There are artists who put their opinions on paper like a stamp: visible, unmistakable, sometimes even a little cheap. And then there is Vicco von Bülow - Loriot - who embodies the opposite: Poise without bluster. He could be very clear when he wanted to be. But he didn't do it with a pointing finger, but with a precision that first leads to laughter and then - almost imperceptibly - delivers the seriousness. This is particularly evident in later interviews: he does not speak in slogans, but in nuances. There is often more plain language between the lines than can be found in many a loud speech.
And perhaps this is where the real portrait begins: not with the famous sketches, not with the quotes that everyone knows, but with the question of how a person becomes so that they can look at the world with both kindness and relentless precision.