Portrait

Under the heading of portraits, personal, quiet approaches to people who have left their mark through their thoughts, actions or work are gathered here. The focus is less on dates in life or external successes and more on the attitude that has developed over the course of a lifetime. These portraits ask how someone has become who they are - and why they have an impact on others. They deliberately avoid quick judgments and loud labels. Instead, they focus on imprints, ruptures, decisions and nuances. A portrait in this sense is not a hero worship or a billing format, but a precise observation: respectful, categorizing and open to contradictions. This results in texts that not only inform, but also inspire reflection - about people, about the course of time and about one's own attitude.

Who actually is J. D. Vance? A portrait of his origins, career, contradictions and future

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Who is J. D. Vance?

International reporting on the United States is usually dominated by the big, loud figures. Names that polarize, that provoke, that generate headlines. For many European observers, politics in the USA is therefore often an interplay of escalation, conflict and clearly recognizable opposites. And then suddenly a name appears that doesn't fit into this picture at all: J. D. Vance.

Not a classic loudspeaker. Not a man of grand gestures. Not a politician who immediately attracts attention with pithy words. And yet he is suddenly there - in interviews, in analyses, in political debates. Not as a marginal figure, but as someone who obviously plays a role that is bigger than it appears at first glance. For many readers in Germany or Europe, this is precisely where the real question begins: who is this man anyway - and why has he suddenly become so important?

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Johann Sebastian Bach - Order, attitude and the foundation of our music

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Johann Sebastian Bach Portrait

As a child and teenager, I grew up in a family of musicians. Both my parents are music teachers. My mother plays the flute, my father the piano. Music was not a decorative background in our home, but a natural part of everyday life. We practiced, taught, discussed, sometimes even wrestled. Sheet music was laid out on the piano, not in the cupboard.

I played the piano myself, and later also the saxophone. And like so many people who go through classical training, I ended up with Johann Sebastian Bach at some point - more specifically the first prelude from the „Well-Tempered Clavier“. I can still play it. Maybe not flawlessly, I would have to practise again. But the structure of this piece is still with me today. This calm sequence of broken chords, the clear harmony, the self-evident order - even as a pupil you can sense that something important is happening here. This portrait is dedicated to my mother on her 70th birthday, who made it possible for me to take piano lessons at that time.

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Helge Schneider: Attitude, humor and the freedom of not having to explain yourself

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Helge Schneider Portrait

I noticed Helge Schneider very early on. Not because he was particularly loud or pushed himself to the fore - on the contrary. It was this peculiar mixture of intelligent absurdity, linguistic sideways thinking and musical matter-of-factness that stuck with me. Something about it seemed different right from the start. Unexcited. Unimpressed. And above all: not in need of explanation.

This portrait is therefore not a fan text. Nor is it an ironic wink or an attempt to pigeonhole Helge Schneider into a cultural category. Rather, it is an attempt to look at a personality who has consistently resisted any form of appropriation for decades - and who shows attitude precisely because of this.

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More than punk: Nina Hagen, Cosma Shiva and the art of not letting yourself be taken in

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Portrait of Nina and Cosma Shiva Hagen

When you approach a portrait of Nina Hagen, it's tempting to talk about music first. About punk, provocation, shrill performances. About everything that is loud and visible. This portrait deliberately begins differently. Not with songs, not with styles, not with images. But with something quieter - and more important: attitude.

Attitude is not a label. It cannot be put on like a costume, pasted on afterwards or explained with marketing. Attitude is evident in early behavior, long before someone becomes famous. It can be seen in how someone reacts to limitations, to contradictions, to power. And this is where Nina Hagen becomes interesting - not as an icon, but as a personality.

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Dieter Hallervorden - More than Didi: Portrait of an uncomfortable free spirit

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Dieter Hallervorden and the Wühlmäuse in Berlin

There are figures that stick to you for the rest of your life. Some like an ill-fitting suit, others like an old friend who keeps popping in without being asked. In Dieter Hallervorden's case, this friend is called „Didi“. And he doesn't ring, he bangs. On an imaginary gong. Palim, Palim! - and almost everyone knows who is meant.

But this is where the misunderstanding begins. Because anyone who reduces Dieter Hallervorden to this one moment, to the slapstick act, the stumbling face and the exaggerated naivety, misses the real person behind it. The joker was always just the surface. Underneath was a mind that was more alert than many gave him credit for - and a character who never liked to be told where to go. This portrait is therefore not a nostalgic look back at the television entertainment of past decades. It is an attempt to take seriously an artist who deliberately did not want to be taken seriously for decades - which is precisely why he was so effective.

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Vicco von Bülow alias Loriot - order, form and the quiet resistance of humor

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There are artists who put their opinions on paper like a stamp: visible, unmistakable, sometimes even a little cheap. And then there is Vicco von Bülow - Loriot - who embodies the opposite: Poise without bluster. He could be very clear when he wanted to be. But he didn't do it with a pointing finger, but with a precision that first leads to laughter and then - almost imperceptibly - delivers the seriousness. This is particularly evident in later interviews: he does not speak in slogans, but in nuances. There is often more plain language between the lines than can be found in many a loud speech.

And perhaps this is where the real portrait begins: not with the famous sketches, not with the quotes that everyone knows, but with the question of how a person becomes so that they can look at the world with both kindness and relentless precision.

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Jeffrey Sachs warns Germany: Why Europe's security needs to be rethought

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Jeffrey Sachs writes open letter to Chancellor Merz

In his open letter to German Chancellor Friedrich Merz, published in the Berliner Zeitung on December 17, 2025, the well-known economist and professor Jeffrey D. Sachs speaks out with a clarity that has become rare in the current European debate. Sachs speaks not as an activist, not as a partisan and not as a commentator from a distance, but as an economist and political advisor who has worked for decades at the central interfaces of international crises, security architectures and economic upheavals. The open letter contains an unusually sharp quote:

„Learn history, Mr. Chancellor.“

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Ulrike Guérot: A European between idea, university and public discourse

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Ulrike Guérot and Europe

There are people whose thoughts you like to follow not because you agree with them on everything, but because they make an effort to penetrate things. For me, Ulrike Guérot is one of these voices. I have been watching her lectures for several years now - not regularly, not ritualized, but when I come across a topic that I feel is worth listening to more closely. What strikes me is that her arguments are calm, structured and largely non-ideological.

This does not make her lectures spectacular in the media sense, but they are sustainable. You can listen to her for a long time without getting the feeling that she is trying to sell a ready-made world view. Especially at a time when political debates are often morally charged or emotionally truncated, this way of speaking seems almost old-fashioned. In the best sense of the word.

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