go over the years: In the early nineties, I worked on the Atari ST with Calamus SL and later, under Windows, with CorelDraw! Later came QuarkXPress, then iCalamus, Adobe InDesign - and finally, a few years ago, Affinity Publisher. Since then, the Affinity suite has accompanied me through almost all my book projects. Over the years, it has been a reliable tool, pleasantly straightforward, clearly structured and free of the ballast that many large software houses have added to themselves over the years.

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Dieter Bohlen in plain language: Why Germany is failing because of its own bureaucracy

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Dieter Bohlen in conversation with Dominik Kettner

This article highlights a recent, remarkably candid conversation between Dieter Bohlen - the longtime music producer, entrepreneur and one of the most recognizable faces of German pop culture - and Dominik Kettner, a precious metals expert, YouTuber and financial entrepreneur who has been studying wealth protection and economic trends for years.

At first glance, the meeting of the two seems unusual: here the entertainer with decades of international experience, there the financial analyst who primarily addresses security-conscious savers and entrepreneurs. But it is precisely this mixture that makes the interview so exciting. Bohlen speaks freely, without a PR filter, while Kettner drills down and makes complex developments tangible. Together, they create a space in which undesirable political developments, economic risks and personal experiences are interwoven - clearly, directly and without excuses.

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Future with a charger - Mr. von L'oreot buys an e-scooter

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It was one of those quiet mornings when the sun shone through the fine curtains of my study and the smell of freshly brewed Darjeeling mingled with that of newspaper ink - a smell that always reminds me of the orderly times when paper was still considered the carrier of thought and not the packaging for bananas.

As usual, I had neatly arranged my breakfast: two slices of gray bread, butter in a geometric arrangement, and a boiled egg with the familiar crack that always appears in the same place - a mystery that even progress cannot explain.

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Career, world view, future: Decisions in the shadow of upheaval

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Decisions in the shadow of upheaval

This is not a guide in the traditional sense. You won't find any career recommendations, tables of future industries or tips on the perfect job application here. Instead, it's about something deeper: attitude, orientation and the ability to see clearly - at a time when many things are no longer sustainable.

There are times in life when you feel inside that things can't stay the way they were. Not because you are suddenly dissatisfied. But because you can see that the world around you is changing - and not for the better. Many people today feel this quiet pain. A tugging in the background that won't go away. The feeling that what has been sold to us for decades as "security" has less and less to do with reality.

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